44404017 | Abstract Language | describes ideas and qualities, rather than observable or specific things | |
44404018 | Ad Hominem | attack on one's opponent, rather than the opponent's argument | |
44404019 | Allegory | symbolic story that has a second meaning beneath the surface one | |
44404020 | Alliteration | repetition of initial consonant sounds in words | |
44404021 | Allusion | indirect reference to famous events or characters from history, literature, or mythology | |
44404022 | Ambiguity | event or situation that may be interpreted in more than one way; intentional vagueness | |
44404023 | Anachronism | placement of an event, person, thing out of its proper place in time | |
44404024 | Anaphora | repetition of a word or phrase at the beginning of two or more sentences in a row | |
44404025 | Antithesis | juxtaposition of two contrasting ideas | |
44404026 | Ethos | appeals to the audience's sense of morals or principles | |
44404027 | Logos | appeals to the audience's sense of logic and reasoning | |
44404028 | Pathos | appeals to the audience's emotions | |
44404029 | Apostrophe | address to the dead as though they were living; to the inanimate as if animate; to the absent as if present | |
44404030 | Argumentation | exploring a problem by examining all sides of it; persuasion through reason | |
44404031 | Archetype | stereotype of literature | |
44404032 | Assonance | repetition of similar vowel sounds | |
44404033 | Assumption | when details are not stated but must be inferred by the reader | |
44404034 | Asyndeton | series of words separated by commas without conjunctions | |
44404035 | Balance | construction in which both halves of the sentence have the same length and importance | |
44404036 | Catharsis | cleansing release of unhealthy emotions | |
44404037 | Causal Relationship | one thing results from another | |
44404038 | Chiasmus | arrangement of repeated thoughts in the pattern XY-YX | |
44404039 | Cliche | expression so often used its freshness and originality have worn off | |
44404040 | Comic Relief | humor in the serious action of a tragedy; enriches the quality of the work | |
44404041 | Concrete Language | describes specific, observable things rather than ideas or qualities | |
44404042 | Connotation | emotions associated with a word | |
44404043 | Consonance | repetition of consonant sounds; not limited to the first letter of words | |
44404044 | Conventional | following traditional techniques of writing | |
44404045 | Cumulative | sentence that begins with the main idea and expands on that idea with a series of details | |
44404046 | Denotation | dictionary definition of a word | |
44404047 | Formal Diction | used in serious books and lofty discourse | |
44404048 | Informal Diction | found in relaxed but polite and cultivated conversation | |
44404049 | Colloquial Diction | everyday usage that may contain terms accepted in a group but not universally acceptable | |
44404050 | Slang | newly coined words that are not yet a part of formal usage | |
44413287 | Didactic | literature designed to teach or instruct | |
44413288 | Digression | temporary departure from the main subject in speaking or writing | |
44413289 | Elegy | formal poem lamenting the death of a particular person | |
44413290 | Elliptical | deliberate omission of words implied by context | |
44413291 | Empathy | reader understands closely what the character is feeling | |
44413292 | Enthymeme | syllogism (logical argument) in which the major premise is unstated but meant to be understood | |
44413293 | Epithet | adjective used to point out a characteristic of a person or thing | |
44413294 | Euphemism | mild word used to substitute an unpleasant or offensive word | |
44413295 | Foreshadowing | method used to build suspense by providing hints of what is to come | |
44413296 | Figurative Language | words that are inaccurate literally, but describe by calling to mind sensations or responses that the thing described evokes | |
44413297 | Freight Train | sentence consisting of three or more short independent clauses joined by conjunctions | |
44413298 | Generalization | basing a claim upon an isolated example or asserting that a claim is true rather than probable | |
44413299 | Genre | major category into which a literary work fits | |
44413300 | Grotesque | bizarre, incongruous, ugly, unnatural, or abnormal | |
44413301 | Hyperbole | overstatement or exaggeration of facts | |
44413302 | Idiom | use of words or grammatical construction peculiar to a given language, or an expression that cannot be translated literally into a second language | |
44413303 | Imagery | use of language to represent sense experience | |
44413304 | Auditory Imagery | use of language to represent an experience pertaining to sound | |
44413305 | Gustatory Imagery | use of language to represent an experience pertaining to taste | |
44413306 | Kinesthetic Imagery | use of language to represent an experience pertaining to the movement of muscles, tendons, or joints | |
44413307 | Olfactory Imagery | use of language to represent an experience pertaining to smell | |
44413308 | Tactile Imagery | use of language to represent an experience pertaining to touch | |
44413309 | Visual Imagery | use of language to represent an experience pertaining to sight | |
44413310 | Inversion | word order that places a modifier or verb before the subject | |
44413311 | Situational Irony | contrast between what is normally expected and what actually occurs | |
44413312 | Dramatic Irony | reader or audience knows more about the events of a story than the character in the story | |
44413313 | Verbal Irony | what is said is the opposite of what is meant | |
44413314 | Juxtaposition | placement of two things side by side for the purposes of examination | |
44413315 | Litote | understatement that purposefully represents something as much less significant as it is, achieving an ironic effect | |
44413316 | Loose Sentence | main clause comes first, followed by dependent grammatical units | |
44413317 | Metaphor | comparison without using "like" or "as" | |
44413318 | Metonymy | designation of one thing with something closely associated with it | |
44413319 | Mood | atmosphere or feeling created by a literary work | |
44429657 | Motif | frequently recurring character, incident, or concept in a work of literature | |
44429658 | Negative-Positive | sentence that begins by stating what is not true and then ending by stating what is true | |
44429659 | Onomatopoeia | word whose sound suggests its meaning | |
44429660 | Oxymoron | paradox that combines terms normally seen as opposites | |
44429661 | Parallelism | similarity of structure in a pair or series of related words, phrases, or clauses | |
44429662 | Paradox | statement that appears contradictory yet expresses a truth when viewed from another angle | |
44429663 | Parody | comic imitation of another work often for ridicule | |
44429664 | Pedantic | scholarly, academic writing that borders on lecturing | |
44429665 | Parenthesis | insertion of some verbal unit in a position that interrupts the normal flow of the sentence | |
44429666 | Periodic Sentence | main clause comes last, preceded by dependent grammatical units | |
44429667 | Polysyndeton | sentence that uses "and" or another conjunction (with no commas) to separate items in a series; X and Y and Z | |
44429668 | Personification | attribution of human qualities to inanimate objects or abstract concepts | |
44429669 | Pun | play on words that utilizes a word's multiple meanings | |
44429670 | Realism | faithful representation of reality to make a story more believable | |
44429671 | Red Herring | when an author raises an irrelevant issue to draw attention away from the real issue | |
44429672 | Rhetoric | art of effective communication, especially persuasive discourse | |
44429673 | Rhetorical Criticism | analyses the techniques employed in a literary work to impose the author's view on the reader | |
44429674 | Sarcasm | verbal irony that uses insincere praise to express bitter and caustic disapproval | |
44429675 | Satire | used to arouse laughter at targets such as people or groups to expose human folly | |
44429676 | Simile | comparison using "like" or "as" | |
44429677 | Stream of Consciousness | writing technique that uses frequent illogical and incoherent digressions to reproduce the raw flow of consciousness | |
44429678 | Structure | organization or arrangement of various elements in a work | |
44429679 | Narrative Structure | chronological organization used to convey a story | |
44429680 | Dramatic Structure | organization used in plays that consists of a series of scenes, each of which is presented in vivid detail | |
44429681 | Discursive Structure | organization used in an argument or essay | |
44429682 | Style | arrangement of words in a manner that expresses the author's individuality and his or her intent | |
44429683 | Rhetorical Question | question used to emphasize a point; no answer is expected | |
44429684 | Syllepsis | grammatical construction in which one word relates to two words in very different ways | |
44429685 | Syllogism | format of a formal argument that consists of a major premise, minor premise, and conclusion | |
44429686 | Symbol | character, object, or event in literature that represents something larger than itself | |
44429687 | Synecdoche | figure of speech in which a part of something is used to represent the whole | |
44429688 | Synesthesia | one sensory experience is described in terms of another sensory experience | |
44429689 | Syntax | manner in which words are joined to make phrases, clauses, and sentences | |
44429690 | Theme | main idea that the author expresses in a literary work | |
44429691 | Thesis | claim or proposition that a writer must strive to prove effectively and thoroughly | |
44429692 | Tone | attitude of the speaker of a work of literature expresses to the reader through language | |
44429693 | Voice | total "sound" or "feel" of a writer's style that is present behind characters, narrators, and personae of literature | |
44429694 | Wit | intellectual humor that suggests the speaker's verbal power in creating ingenious and perceptive remarks | |
44429695 | Zeugma | writer uses one word to govern several successive words or clauses |
AP English Rhetorical Devices
Primary tabs
Need Help?
We hope your visit has been a productive one. If you're having any problems, or would like to give some feedback, we'd love to hear from you.
For general help, questions, and suggestions, try our dedicated support forums.
If you need to contact the Course-Notes.Org web experience team, please use our contact form.
Need Notes?
While we strive to provide the most comprehensive notes for as many high school textbooks as possible, there are certainly going to be some that we miss. Drop us a note and let us know which textbooks you need. Be sure to include which edition of the textbook you are using! If we see enough demand, we'll do whatever we can to get those notes up on the site for you!