ECHHS Chapter 32 'Artists'
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| Untitled (12 Horses) |  | |
| City Square |  | |
| Head Surrounded by Sides of Beef |  | |
| Cow with the Subtile Nose |  | |
| Painting |  | |
| Composition (Composizione) |  | |
| Zambezia |  | |
| Garden in Sochi |  | |
| Male and Female |  | |
| Photograph of Jackson Pollock Painting |  | |
| Autumn Rhythm (Number 30) |  | |
| The Seasons |  | |
| Asheville |  | |
| Knight Watch |  | |
| Mountains and Sea |  | |
| NO. 61, Brown, Blue, Brown on Blue |  | |
| Vir Heroicus Sublimis |  | |
| Hudson River Landscape |  | |
| Sky Cathedral |  | |
| Abstract Art in Five Tones and Complementaries |  | |
| Analytical Strucuture |  | |
| Madi Luminous Structure "F" |  | |
| Trolley, New Orleans |  | |
| Child with Toy Hand Grenade |  | |
| Capitol Reef, Utah |  | |
| Canyon |  | |
| Target with Four Faces |  | |
| The Courtyard |  | |
| Anthropometries of the Blue Period |  | |
| Homage to New York |  | |
| Just What is that Makes Today's Homes so Different, So Appealing? |  | |
| Marilyn Diptych |  | |
| Oh, Jeff...I Love You, Too...But... |  | |
| Lipstick (Ascending) On Caterpillar Tracks |  | |
| Armonia Transformable (Transformable Harmony) |  | |
| Current |  | |
| Tall Spread |  | |
| Avicenna |  | |
| Untitled |  | |
| Rope Piece |  | |
| Bicho LC3 (Pan-Cubisme) |  | |
| Pink-Blue-Pink |  | |
| Igloo |  | |
| One and Three Chairs |  | |
| Self-Portrait As A Fountain |  | |
| How to Explain Pictures to a Dead Hare |  | |
| Double Negative |  | |
| Spiral Jetty |  | |
| Running Fence |  | |
| The Liberation of Aunt Jemima |  | |
| Personal Appearance #3 |  | |
| Tar Beach (Part 1 From the Woman on the Bridge Series) |  | |
| Untitled Work from the Tree of Life Series |  | |
| Seagram Building |  | |
| Trans World Airlines Terminal, John F. Kennedy Airport |  | |
| Habitat '67 |  | |
| Vanna Venturi House |  | |
| Model, AT&T Corporate Headquarters |  | |
| Untitled Film Still #21 |  | |
| We Won't Play Nature to your Culture |  | |
| After "Invisible Man" By Ralph Ellison, The Preface |  | |
| Action Photo I (From "Pictures of Chocolate") |  | |
| 99 Cent |  | |
| Heath of the Brandenburg March |  | |
| Raised Chair with Geese |  | |
| Horn Players |  | |
| The Division of the Barrios |  | |
| The Red Mean: Self Portrait |  | |
| Many Mansions |  | |
| Eye Love Superflat |  | |
| Plenty's Boast |  | |
| As if to Celebrate, I Discovered a Mountain Blooming with Red Flowers |  | |
| House |  | |
| Untitled |  | |
| After Kings |  | |
| Hong Kong & Shanghai Bank |  | |
| Vitra Fire Station |  | |
| Guggenheim Museum |  | |
| Higher Goals |  | |
| Revival Field: Pig's Eye Landfill |  | |
| Indigo Blue |  | |
| Moma Roof Garden |  | |
| Electronic Superhighway: Continental U.S. |  | |
| Production Stills from "Fervor" |  | |
| United Nations-Babel of the Millennium |  | |
| The Holy Virgin Mary |  | |
| The Dinner Party |  | |
| Hurling Colors |  |