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Chapter 5- Greece (1-25)

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the direct rule of the people (demos)
an independent city state
the ceremonial games in which all the Greek states participated
a vase with a hole placed at the bottom for a libation (a liquid used as a sacrifice to a deity) so it could seep out unto the grave
a Greek, shallow drinking cup
a two-handled Greek storage jar
a tall vase with two handles and a cover
a pattern made up of bands of horizontal, abstract motifs, also, called the Greek key
the formative period of Greek art
a mythological beast, half man and half horse
a female monster (Medusa had a head of snakes could turn men into stone)
the period of Greek art from 900 to 500BC. It was the earliest period of great vase painting and the beginning of monumental stone sculpture
a creature which is half bird and half woman
a style in which the entire design is pained in black silhouette against the red clay. The internal design is scratched in with a needle
the reddish clay was painted with black slip (watery clay substance). The design was freely painted with a brush which made it possible to show overlapping and foreshortening
a female figure which functions as a column
an archaic Greek sculpture of a standing female youth
an archaic Greek sculpture of standing male youth
high city is a sacred hill on which the Parthenon was built
an element of the Doric frieze separating two consecutive metopes and divided into three sections
a swelling in the middle of the shafts on a column
a small building set up for the safe storage of votive offerings
a triangle over the lintel in a temple
the entire structure above the columns
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