Terms : Hide Images
| 7680876565 | Rhetorical triangle | A diagram that illustrates the relationship between speaker, audience, and subject | 0 | |
| 7680876566 | Audience | The listener, the viewer or reader | 1 | |
| 7680876567 | Concession | An acknowledgment that an opposing argument may be true | 2 | |
| 7680876568 | Connotation | Meanings or associations a reader has with words beyond its dictionary definition | 3 | |
| 7680876569 | Context | The circumstances surrounding a text | 4 | |
| 7680876570 | Counter argument | An opposing argument | 5 | |
| 7680876571 | Ethos | Greek for character | 6 | |
| 7680876572 | Logos | Greek for embodied thought | 7 | |
| 7680876573 | Occasion | The time and place | 8 | |
| 7680876574 | Pathos | Greek for suffering | 9 | |
| 7680876575 | Persona | Greek for mask | 10 | |
| 7680876576 | Polemic | Greek for hostile | 11 | |
| 7680876577 | Propaganda | The spread of ideas | 12 | |
| 7680876578 | Purpose | The goal of the speaker | 13 | |
| 7680876579 | Refutation | A denial of the validity | 14 | |
| 7680876580 | Rhetoric | As Artisole defined the term | 15 | |
| 7680876581 | Rhetorical appeal | Rhetorical techniques used to persuade an audience | 16 | |
| 7680876582 | SOAPS | Subject Occasion Audience Purpose and Speaker | 17 | |
| 7680876583 | Speaker | The person who creates a text | 18 | |
| 7680876584 | Subject | The topic of a text | 19 | |
| 7680876585 | Text | Any cultural Product that can be read | 20 | |
| 7680876586 | Logos 2 | The art of rhetoric- Artisole | 21 | |
| 7680876587 | Pathos 2 | I have a dream- MLK | 22 | |
| 7680876588 | Ethos 2 | The finest hour- Winston church hill | 23 | |
| 7680876589 | The purpose of this passage is to.. | Present the dichotomy existing in Florence | 24 | |
| 7680876590 | The primary rhetorical strategy used by the author is | Description | 25 | |
| 7680876591 | In developing his purpose the author uses all of the following rhetorical devices except | Chronological order | 26 | |
| 7680876592 | Which of the following lines contains a paradox | Line 20 | 27 | |
| 7680876593 | The most probable function of the selected detail which focuses on the murder of a young girl by the old man is | To emphasize the contrast evident in the city | 28 | |
| 7680876594 | The abrupt shift caused by a lack of transition between paragraphs 1 and 2 serves to do all of the following except | Reinforce the idea that there is no connection between the two paragraphs. | 29 | |
| 7680876595 | What can be inferred from the following details taken from the passage | Florence had experienced both war and fatigue | 30 | |
| 7680876596 | Lines 14-26 contain examples of which rhetorical device | Antithetical images | 31 | |
| 7680876597 | If one were building a house of Horrors | The castle of Otranto | 32 | |
| 7680876598 | Which term has undergone a shift in meaning | Jealous | 33 | |
| 7677547023 | Rhetorical triangle | A diagram that illustrates the relationship between speaker, audience, and subject | 34 | |
| 7677547024 | Audience | The listener, the viewer or reader | 35 | |
| 7677547025 | Concession | An acknowledgment that an opposing argument may be true | 36 | |
| 7677547026 | Connotation | Meanings or associations a reader has with words beyond its dictionary definition | 37 | |
| 7677547027 | Context | The circumstances surrounding a text | 38 | |
| 7677547028 | Counter argument | An opposing argument | 39 | |
| 7677547029 | Ethos | Greek for character | 40 | |
| 7677547030 | Logos | Greek for embodied thought | 41 | |
| 7677547031 | Occasion | The time and place | 42 | |
| 7677547032 | Pathos | Greek for suffering | 43 | |
| 7677547033 | Persona | Greek for mask | 44 | |
| 7677547034 | Polemic | Greek for hostile | 45 | |
| 7677547035 | Propaganda | The spread of ideas | 46 | |
| 7677547036 | Purpose | The goal of the speaker | 47 | |
| 7677547037 | Refutation | A denial of the validity | 48 | |
| 7677547038 | Rhetoric | As Artisole defined the term | 49 | |
| 7677547039 | Rhetorical appeal | Rhetorical techniques used to persuade an audience | 50 | |
| 7677547040 | SOAPS | Subject Occasion Audience Purpose and Speaker | 51 | |
| 7677547041 | Speaker | The person who creates a text | 52 | |
| 7677547042 | Subject | The topic of a text | 53 | |
| 7677547043 | Text | Any cultural Product that can be read | 54 | |
| 7677547044 | Logos 2 | The art of rhetoric- Artisole | 55 | |
| 7677547045 | Pathos 2 | I have a dream- MLK | 56 | |
| 7677547046 | Ethos 2 | The finest hour- Winston church hill | 57 | |
| 7677547047 | The purpose of this passage is to.. | Present the dichotomy existing in Florence | 58 | |
| 7677547048 | The primary rhetorical strategy used by the author is | Description | 59 | |
| 7677547049 | In developing his purpose the author uses all of the following rhetorical devices except | Chronological order | 60 | |
| 7677547050 | Which of the following lines contains a paradox | Line 20 | 61 | |
| 7677547051 | The most probable function of the selected detail which focuses on the murder of a young girl by the old man is | To emphasize the contrast evident in the city | 62 | |
| 7677547052 | The abrupt shift caused by a lack of transition between paragraphs 1 and 2 serves to do all of the following except | Reinforce the idea that there is no connection between the two paragraphs. | 63 | |
| 7677547053 | What can be inferred from the following details taken from the passage | Florence had experienced both war and fatigue | 64 | |
| 7677547054 | Lines 14-26 contain examples of which rhetorical device | Antithetical images | 65 | |
| 7677547055 | If one were building a house of Horrors | The castle of Otranto | 66 | |
| 7677547056 | Which term has undergone a shift in meaning | Jealous | 67 |
