Chapter 5- Greece (51-71)
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| the temple dedicated to Athena on the Acropolis | ||
| entry gate at the west end of the Acropolis | ||
| temple on the Acropolis (caryatids porch) | ||
| architect of the Propylaea | ||
| the architects of the Parthenon | ||
| sculptor of statues in the Parthenon | ||
| leader of Athens in the Golden Age | ||
| many colors | ||
| arrogance leading to downfall | ||
| a scene formed from tiny stones collected from river beds and beaches and set into cement | ||
| tiny pieces of glass set into cement to portray a scene instead of stones | ||
| a term for any grandiose funerary monument | ||
| a circular shrine | ||
| 23-30 BC this period is usually reckoned from the death of Alexander. It was melodramatic, ornate and filled with dynamic energy | ||
| an artistic representation of suffering which evokes pity because of the nobility and restraint with which it is endured | ||
| a colonnade (a series of arches supported by columns) around a center space | ||
| a marketplace | ||
| a covered colonnade used for shops or offices | ||
| in Greek mythology a hideous female demon with snake hair capable of turning anyone who gazed at her into stone | ||
| a single row of columns on all sides | ||
| a double row of columns |