AP European History art Flashcards

6735750827	pre-renaissance art	no perspective or attention to detail unrealistic gold leaf religious	0
6735750828	renaissance art	emphasis on proportion and perspective effort to look 3D and realistic introduction of secular, but majority is religious	1
6735750830	Leonardo Da Vinci, most famous work	Mona Lisa	2
6735750831	Leonardo Da Vinci, renaissance fresco	The Last Supper	3
6735750832	Sandro Botticelli, renaissance	The Birth of Venus	4
6735750833	Donato di Donatello, renaissance bronze	Young David	5
6735750834	Michelangelo, renaissance fresco	Sistine Chapel	6
6735750835	Michelangelo, renaissance marble	David	7
6735750836	Raphael Sanzio, Renaissance Fresco	School of Athens	8
6735750837	Northern Renaissance	visual reality and accurate portrayal of detail is a reraction to the southern renaissance and is much more secular	9
6735750838	Jan von Eyck	Giovanni and His Bride with the incredible invereted mirror and his breath taking picturesque style	10
6735750839	Mannerism	Post Renaissance (1520's) delibererate distortion of proportion	11
6735750840	Domenikos Theotocopoulos, mannerism El Greco	Laocoon	12
6735750841	Baroque	eaggerated motion,drama, tension, euberance, and grandeur from ssculpture, painting, literature and music EMBRACES catholic reform movement	13
6735750842	Gian Lorenzo Berini, baroque	Throne of St. Peter	14
6735750843	Artemisia Gentileschi, baroque	Judith Beheading Holofernes (not the actual, but pretty close. stupid quizlet)	15
6735750844	French Classicism	adherence to certain rules of proportion and sobriety characteristic of the Baroque as it was practiced in Southern and Eastern Europe during the same period	16
6735750845	Nicholas Poussin, French Classicism landscapes and classical mythology	Les Bergers d'Arcadie	17
6735750846	Dutch Realism	primarily interested in the realistic portrayal of secular everyday life	18
6735750847	Rembrandt van Rijn, dutch realist self portraits at first, biblical tales towards end of life	Bathsheba with King David's Letter (ignore the labtop)	19
6735750848	Rococo	emphasized grance and gentle action highly secular rejected strict geometric patterns fondness for curves worked well with baroque architecture	20
6735750849	Jean-Antoine Watteau, Rococo portraits of aristocratic life		21
6735750850	Johann Balthasar Neumann, Rococo architect	Church of the Vierzehnheiligen	22
6735750851	Neoclassicism	still prevalent in some places classical style and themes	23
6735750853	Jacques-Louis David, neoclassicist numerous themes from greek and roman hsitory	The death of Socrates	24
6735750854	Jacques-Louis David, neoclassicist	Bonaparte Crossing the St. Bernard Pass	25
6735750855	Romanticism	a painting should mirror the artist's vision of the world- it is a relfection of the artist's inner feelings a direct rejection of classical restraint on warmth, emotion and movement individualism-interest in the unique traits of each person romantic heroes and interest in the past love of nature	26
6735750856	Caspar David Friedich	Wanderer above sea of fog (and , romantic preoccupied with god and nature paintings tend to have mystery and mysticism themes)	27
6735750857	Joseph Mallord William Turner, romantic painted numerous landscapes, seascapes, sun rises/sets painted moods by using color and light		28
6735750859	Eugene Delacroix, romantic passion for color and historical subjects	Liberty Leading the People	29
6735750860	Realism	deal with ordinary characters from real life rather than romantic heroes in unusual settings deliberate rejection of romanticism	30
6735750861	Gustave Courbet, realist word realism first coined to describe one of his paintings subjects= factory workers, peasants, and wives of saloon keepers	The Young Bather	31
6735750862	Jean-Francois Millet, realist painted scenes from rural life, especially peasants in the fields	The Gleaners	32
6735750864	Impressionism	prefer to paint in the country side not much detail, shown with color	33
6735750865	Claude Monet, impressionist	The Lily Pond	34
6735750871	Edgar Degas, impressionism founder of impressionism BALLERINAS		35
6735750875	Post Impressionism	more attention to structure and form use color and line to express inner feeling and produce a personal statement of reality rather than an imitation of objects shifted from objective reality to subjective reality	36
6735750876	Paul Cezanne, Post impressionist express underlying geometric structure and form of everything he painted	The Card Players	37
6735750877	Vincent Van Gogh, post impressionist color acted as own form of language artists should paint what they feel		38
6735750878	Cubism	use of geometric designs as a visual stimuli to re-create reality in the viewer's mind	39
6735750879	Pablo Picasso, cubist		40
6735750881	abstract painting	just a bunch of shapes and crap	41
6735750882	Wassily Kandinksky, abstract sought to avoid representation all together art should speak directly to the soul-in order to do so it must avoid any reference to visual reality and concentrate on color		42
6735750883	Dada movement	emphasizes purposelessness of life anti-art contempt for western tradition	43
6735750885	Surrealism	sought a world beyond the material, sensible world world of unconscious thought through the portrayal of fantasies, dreams or nightmares	44
6735750887	Salvador Dali, surrealist	The persistence of memory	45