LITERATURE Flashcards
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8259252435 | Protagonist | The central character of a narrative, the character through whom the lesson of the story is learned. | 0 | |
8259361035 | George Orwell | 1984 | ![]() | 1 |
8259252436 | Simile | A comparison of two items using "like" or "as." | 2 | |
8259375261 | F. Scott Fitzgerald | The Great Gatsby | ![]() | 3 |
8259252437 | Point of View | The vantage point from which a story is told (first and third person). | 4 | |
8259394132 | J. D. Salinger | The Catcher in the Rye | ![]() | 5 |
8259252438 | Connotation | Another significant meaning of a word, often steeped in symbol or feeling. | 6 | |
8259403977 | Jane Austen | Pride and Prejudice | ![]() | 7 |
8259252439 | Characterization | The manner by which an author develops a character within a narrative. | 8 | |
8259415553 | Mark Twain | Adventure of Huckleberry Finn | ![]() | 9 |
8259252440 | Dialogue | The spoken words of two or more character within a narrative. | 10 | |
8259436285 | Leo Tolstoy | Anna Karenina | ![]() | 11 |
8259252441 | Imagery | The picture in your mind that the words from the page create; can be figurative, symbolic, or literal. | 12 | |
8259444539 | Charlotte Bronte | Jane Eyre | ![]() | 13 |
8259252442 | Situational Irony | An EVENT where the opposite of what's expected happens. | 14 | |
8259462355 | Herman Melville | Moby Dick | ![]() | 15 |
8259252443 | Dramatic Irony | When the reader or audience knows something a character does not know, and that knowledge in important to the flow of events. | 16 | |
8259471805 | William Shakespeare | Hamlet | 17 | |
8259252444 | Ego | Represents and enforces principle reality. Oriented towards perceptions in the real world and associated with reason and sanity. | 18 | |
8259477172 | Homer | The Iliad | ![]() | 19 |
8259252445 | Historical Fiction | A narrative which tells the story of a real moment in history but embellishes it at least slightly (factual, dated). | 20 | |
8259484753 | Gabriel Garcia Marquez | One Hundred Years of Solitude | ![]() | 21 |
8259252446 | Theme | The main idea of a work of literature; the message is the author sending to the reader. | 22 | |
8259492045 | Gustave Flaubert | Madame Bovary | ![]() | 23 |
8259252447 | Paradigm | A set of assumptions, concepts, values, and practices that constitutes a way of viewing reality for the community that shares them, especially in an intellectual discipline. | 24 | |
8259499663 | Fyodor Dostoyevsky | Crime and Punishment | ![]() | 25 |
8259252448 | Dialect | A regional variety of language, often with distinct accents and usage, including but not limited to whole phrases. | 26 | |
8259511396 | Emily Brontë | Wuthering Heights | ![]() | 27 |
8259252449 | Oedipus Complex | A psychological aspect where a child, usually male, has strong, even desirous feelings for the parent of the opposite sex. | 28 | |
8259527647 | Virginia Woolf | To the Lighthouse | 29 | |
8259252450 | Denotation | The EXPLICIT meaning of a word or a particular meaning of a symbol. | 30 | |
8259533799 | Charles Dickens | Great Expectations | ![]() | 31 |
8259252451 | Allusion | A reference to another work of literature or to a part of another work of literature or to a moment in history. | 32 | |
8259556701 | Geoffrey Chaucer | The Canterbury Tales | ![]() | 33 |
8259252452 | Conflict | The struggle between two opposing forces in a piece of literature, which the story is built around- The forces are the protagonist and the antagonist. | 34 | |
8259577931 | Charles Dickens | A Tale of Two Cities | ![]() | 35 |
8259252453 | Setting | The time and the place of the action of the story. | 36 | |
8259584676 | Ernest Hemingway | The Old Man and the Sea | ![]() | 37 |
8259252454 | Catharsis | The releasing of certain emotions in the audience: a feeling of pity and hatred for the actions of the tragic hero. | 38 | |
8259593676 | John Steinbeck | East of Eden | ![]() | 39 |
8259252455 | Act | A division within the drama, usually seen as the "chapter" of a novel. | 40 | |
8259604155 | Ernest Hemingway | For Whom the Bell Tolls | 41 | |
8259252456 | Autobiography | A truthful account of the life of a person, as told and written by that person. | 42 | |
8259618976 | Harper Lee | To Kill a Mockingbird | ![]() | 43 |
8259252457 | Tone | The attitude the author has toward the work, displayed through the language being used. | 44 | |
8259627139 | John Steinbeck | The Grapes of Wrath | ![]() | 45 |
8259252458 | Colloquialism | A local variation of language, as in a word or phrase, found within particular dialects. | 46 | |
8259637913 | Joseph Heller | Catch 22 | ![]() | 47 |
8259252459 | Paradox | A seemingly contradictory statement that may nonetheless be true. | 48 | |
8259645749 | James Joyce | Ulysses | ![]() | 49 |
8259252460 | Dynamic Character | A character who undergoes growth and development during the literary work in which he/she resides. | 50 | |
8259654261 | William Faulkner | The Sound and the Fury | ![]() | 51 |
8259252461 | Static Character | A character of one dimension and personality trait who remains unchanged by the events of the literary work in which he/she resides. | 52 | |
8259662236 | Miguel de Cervantes | Don Quixote | ![]() | 53 |
8259252462 | Biography | A truthful account of the life a person, told and written by another person. | 54 | |
8259676141 | Leo Tolstoy | War and Peace | ![]() | 55 |
8259252463 | Scene | A small division of drama within an act, usually of the same setting as the act, but not by definition. | 56 | |
8259683895 | Charles Dickens | David Copperfield | ![]() | 57 |
8259252464 | Stereotype | A conventional and oversimplified opinion or belief about a person or group of people who may share similar characteristics; taking one characteristic of an individual and spreading that characteristic over the group that individual belongs to. | 58 | |
8259700270 | William Golding | Lord of the Flies | ![]() | 59 |
8259252465 | Virtue | The quality of moral excellence, righteousness, and responsibility, probity; goodness. | 60 | |
8259705782 | Toni Morrison | Beloved | ![]() | 61 |
8259252466 | Vice | An evil, degrading or immoral practice of habit; a serious moral failing. | 62 | |
8259717414 | Lewis Carroll | Alice in Wonderland | ![]() | 63 |
8259252467 | Complex Character | A character w/ different traits and aspects of personality but who neither grows nor changes during the literary work in which he resides. | 64 | |
8259726220 | Aldous Huxley | Brave New World | ![]() | 65 |
8259252468 | Superego | The part of the personality which acts as a moral monitor to the behaviors of the individual. It is the faculty that seeks to police what it deems unacceptable desires; it represent all moral restrictions. | 66 | |
8259733345 | Nathaniel Hawthorne | The Scarlet Letter A | ![]() | 67 |
8259252469 | Direct Quotation | Using the words of a source directly. | 68 | |
8259741221 | John Steinbeck | Of Mice and Men | ![]() | 69 |
8259252470 | Plot | The events which make up a story line. | 70 | |
8259768254 | William Shakespeare | Macbeth | ![]() | 71 |
8259747023 | Jonathan Swift | Gulliver's Travel | ![]() | 72 |
8259774633 | William Shakespeare | Romeo and Juliet | ![]() | 73 |
8259252471 | Style | The language used by the writer, as well as the narrative techniques used, working together to form the full aspect of the printed material in front of us. | 74 | |
8259782762 | William Shakespeare | Othello | ![]() | 75 |
8259252472 | Omniscient | The third person narrator who sees all and know all -even the thoughts- about the character of the story. | 76 | |
8259789401 | William Shakespeare | A Midsummer Night's Dream | ![]() | 77 |
8259252473 | Nemesis | That force which restores order within a tragedy, named for the goddess of retributive justice. | 78 | |
8259794870 | William Shakespeare | King Lear | ![]() | 79 |
8259252474 | Metaphor | A comparison of unlike things without using 'like' or 'as.' | 80 | |
8259802487 | William Shakespeare | Julius Caesar | ![]() | 81 |
8259252475 | Irony | A contrast between what is stated and what is meant; there are verbal irony, situational irony, and dramatic irony. | 82 | |
8259835361 | Arthur Miller | The Crucible | ![]() | 83 |
8259826768 | Thornton Wilder | Our Town | ![]() | 84 |
8259814550 | Tennessee William | A Streetcar Named Desire | ![]() | 85 |
8259252476 | Foreshadow | To use details and images to hint at events to come in the narrative. | 86 | |
8259855666 | Lin-Manuel Miranda | Hamilton | ![]() | 87 |
8259252477 | Analysis | The separation of an intellectual whole into its component parts in order to better understand and to reach a truth. | 88 | |
8259873628 | Marcel Proust | In Search of Lost Time | ![]() | 89 |
8259252478 | Indirect Quotation | Using the words of the author, though not in a direct, word-for-word borrowing. | 90 | |
8259896961 | Anton Chekhov | The Stories of Anton Chekhov | ![]() | 91 |
8259252479 | Paraphrase | To put the words of the author into your own words. | 92 | |
8259966856 | John Bunyan | Pilgrim's Progress | ![]() | 93 |
8259252480 | Novella | A prose fictional narrative containing all the elements of a novel but much shorter. | 94 | |
8259975125 | Daniel Defoe | Robinson Crusoe | ![]() | 95 |
8259252481 | Tragic Hero | A person of noble birth whose personal destruction is in some way involved w/ the well being of his/her world and who faces a battle of morals; her/his destruction comes from a flaw with his/her personality. | 96 | |
8259983680 | Samuel Richardson | Clarissa | ![]() | 97 |
8259252482 | Insight | The act of outcome of grasping the inward or hidden nature of things which in turn tells the grasper a significant message about herself/himself; makes the learning personal, owned. | 98 | |
8259998936 | Jane Austen | Emma | ![]() | 99 |
8259252483 | Stream-of-consciousness | The unbroken flow of thought and awareness of the waking mind; a special mode of narration that undertakes to capture the full spectrum and the continuous flow of a character's mental processes. | 100 | |
8260005634 | Mary Shelley | Frankenstein | ![]() | 101 |
8259252484 | Rhetoric | The body of principles and theory having to do with the presentation of the facts and ideas in clear, convincing, and attractive language. | 102 | |
8260015817 | William Makepeace Thackeray | Vanity Fair | ![]() | 103 |
8259252485 | Ad hominem | Appealing to persona considerations rather than to logic or reason. | 104 | |
8260025149 | Wilkie Collins | The Woman in White | 105 | |
8259252486 | A priori | Involving deductive reasoning from a general principle to a necessary effect; not supported by facts. | 106 | |
8260033825 | Louisa M. Alcott | Little Women | ![]() | 107 |
8259252487 | Purple patch | A selection of writing which contains an unusual piling up devices in such a way as to evidence a self-conscious literary effort; a colorful passage standing out from the writing around it. | 108 | |
8260042782 | Robert Louis Stevenson | The Strange Case of Dr Jekyll and Mr Hyde | ![]() | 109 |
8259252488 | Euphemism | The act or an example of substituting a mild, indirect, or vague term for one considered harsh, blunt, or offensive. | 110 | |
8260050864 | Jack London | The Call of the Wild | ![]() | 111 |
8259252489 | Apostrophe | When an absent person, an abstract concept, or an important object is directly addressed. | 112 | |
8260067413 | E. B. White | Charlotte's Web | ![]() | 113 |
8259252490 | Dichotomy | Division into two usually contradictory parts or opinions. | 114 | |
8260092507 | J. R. R. Tolkien | The Lord Of The Rings | ![]() | 115 |
8259252491 | Tragedy | A literary work, usually a drama, which deals with human themes; several elements are involved: hamartia, hubris, catharsis, nemesis; in a tragedy, a hero will fall due to elements within the personality. | 116 | |
8260100053 | Jack Kerouac | On the Road | ![]() | 117 |
8259252492 | Hubris | Excessive pride, especially found within the tragic hero. | 118 | |
8259252493 | Local color | The interests or flavor of a specific locality as expressed in a story through language. | 119 | |
8259252494 | Narrative | The story of a fictional or actual events as told by the teller. | 120 | |
8259252495 | Naturalism | A factual representation, conforming to nature, especially in art and literature. | 121 | |
8259252496 | Realism | A truthful representation, with an inclination toward pragmatism, that is accurate to life's xpression. | 122 | |
8259252497 | Short Story | A fictional prose, dealing essentially with a single conflict, which can be read in a single session. | 123 | |
8259252498 | Pleasure Principle | The concept that pleasure is the only thing that matters and any manner of attaining it is fine; often this is the role of the Id, the earliest part of the developing personality. | 124 | |
8259252499 | Reality Principle | The function which monitors the Id; the concept that some things are more important than immediate pleasure, namely, the continuation of pleasure after the initial gaining of it. | 125 | |
8259252500 | Denouement | The point in the story after the conflict is resolved. | 126 | |
8259252501 | Drama | A full-length work of fiction that is written in dialogue, meant to be performed upon a stage. | 127 | |
8259252502 | Flashback | Stopping the flow of the narrative to return to a setting or even earlier in the tale, even to events that predate the earliest part of the plot. | 128 | |
8259252503 | Hamartia | The tragic flaw of a tragic hero; that which will make the hero fall; this needs to be a trait that is generally considered a good thing. | 129 | |
8259252504 | Description | The words the author uses to fully detail a place or thing; these words will bring pictures to the mind. | 130 | |
8259252505 | Symbol | Something which stands for and represents itself but also stands for something much greater than itself. | 131 | |
8259252506 | Climax | The point in the story when the conflict is resolved- where we know who wins this conflict, the protagonist or the antagonist. | 132 | |
8259252507 | Novel | A full-length prose fiction where the narrative is the chief story-telling element and several conflicts, settings, and characters will dwell. | 133 | |
8259252508 | Parallelism | A structural arrangement of parts of a sentence, sentences, paragraphs, and larger units of composition by which one element of equal importance with another is similarly developed and phrased. | 134 | |
8259252509 | Pathetic Fallacy | False emotionalism in writing resulting in a too impassioned description of nature; it is the carrying over to inanimate objects the moods and passions of a human being. | 135 | |
8259252510 | Histrionics | A deliberate display of emotion for effect. | 136 | |
8259252511 | Hagiography | A biography that idealizes or idolizes the person (especially a person who is a saint). | 137 | |
8259252512 | Idiomatic | Of or pertaining to, or conforming to, the mode of expression peculiar to a language. | 138 | |
8259252513 | Metonymy | Substituting a word for another word closely associated with it. | 139 |