AP Language Flashcards
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4989773970 | Aesthetic reading | reading to experience the world of the text | 0 | |
4989773971 | Allegory | An extended metaphor | 1 | |
4989773972 | Alliteration | The repetition of consonant sounds at the beginning or in the middle of two or more adjacent words | 2 | |
4989773973 | Allusion | A reference in a written or spoken text to another text or to some particular body of knowledge | 3 | |
4989773974 | Anecdote | A brief narrative offered in a text to capture the audience's attention or to support a generalization or claim | 4 | |
4989773975 | Antagonist | A character who opposes the interests of the protagonist | 5 | |
4989773976 | Antecedent- Consequence relationship | The relationship expressed by "if...then" reasoning-- for example, "If the cubs sigh Greg Maddux, then they will win the National League pennant" | 6 | |
4989773977 | Anticipated objection | The technique a writer or speaker uses in an argumentative text to address and answer objections, even though the audience has not had the opportunity to voice these objections | 7 | |
4989773978 | Antimetabole | The repetition of words in successive clauses in reverse grammatical order-- for example. "You can take the boy out of the country, but you can't take the country out of the boy" | 8 | |
4989773979 | Antithesis | The juxtaposition of contrasting words or ideas, often in parallel structure -- for example. "Place your virtues on a pedastal; put your vices under a rock" | 9 | |
4989773980 | Apologist | A person or character who makes a case for some controversial. even contentious, position | 10 | |
4989773981 | Appeal | One of three strategies for persuading an audiences | 11 | |
4989773982 | Logos | The appeal of a text bases on the logical structure of its argument of central ideas (reasoning) | 12 | |
4989773983 | Pathos | "..." based on emotions or interests of the audience | 13 | |
4989773984 | Ethos | "..." based on ethics and the credibility and character of the speaker, writer, or narrator | 14 | |
4989773985 | Appeal to authority | In a text, the reference to words, action, or beliefs of a person in authority as a means of supporting a claim, generalizing, or conclusion | 15 | |
4989773986 | Argument | A carefully constructed, well-supported representation of how a writer sees an issue, problem, or subject | 16 | |
4989773987 | Argument by analysis | An argument developed by breaking the subject matter into its component parts | 17 | |
4989773988 | Assumption | An opinion, perspective, or belief that a writer or speaker thinks the audience holds | 18 | |
4989773989 | Asyndeton | The omission of conjunctions between related clauses--for example, "I came, I saw, I conquered." | 19 | |
4989773990 | Begging of the question | The situation that results when a writer or speaker constructs an argument on an assumption that the audience does not accept | 20 | |
4989773991 | Canon | One of the traditional elements of rhetoric composition | 21 | |
4989773992 | Invention | The art of generating material for a text | 22 | |
4989773993 | Arrangement | In a spoken or written text, the placement of ideas for effect | 23 | |
4989773994 | Style | The choices that writers or speakers make in language for effect | 24 | |
4989773995 | Memory | Access to information and collective knowledge for use in composition | 25 | |
4989773996 | Delivery | The presentation and format of a composition | 26 | |
4989773997 | Dynamic Character | One who changes during the course of the narrative | 27 | |
4989773998 | Flat Character | A figure readily identifiable by memorable traits but not fully developed | 28 | |
4989773999 | Round Character | A figure with complexity in action and personality | 29 | |
4989774000 | Static Character | A figure who remains the same from the beginning to the end of a narrative | 30 | |
4989774001 | Claim | The ultimate conclusion, generalization, or point that a syllogism or enthymeme expresses. The point, backed up by support, of an argument | 31 | |
4989774002 | Conflict | The struggle of a character with themselves, with others, or with the world around them (external and internal conflicts) | 32 | |
4989774003 | Connotation | The implied meaning of a word, in contract to its directly expresses "dictionary meaning" | 33 | |
4989774004 | Deductive reasoning | Reasoning that begins with a general principle and concludes with a specific instance that demonstrates the general principle | 34 | |
4989774005 | Denotation | The dictionary definition of a word, in contrast to its connotation, or implied meaning | 35 | |
4989774006 | Dialect | The describable patterns of language--grammar and vocabulary--used by a particular cultural or ethnic population | 36 | |
4989774007 | Diction | Word choice, which is viewed on scales for formality/information, concreteness/abstraction, Latinate, derivation/Anglo-Saxon derivation, and denotative value/connotative value | 37 | |
4989774008 | Double Entendre | The double (or multiple) meanings of a group of words that the speaker or writer has purposely left ambiguous | 38 | |
4989774009 | Dramatistic pentad | The invention strategy, developed by Kenneth Burke, that invites a speaker or writer to create for the speaker or writer to identify attitude in the situation | 39 | |
4989774010 | Act | The words the speaker uses to describe what happened or happens in a particular situation | 40 | |
4989774011 | Agent | "..." describe the person or persons involved in taking action in a particular situation | 41 | |
4989774012 | Agency | "..." describe the means by which something happened or happens in a particular situation | 42 | |
4989774013 | Scene | "..." describe where and when something happened or happens in a particular situation | 43 | |
4989774014 | Purpose | "..." describe the reason something happened or happens in a particular situation | 44 | |
4989774015 | Effect | The emotional or psychological impact a text has on a reader or listener | 45 | |
4989774016 | Efferent reading | Reading to garner information from a text | 46 | |
4989774017 | Enthymeme | Logical reasoning with one premise left unstated | 47 | |
4989774018 | Epithet | A word or phrase adding a characteristic to a person's name-- for example. "Richard, the Lion-Hearted." | 48 | |
4989774019 | Essays using rhetoric modes | Argumentative, Description, Exposition, Narrative | 49 | |
4989774020 | Euphemism | An indirect expression of unpleasant information information in such a way as to lessen its impact-- for example saying a person's position was eliminated rather than saying the person's was fired | 50 | |
4989774021 | Exaggeration | An overstatement | 51 | |
4989774022 | Extended analogy | An extended passage arguing that if two things are similar in one or two ways, they are probably similar in other ways as well | 52 | |
4989774023 | Fable | A narrative in which fictional characters, often animals, take actions that have ethical or moral significance | 53 | |
4989774024 | Figurative Language | Language dominated by the use of schemes and tropes | 54 | |
4989774025 | Figures of Rhetoric | Schemes--that is, variations from typical word or sentence formation--and tropes, which are variations from typical patterns of thought | 55 | |
4989774026 | Flashback | A part of the plot that moves back in time and then returns to the present | 56 | |
4989774027 | Functional part | A part of a text classified according to its function--for example, or counterargument | 57 | |
4989774028 | Generalization | A point that a speaker or writer generates on the basis of considering a number of particular example | 58 | |
4989774029 | Flashforward | A part of the plot that jumps ahead in time and then returns to the present | 59 | |
4989774030 | Hyperbole | An exaggeration for effect | 60 | |
4989774031 | Imagery | Language that evokes particular sensations or emotionally rich experiences in a reader | 61 | |
4989774032 | Implied Metaphor | A metaphor embedded in a sentence rather than expressed directly as a sentence. For example, "His voice cascaded through the hallways" contains an implied metaphor; "His voice was a cascade of emotion" contains a direct metaphor | 62 | |
4989774033 | Inductive reasoning | Reasoning that begins by citing a number of specific instance or example and then shows how collectively they constitute a general principle | 63 | |
4989774034 | Inference | A conclusion that a reader or listener reaches by means of his or her own thinking rather than by direct statement in a text | 64 | |
4989774035 | Irony | Writing or speaking that implies the contrary of what is actually written or spoken | 65 | |
4989774036 | Jargon | The specialized vocabulary of a particular group | 66 | |
4989774037 | Litotes | Understatement-- for example, "Her performance ran the gamut of emotion from A to B" Logic: The art of reasoning | 67 | |
4989774038 | Mood | The feeling that a text is intended to produce in the audience | 68 | |
4989774039 | Dramatic narration | A narrative in which the reader or viewer does not have access to the unspoken thoughts of any character | 69 | |
4989774040 | Limited narration | A narrative in which the reader or viewer has access to the unspoken thoughts of one character or particular thinking of more than one character | 70 | |
4989774041 | Omniscient narration | A narrative in which the reader or viewer has access to the unspoken thoughts of all the characters | 71 | |
4989774042 | Scenic narration | A comment that is made directly to the reader by breaking into the forward plot movement | 72 | |
4989774043 | Narrative intrusion | A comment that is made directly to the reader by breaking into the forward plot movement | 73 | |
4989774044 | Occasion | The part of a context also referred to as time and place | 74 | |
4989774045 | Onomatopoeia | A literary device in which the sound of a word is related to its meaning-- for example. "buzz" and "moan" | 75 | |
4989774046 | Oxymoron | Juxtapose words with seemingly contradictory meaning--for example "jumbo shrimp" | 76 | |
4989774047 | Paradox | A statement that seems untrue on the surface but is true nevertheless | 77 | |
4989774048 | Persona | The character that a writer or speaker conveys to the audience | 78 | |
4989774049 | Personification | The giving of human characteristics to inanimate objects | 79 | |
4989774050 | Plot devices | Elements of plot that operate to cause or resolve conflicts and to provide information | 80 | |
4989774051 | Major premise | The first premise in a syllogism. The major premise states an irrefutable generalization. | 81 | |
4989774052 | Minor premise | The second premise in a syllogism. The minor premise offers a particular instance of the generalization stated in the major premise | 82 | |
4989774053 | Protagonist | The major character in a piece of literature; the figure in the narrative whose interests the reader is most concerned about and sympathetic toward | 83 | |
4989774054 | Pun | A play on words words | 84 | |
4989774055 | Purpose | The goal a writer or speaker hopes to achieve with the text--for example, to clarify difficult material, to inform, to convince, and/or to persuade. Also called aim or intention | 85 | |
4989774056 | Ratio | Combination of two or more elements in a dramatics pentad in order to invent material | 86 | |
4989774057 | Reader's repertoire | The collection of predictions and revisions a person employs when reading a text | 87 | |
4989774058 | Recursive | Referring to the moving back and forth from invention to revision in the process of writing | 88 | |
4989774059 | Reliable narrator | A believable, trustworthy commentator on events and characters in a story | 89 | |
4989774060 | Rhetor | The speaker or writer who uses elements of rhetoric effectively in oral or written text | 90 | |
4989774061 | Rhetoric | The art of analyzing all the choices involving language that a writer, speaker, reader, or listener might make in a situation so that the text becomes meaningful, purposeful, and effective; the specific features of texts, written or spoken, that cause them to be meaningful, purposeful, and effective for readers or listeners in a situation | 91 | |
4989774062 | Rhetoric choices | The particular choices a writer or speaker makes to achieve meaning, purpose, or effect | 92 | |
4989774063 | Rhetoric intention | Involvement and investment in and ownership of a piece of writing | 93 | |
4989774064 | Rhetorical mode | Formal patters for organizing a text, often also used as invention devices. The traditional rhetorical modes are description, narration, exposition, and argumentation. Exposition is frequently subdivided into categories such as comparison/contrast, classification, and division | 94 | |
4989774065 | Rhetorical Question | A question posed by the speaker or writer not to seek an answer but instead to affirm or deny a point simply by asking a question about it | 95 | |
4989774066 | Rhetorical situation | The convergence in a situation of exigency (the need to write), audience, and purpose | 96 | |
4989774067 | Rhetoric triangle | A diagram showing the relations of writer or speaker, reader, or listener, and text in a rhetorical situation | 97 | |
4989774068 | Sarcasm | The use of mockery or bitter irony | 98 | |
4989774069 | Simile | A type of comparison that uses the word "like" or "as" | 99 | |
4989774070 | Slang | Informal language, often considered inappropriate for formal occasions and text | 100 | |
4989774071 | Soliloquy | Dialogue in which a character speaks aloud to himself or herself | 101 | |
4989774072 | Stance | The writer's or speaker's apparent attitude toward the audience | 102 | |
4989774073 | Stock settings | Stereotypical time and place settings that let readers know a text's genre immediately | 103 | |
4989774074 | Syllogism | Logical reasoning from inarguable premises | 104 | |
4989774075 | Symbol | In a text, an element that stands for more than itself and, therefore, helps to convey a theme of the text | 105 | |
4989774076 | Theme | The message conveyed by a literary work | 106 | |
4989774077 | Thesis | The main idea in a text, often the main generalization, conclusion, or claim | 107 | |
4989774078 | Thesis statement | A single sentence that states a text's thesis in the introduction | 108 | |
4989774079 | Understatement | Deliberate playing down of a situation in order to make a point--for example, "As the principal dancer, Joe Smith displayed only two flaws: his arms and legs." | 109 |