AP Art History Chapter 1
Prehistoric Art in Europe
Terms : Hide Images [1]
In early Greek pottery, the silhouetting of dark figures against a light background of natural, reddish clay, with linear details incised through the silhouettes. | ||
A pointed tool used for engraving or incising. | ||
A convention of representation in which part of a figure is shown in profile and another part of the same figure is shown frontally | ||
The way in which an artist organizes forms in an artwork, either by placing shapes on a flat surface or arranging forms in space. | ||
A circle of monoliths. Also called henge. | ||
Images, materials, or objects as found in the everyday environment that are incorporated into works of art. | ||
In paintings and reliefs, a painted or carved baseline on which figures appear to stand. | ||
A circle of monoliths | ||
In sculpture, figures projecting from a background of which they are part. The degree of relief is designated high, low (bas), or sunken. | ||
To cut into a surface with a sharp instrument; also, a method of decoration, especially on metal and pottery. | ||
A picture showing natural scenery, without narrative content. | ||
A beam used to span an opening. | ||
The material (for example, marble, bronze, clay, fresco) in which an artist works; also, in painting, the vehicle (usually liquid) that carries the pigment. | ||
Greek, "great stone." A large, roughly hewn stone used in the construction of monumental prehistoric structures. | ||
The "middle" Stone Age, between the Paleolithic and the Neolithic ages | ||
A column shaft that is all in one piece (not composed of drums); a large, single block or piece of stone used in megalithic structures. | ||
a wall painting | ||
The "new" Stone Age. | ||
The "old" Stone Age, during which humankind produced the first sculptures and paintings. | ||
Method of measuring the decay rate of carbon isotopes in organic matter to provide dates for organic materials such as wood and fiber. | ||
In later Greek pottery, the silhouetting of red figures against a black background, with painted linear details; the reverse of black-figure painting. | ||
Hard-baked clay, used for sculpture and as a building material. It may be glazed or painted. | ||
A pair of monoliths topped with a lintel; found in megalithic structures. | ||
A convention of representation in which part of a figure is shown in profile and another part of the same figure is shown frontally; a composite view. |