AP English Literature Term List Flashcards
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2938726415 | Abstract | Refers to language that describes concepts rather than concrete images | 0 | |
2938749795 | Allegory | A story that acts as an extended metaphor. Characters, objects, and actions int he story have additional meanings separate from and outside the story itself. These additional levels of meaning are the story. | 1 | |
2938803631 | Alliteration | The repetition of the same consonant or vowel sound at the beginning of several closely placed words. The sound can also be included within the words as well as at the beginning. | 2 | |
2938812706 | Allusion | A brief reference to a historical or literary figure, event, or object | 3 | |
2938819879 | Ambiguity | The multiple meanings, either intentional or unintentional, of a word; phrase, sentence, or passage. | 4 | |
2938827747 | Amplification | Involves repeating a word or expression while adding more detail to it, in order to emphasize what otherwise might be passed over. | 5 | |
2938835462 | Anaphora | The repetition of a word or phrase at the beginning of successful phrases, clauses, or lines. | 6 | |
2938841112 | Anastrophe | Transposition of normal word order; most often found in Latin in the case of prepositions and the words they control. (a form of hyperbaton) | 7 | |
2938859080 | Anecdote | A story or brief episode told by the writer or a character to illustrate to a point. | 8 | |
2938865990 | Anthropomorphism | A technique in which a writer ascribes human traits, ambitions, emotions or entire behavior to animals, non-human beings, natural phenomena or objects. | 9 | |
2938880551 | Anti Hero | A prominent character in a play or book that has characteristics opposite to that of a conventional hero. The protagonist is generally admired for his bravery, strength, charm, ingenuity etc... while this is typically clumsy, unsolicited, and unskilled and has both good and bad qualities. | 10 | |
2938917170 | Antiphrasis | One word irony, established by context | 11 | |
2938923045 | Aphorism | A terse statement of known authorship which expresses a general truth or moral principle. (If the authorship is unknown, the statement is generally considered to be a folk proverb.) This can be a memorable summation of the author's point. | 12 | |
2938941271 | Apophasis | (Also called praeteritio or occupatio) Asserts or emphasizes something by pointedly seeming to pass over, ignore, or deny it. | 13 | |
2938960177 | Aporia | Expression of doubt (often feigned) by which a speaker appears uncertain as to what he should think, say, or do | 14 | |
2938968720 | Aposiopesis | A form of ellipse by which a speaker comes to an abrupt halt, seemingly overcome by passion (fear, excitement, etc...) or modesty | 15 | |
2939004564 | Apostrophe | A figure of speech that directly addresses an absent or imaginary person or personified abstraction, such as liberty or love. The effect may add familiarity or emotional intensity. | 16 | |
2939022077 | Appositive | A noun or noun substitute placed next to (in apposition to) another noun to be described or defined by it. | 17 | |
2939028847 | Archaism | Use of an older or obsolete form. | 18 | |
2939033152 | Archetype | A typical character, theme, symbols, setting, an action, or a situation that seems to represent such universal patterns of human nature. | 19 | |
2939041175 | Assonance | The use of the same or similar vowel sounds in the stressed syllables of several closely placed words that end with different consonant sounds. | 20 | |
2939049643 | Asyndeton | Lack of conjunctions between coordinate phrases, clauses, or words. | 21 | |
2939056241 | Atmosphere | The emotional mood created by the entirety of a literary work, established partly by the setting an partly by the author's choice of objects that are described. Even such elements as a description of the weather can contribute to the atmosphere. Frequently, atmosphere foreshadows events. | 22 | |
2939072390 | Attitude | The relationship an author has toward his or her subject, and/or his or her audience. | 23 | |
2939081165 | Blank Verse | Unrhymed iambic pentameter | 24 | |
2939089421 | Cacophony | Harsh and discordant sounds in a line or passage in a literary work. | 25 | |
2939092411 | Caesura | A pause or break in a line of poetry. | 26 | |
2939095283 | Characterization | The way an author creates and develops the characters in the story. This includes appearance, personality, behavior, beliefs, and relationships with other characters. | 27 | |
2939116332 | Direct Characterization | The narrator explains the character to the reader. | 28 | |
2939119588 | Indirect Characterization | The reader infers what the character is like through his actions and the reactions of other characters. | 29 | |
2939124765 | Conflict | A struggle between an character and another opposing force. | 30 | |
2939132533 | Man vs. Self | The character struggles within herself to make a decision, reach a conclusion, or overcome a part of herself. | 31 | |
2939139091 | Man vs. Man | The character struggles against the will or actions of another character. | 32 | |
2939146176 | Man vs. Society | The character struggles against a group or society | 33 | |
2939148988 | Man vs. Nature | The character struggles against natural forces or elements outside of human creation. | 34 | |
2939154774 | Cliché | An overused common expression. | 35 | |
2939158956 | Climax | Arrangement of words, phrases, or clauses in an order of ascending power. | 36 | |
2939164038 | Colloquial | The use of slang in writing, often to create local color and to provide an informal tone. | 37 | |
2939169364 | Comedy | Drama that is meant to amuse the audience through wit, humor, subtlety, character. | 38 | |
2939175043 | Comic Relief | The inclusion of a humorous character or scene to contrast with the tragic elements of a work, thereby intensifying the next tragic event. | 39 | |
2939198748 | Conceit | A fanciful expression, usually in the form of an extended metaphor or surprising analogy between seemingly dissimilar objects. This displays intellectual cleverness due to the unusual comparison being made. | 40 | |
2939222585 | Concrete | Words that exist things that exist and can be expressed through the senses. Abstractions are rendered understandable and specific through exact examples. | 41 | |
2939240957 | Connotation | Any meaning a word conveys, emotional or social, that is in addition to its official meaning. The additional meaning may be personal, limited to a group, or universal. (Don't confuse this with slang, when a word takes on a entirely new meaning in informal speaking.) | 42 | |
2939252932 | Denotation | The formal or official meaning of a word, separate from any other associations or acquired meanings. | 43 | |
2939260538 | Dialect | The recreation of regional spoken language, such as a Southern dialect. | 44 | |
2939294714 | Diction | The choice of words used in speaking or writing. | 45 | |
2939304412 | Didactic | Teaching; Literary works that have the primary aim of teaching or instructing, especially the teaching or moral or ethical principles. | 46 | |
2939350778 | Double Entendre | A literary device that can be defined as a phrase or a figure of speech that might have multiple senses or interpretations or two different meanings that could be understood in two different ways. | 47 | |
2939757509 | Dramatic Monologue | A poem in which a single character gives a speech, usually to a known but silent listener, that reveals something about himself as he is in a dramatic or significant situation. | 48 | |
2939766240 | Ellipsis | A literary device that is used in narratives to omit some parts of a sentence or event, which gives the reader a chance to fill the gaps while acting or reading it out. | 49 | |
2939778837 | Enjambment | The continuation of a thought or clause from one line of poetry to another. | 50 | |
2939781701 | Epanalepsis | Repeats the beginning word of a clause or sentence at the end. | 51 | |
2939787393 | Epic Poem | A long narrative poem written in a formal style that involves important characters whose actions highlight the deeds of the protagonist and form the framework for culturally and historically significant events. | 52 | |
2939797382 | Epigraph | The use of a quotation at the beginning of a work that hints at its theme. | 53 | |
2939801273 | Epithet | A descriptive literary device that describes a place, a thing, or a person in such a way that it helps in making the characteristics of a person, thing, or place more prominent than they actually are. | 54 | |
2939811022 | Epizeuxis | Repetition of one word (for emphasis) | 55 | |
2939813520 | Euphemism | A more acceptable and more pleasant way of saying something that may be inappropriate or uncomfortable. | 56 | |
2939827072 | Euphony | The pleasant, mellifluous presentation of sounds in a literary work. Often a very subjective term. | 57 | |
2939831875 | Exemplum | Citing an example; using an illustrative story, either true of fictitious. | 58 | |
2939839461 | Exposition | Background information presented in a literary work | 59 | |
2939842747 | Extended Metaphor | A sustained comparison, often referred to as a conceit. This is developed throughout a piece of writing. | 60 | |
2939849417 | Figurative Language | The use of language in a non-literal, non-normative way. This includes things such as metaphor, simile, hyperbole, and synecdoche, among others. | 61 | |
2939864635 | Foil | A character in a story who contrasts with another character, making the latter's attributes clearer and more distinctive, much like adding salt to a recipe brings out the flavors of the other ingredients. | 62 | |
2939882225 | Foreshadowing | Information given in a text that prepares the reader for future parts of the text. This information may be subtle or overt. | 63 | |
2939887909 | Free Verse | Poetry that is free from the limitations of regular meter or rhythm and does not rhyme with fixed forms. Such poems are without rhythms and rhyme schemes; do not follow regular rhyme scheme rules and still provide artistic expression. | 64 | |
2939905895 | Homily | This term literally means "sermon", but more informally, it can include any serious talk, speech, or lecture involving moral or spiritual advice. | 65 | |
2939910753 | Hyperbole | An exaggeration to amuse or to reinforce or heighten effect. | 66 | |
2939913635 | Hysteron Proteron | Inversion of the natural sequence of events, often meant to stress the event which though later in time, is considered more important. | 67 | |
2939929883 | Image | A description of an experience, object, or person using sensory details, usually more than one. | 68 | |
2939934495 | In Medias Res | Starting a story in the middle and giving necessary exposition as the story unfolds. | 69 | |
2939940104 | Intertextuality | A textual reference within some text that reflects the text used as a reference. Instead of employing referential phrases from different literary works, it draws upon the concept, rhetoric, or ideology from other texts to be merged in the new text. It may be the retelling of an old story, or you may rewrite the popular stories in modern context. | 70 | |
2939958390 | Irony | When reality is different from what it appears to be or what is anticipated. | 71 | |
2939960164 | Verbal Irony | Much like sarcasm, when what is said differs from what is actually meant, but usually not as harsh or abrasive. | 72 | |
2939964303 | Dramatic Irony | When the reader or viewer or a text or performance knows something that the characters themselves do not. | 73 | |
2939969879 | Juxtaposition | A literary technique in which two or more ideas, places, characters and their actions are placed side by side in a narrative or a poem for the purpose of developing comparisons and contrasts. | 74 | |
2939976445 | Litotes | Understatement, for intensification, by denying the contrary of the thing being affirmed. | 75 | |
2939980601 | Loose sentence | A type of sentence in which the main idea comes first, followed by dependent grammatical units such as phrases or clauses. | 76 | |
2939985093 | Metaphor | A comparison between two things in which the similarity between the two is implied and not directly stated. | 77 | |
2939989660 | Metonymy | Substituting a thing closely related to a word with the word itself. | 78 | |
2939995642 | Meter | The rhythm of a piece of poetry. The rhythm is determined by the number of syllables in a line and the number and placement of accents in the line. | 79 | |
2940004555 | Mood | 1.) Dealing with verbal units and a speaker's attitude. 2.) the prevailing atmosphere or emotional aura of a work. Setting, tone, and events can affect the mood. In this usage, mood is similar to tone and atmosphere. | 80 | |
2940016903 | Motif | A recurring word, phrase, image, object, or action that creates unity throughout a text and may also reinforce its theme. | 81 | |
2940022422 | Onomatopoeia | Words that sound the same as they mean. | 82 | |
2940023523 | Oxymoron | An image of contradictory term (Jumbo Shrimp) | 83 | |
2940026134 | Parable | A story that operates on more than one level and usually teaches a moral lesson. | 84 | |
2940028580 | Paradox | A statement that appears to be self contradictory or opposed to common sense, but upon closer inspection contains some degree of truth or validity. | 85 | |
2940035092 | Parallelism | It refers to the grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to structural similarity. | 86 | |
2940039827 | Parataxis | Writing successive independent clauses, with coordinating conjunctions, or no conjunctions. | 87 | |
2940042994 | Paranthesis | A final form of hyberbaton, consists of a word , phrase, or whole sentence inserted as an aside in the middle of another sentence. | 88 | |
2940046102 | Parody | A comic imitation of a work that ridicules the original. It can be utterly mocking or gently humorous. | 89 | |
2940052281 | Pathos | The aspects of a literary work that elicit pity from the audience. An appeal to emotion that can be used as a means to persuade. | 90 | |
2940055318 | Pedantic | A term used to describe writing that borders on lecturing. It is scholarly and academic and often overly difficult and distant. | 91 | |
2940059758 | Aeriodic Sentence | A sentence that places the main idea or central complete thought at the end of the sentence, after all introductory elements. The effect of the periodic sentence is to add emphasis and structural variety. | 92 | |
2940067214 | Personification | Giving human characteristics to animals, ideas, feelings, or inanimate objects. | 93 | |
2940074885 | Plot | The pattern of events in a story. It is the relationship between the parts of a story and how they fit together. | 94 | |
2940079609 | Poetic Justice | An ideal form of justice in which the good characters are rewarded and the bad characters are punished by an ironic twist of their fate. | 95 | |
2940083911 | Poetry | Literature that is written with a regular rhythm and is usually expressive, imaginative, and relevant to the life and experience of the reader or listener. | 96 | |
2940090178 | Point of View | The perspective from which a narrative is told. | 97 | |
2940091449 | First Person | The narrator speaks as the main character and the reader only knows things that this character knows, thinks, feels, and experiences. | 98 | |
2940099743 | Third Person Limited | The narrator speaks in the third person, but the focus is on only one character, and the reader can only know or experience things that this character knows, thinks, feels, and experience. | 99 | |
2940106674 | Third Person Omniscient | The narrator speaks in the third person and can know and explain anything that happens in the story and what the characters knows, thinks, feels, and experience. | 100 | |
2940115565 | Third Person Objective | The narrator speaks in the third person and can know and explain anything that happens in the story externally but does not or cannot comment on what a character is thinking or feeling; no internal information about the characters is available. | 101 | |
2940121078 | Polysyndeton | The repetition of conjunctions in a series of coordinate words, phrases, or clauses. | 102 | |
2940123719 | Prose | Literature that is not written with a regular rhythm. | 103 | |
2940127424 | Reduction ad Adsurdum | The Latin for "to reduce to the absurd." This is a technique useful in creating a comic effect and is also an argumentative technique. It is considered a rhetoric fallacy, because it reduces an argument to an either/or choice. | 104 | |
2940133579 | Satire | A mode of writing based on ridicule that criticizes the foibles and follies of society without necessarily offering a solution. | 105 | |
2940138136 | Sentence Structure | When an essay question asks you to analyze sentence structure, look at the type of sentences the author uses. Remember that the basic sentence structures are simple compound, and complex, and variations created with sentence combining. Also consider variation or lack of it in sentence length, any unusual devices in sentence construction, such as repetition or inverted word order, and any unusual word or phrase placement. As with all devices, be prepared to discuss the effect of the sentence structure. For example, a series of short, simple sentences or phrases can produce a feeling of speed and choppiness, which may suit the author's purpose. | 106 | |
2940155205 | Sententia | Quoting a maxim or wise saying to apply a general truth to the situation; concluding or summing foregoing material by offering a single, pithy statement of general wisdom. | 107 | |
2940163467 | Setting | The place in which a piece of literature is set, the time in which it occurs, the special circumstances that make it unique or different from our own world, and the culture in which it takes place. | 108 | |
2940172251 | Simile | A comparison between two things in which the similarity between the two is directly stated, usually using the words "like" or "as". | 109 | |
2940176458 | Soliloquy | A speech given when a character is alone, and meant to share with the reader or viewer what is happening in that character's thoughts and feelings. | 110 | |
2940179463 | Stanza | A set of two or more lines in a poem, grouped by their arrangement on the page or the subject that they express. | 111 | |
2940181510 | Syllogism | The format of a formal argument that consists of a major premise, a minor premise, and a conclusion. | 112 | |
2940183735 | Symbol | Something that is itself but also represents or stand from something else. | 113 | |
2940186133 | Synecdote | Substituting a part of a whole for the whole itself. | 114 | |
2940188649 | Syntax | The way an author arranges words and phrases to create sentences. This is roughly analogous to sentence fluency. | 115 | |
2940191629 | Theme | The author's attitude towards his/her subject as expressed to the reader. The author creates tone through the use of diction (especially words with clear connotations), syntax, imagery, and the information given through exposition. Tone is sometimes used interchangeably with the term "mood". | 116 | |
2940198801 | Tone | The author's message about or commentary on life that applies to everyone, is based on events in the text, and is expressed as a statement. A theme is different from a moral because the first is declarative and the second is imperative. | 117 | |
2940205190 | Tragedy | Drama that is meant to show the darker aspects of human existence that occur through nature or their own own flaws. It also can celebrate the heroic struggle against this darkness, although this struggle results in defeat of some kind. | 118 | |
2940212368 | Unreliable Narrator | A narrator in a first-person narrative who cannot be completely trusted to relay information accurately or to understand what is going on. This can also apply in a third-person narrative if narrator is another character addressing the reader directly. | 119 | |
2940218850 | Verisimilitude | Likeness to the truth. Resemblance of a fictitious work to a real event even if it is a far-fetched one. | 120 |