Terms : Hide Images
| 6964601318 | "The Yellow Wallpaper" | Gilman | 0 | |
| 6964601319 | The Tragical History of Dr. Faustus | Marlowe | 1 | |
| 6964601320 | This Side of Paradise; The Beautiful and the Damned; The Great Gatsby | Fitzgerald | 2 | |
| 6964601321 | "Fat and Thin"; 'The Bet" | Chekhov | 3 | |
| 6964601322 | "The Flea" "A Valediction: Forbidding Mourning" | Donne | 4 | |
| 6964601323 | The Victorian Era (1830-1900) | Wilde | 5 | |
| 6964601324 | Ulysses | Joyce | 6 | |
| 6964601325 | Prometheus Unbound; "Ozymandias" | Shelley | 7 | |
| 6964601326 | Northanger Abbey | Austen | 8 | |
| 6964601328 | Jane Eyre | Bronte | 9 | |
| 6964601329 | The Fall of the House of Usher | Poe | 10 | |
| 6964601330 | The Sound and the Fury | Faulkner | 11 | |
| 6964601331 | The Picture of Dorian Gray | Wilde | 12 | |
| 6964601332 | "A Room of One's Own" | Woolf | 13 | |
| 6964601333 | lingering grief and hopelessness; devotion | Poe | 14 | |
| 6964601334 | betrayal; paralysis; beauty in the mundane | Joyce | 15 | |
| 6964601335 | love and marriage in polite society | Austen | 16 | |
| 6964601337 | family; poverty; the power of words | Faulkner | 17 | |
| 6964601338 | the corrupting power of money | Chekhov | 18 | |
| 6964601339 | women's liberty from society, freedom | Bronte , Woolf | 19 | |
| 6964601340 | the "king" of the "Roaring 20s" | Fitzgerald | 20 | |
| 6964601341 | first to depict an unattractive heroin and challenged society's view of women | Brontë | 21 | |
| 6964601342 | a forerunner to American feminist writers, part of the gothic movement | Gilman | 22 | |
| 6964601343 | assisted the Aesthetics Movement "art for art's sake"; notable epigrams | Wilde | 23 | |
| 6964601344 | established and perfected stream of consciousness writing | Joyce | 24 | |
| 6964601345 | challenged the authority of capitalism; defined English Romanticism | Shelley | 25 | |
| 6964601346 | established the "modern novel" that deals with ordinary people in everyday life | Austen | 26 | |
| 6964601347 | Father of the Detective Story | Poe | 27 | |
| 6964601348 | perfected the metaphysical conceit | Donne | 28 | |
| 6964601349 | a "moral compass" for his countryman after a time of revolution | Chekhov | 29 | |
| 6964601350 | The Georgian Era (late 1700s to early 1800s) | Austen | 30 | |
| 6964601351 | English Romantic Period (1800-1850) | Shelley, Bronte | 31 | |
| 6964601352 | The Lost Generation (1900-1940) | Joyce, Faulkner, Woolf, Fitzgerald | 32 | |
| 6964601354 | Elizabethan England (1550s-1600) | Marlowe | 33 | |
| 6964601355 | The Victorian Era (1830-1900) | Wilde | 34 | |
| 6964601356 | American Romanticism (1800-1850) | Poe | 35 | |
| 6964601357 | Stuart England (just after Elizabethan, 1600-1715) | Donne | 36 | |
| 6964601358 | escaping from reality; false courage | Fitzgerald | 37 | |
| 6964601359 | tight syntax: implies a lot with a single sentence | Austen | 38 | |
| 6964601360 | helped in literary movement from Modernism to Post-Modernism | Woolf | 39 | |
| 6964601361 | atheistic ideals and a rejection of marriage got him expelled from Oxford | Shelley | 40 | |
| 6964601362 | wrote in blank verse | Shelley | 41 | |
| 6964601363 | Inspired "Bloomsday" | Joyce | 42 | |
| 6964601364 | Criticized homeland from afar | Joyce | 43 | |
| 6964601365 | Intricate and layered meaning to each work; combined realism and symbolism | Joyce | 44 | |
| 6964601366 | Wrote storied that were "short and sweet" | Chekhov | 45 | |
| 6964601367 | Wrote under the pseudonym Currer Bell | Bronte | 46 | |
| 6964601368 | Produced over 65 poems in childhood | Bronte | 47 | |
| 6964601369 | His "style outweighed the moral or substance" of his writing | Wilde | 48 | |
| 6964601370 | Expelled from West Point; never succeed as a writer in life | Poe | 49 |
