4774937043 | Allegory | a work that functions on a symbolic level | 0 | |
4774937044 | Alliteration | use of the same consonant at the beginning of each stressed syllable in a line of verse | 1 | |
4774937045 | Allusion | a reference to a well-known person, place, event, literary work, or work of art | 2 | |
4774937046 | Analogy | drawing a comparison in order to show a similarity in some respect | 3 | |
4774937047 | Anaphora | the repetition of words or phrases at the beginning of consecutive lines or sentences | 4 | |
4774937048 | Anecdote | short story of an amusing or interesting event | 5 | |
4774937049 | Antecedent | a preceding occurrence or cause or event | 6 | |
4774937050 | Antithesis | an opposition or contrast of ideas that is often expressed in balanced phrases or clauses | 7 | |
4774937051 | Aphorism | a brief, cleverly worded statement that makes a wise observation about life | 8 | |
4774937054 | Assonance | the repetition of similar vowels in the stressed syllables of successive words | 9 | |
4774937056 | Attitude | the relationship an author has toward his or her subject, and/or his or her audience | 10 | |
4774937057 | Character | person or animal that takes part in the action of a literary work | 11 | |
4774937058 | Chiasmus | Arrangement of repeated thoughts in the pattern of X Y Y X. It is often short and summarizes a main idea. | 12 | |
4774937059 | Cliche | an overused saying or idea | 13 | |
4774937060 | Colloquialism | characteristic of spoken or written communication that seeks to imitate informal speech | 14 | |
4774937061 | Connotation | a meaning or association suggested by a word beyond its definition | 15 | |
4774937063 | Deduction | reasoning from the general to the particular (or from cause to effect) | 16 | |
4774937064 | Denotation | the literal meaning of a word | 17 | |
4774937065 | Dependent Clause | a clause in a complex sentence that cannot stand alone as a complete sentence and that functions within the sentence as a noun or adjective or adverb | 18 | |
4774937067 | Diction | the author's choice of words | 19 | |
4774937068 | Direct Object | the object that receives the direct action of the verb | 20 | |
4774937069 | Dramatic Irony | occurs when another character(s) and/or the audience know more than one or more characters on stage about what is happening | 21 | |
4774937070 | Ethos | the appeal of a text to the credibility and character of the speaker, writer, or narrator | 22 | |
4774937071 | Euphemism | an indirect, less offensive way of saying something that is considered unpleasant | 23 | |
4774937072 | Extended Metaphor | the comparison between two things is continued beyond the first point of comparison; this extends and deepens a description. | 24 | |
4774937073 | Genre | type or category of literary work (e.g., poetry, essay, short story, novel, drama) | 25 | |
4774937074 | Homily | a sermon, or a moralistic lecture | 26 | |
4774937075 | Cacophony | harsh, jarring, discordant sound; dissonance | 27 | |
4774937076 | Hyperbole | a figure of speech that uses exaggeration to express strong emotion, make a point, or evoke humor | 28 | |
4774937077 | Independent Clause | a clause in a complex sentence that can stand alone as a complete sentence | 29 | |
4774937078 | Indirect Object | the object that is the recipient or beneficiary of the action of the verb | 30 | |
4774937079 | Invective | An intensely vehement, highly emotional verbal attack | 31 | |
4774937080 | Logos | an appeal based on logic or reason | 32 | |
4774937081 | Metaphor | a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity | 33 | |
4774937082 | Metonymy | symbolism; one thing is used as a substitute for another with which it is closely identified (the White House) | 34 | |
4774937083 | Mood | a prevailing emotional tone or general attitude | 35 | |
4774937084 | Narration | the act of recounting the particulars of an event in the order of time or occurrence | 36 | |
4774937085 | Narrative | consisting of or characterized by the telling of a story | 37 | |
4774937087 | Oxymoron | a figure of speech consisting of two apparently contradictory terms | 38 | |
4774937088 | Paradox | a statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth. | 39 | |
4774937089 | Parallelism | refers to the grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity. | 40 | |
4774937090 | Parody | a composition that imitates somebody's style in a humorous way | 41 | |
4774937091 | Pathos | quality in drama, speech, literature, music, or events that arouses a feeling of pity or sadness | 42 | |
4774937092 | Personification | a figure of speech in which an object or animal is given human feelings, thoughts, or attitudes | 43 | |
4774937093 | Point of View | the perspective from which the writer tells the story (1st, 2nd, 3rd person; omniscient, limited omniscient) | 44 | |
4774937094 | Predicate | tells what the subject is or does | 45 | |
4774937095 | Predicate Adjective | follows a linking verb and describes the subject | 46 | |
4774937096 | Predicate Noun | follows a linking verb and defines or renames the subject | 47 | |
4774937097 | Prounoun/Antecedent | the antecedent is the word the pronoun replaces | 48 | |
4774937098 | Prose | ordinary speech or writing without rhyme or meter; referring to speech or writing other than verse | 49 | |
4774937099 | Repetition | sounds, words, phrases, lines or stanzaz are repeated for emphasis | 50 | |
4774937100 | Rhetoric | the art or study of effective use of language for communication and persuasion | 51 | |
4774937101 | Sarcasm | from the Greek meaning "to tear flesh," ___ involves bitter, caustic language that is meant to hurt or ridicule someone or something; it may use irony as a device | 52 | |
4774937102 | Satire | language or writing that exposes follies or abuses by holding them up to ridicule | 53 | |
4774937103 | Situational Irony | an outcome that turns out to be very different from what was expected, the difference between what is expected to happen and what actually does | 54 | |
4774937104 | Stream-of-consciousness | a narrative technique that places the reader in the mind and thought process of the narrator, no matter how random or spontaneous that may be | 55 | |
4774937105 | Subject | tells whom or what the sentence is about | 56 | |
4774937106 | Syllogism | deductive reasoning in which a conclusion is derived from two premises | 57 | |
4774937107 | Symbol | anything that stands for or represents something else | 58 | |
4774937108 | Synecdoche | using a part of something to represent the whole thing | 59 | |
4774937109 | Syntax | the rules for combining words into grammatically sensible sentences in a given language. | 60 | |
4774937110 | Theme | central idea of a work of literature | 61 | |
4774937111 | Thesis | an unproved statement put forward as a premise in an argument | 62 | |
4774937112 | Third Person Limited | point of view which represents the feelings of only one character, presenting only the actions of all remaining characters | 63 | |
4774937113 | Tone | the author's attitude toward the subject or audience, either stated or implied | 64 | |
4774937114 | Understatement | the opposite of exaggeration; it is a technique for developing irony and/or humor where one writes or says less than intended | 65 | |
4774937115 | Verbal Irony | in this type of irony, the words literally state the opposite of the writer's true meaning | 66 |
AP English Language - ETAI Flashcards
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