The rest AP Lang Comp terms, Mrs. Lofquist.
890366892 | Classical oration | five part argument structure used by classical rhetoricians. | |
890366893 | introduction | the action of introducing something. | |
890366894 | narration | the act of giving an account describing incidents or a course of events | |
890366895 | confirmation | additional proof that something that was believed (some fact or hypothesis or theory) is correct | |
890366896 | refutation | overthrow by argument, evidence, or proof | |
890366897 | conclusion | expressing finality with no implication of possible change | |
890366898 | Close reading | In literary criticism, close reading describes the careful, sustained interpretation of a brief passage of text. | |
890366899 | Claim | a claim stated the argument's main idea or position | |
890366900 | claim of fact | asserts that something is true or not true | |
890366901 | claim of policy | proposes a change | |
890366902 | induction | to lead into | |
890366903 | inversion | inverted order of words in a sentence | |
890366904 | irony | a figure of speech that occurs when a speaker or character says one thing but means something else | |
890366905 | Juxtaposition | Placement of two things closely together to emphasize similarities or differences | |
890366906 | Logo | speakers appeal to reason by offering clear rational ideas and using specific details examples facts statistics or expert testimony to back them up | |
890366907 | Metaphor | a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable. | |
890366908 | Metonymy | figure of speech in which something is represented by another thing that is related t it or emblematic of it | |
890366909 | Modifier | am adj adverb phrase or clause that modifies a noun pronoun or verb. the purpose of a modifier is usually to describe focus | |
890366910 | Mood | a characteristic (habitual or relatively temporary) state of feeling | |
890366911 | motif | a unifying idea that is a recurrent element in a literary or artistic work | |
890366912 | Nominalization | the process of changing a verb into a noun | |
890366913 | oxymoron | a figure of speech in which apparently contradictory terms appear in conjunction | |
890366914 | Occasion | the time and place a speech is given or a piece is written | |
890366915 | paradox | self-contradicting | |
890366916 | Parallelism | similarity of structure in a pair or series of related words phrases or clauses | |
890366917 | Pathos | speakers appeal to pathos to emotionally motivate their audience. | |
890366918 | periodic sentence | sentence whose main clause s withheld until the end | |
890366919 | persona | the face or character that a speaker shows to his or her audience | |
890366920 | personification | giving non animate objects people movements and feelings | |
890366921 | Patterns of development | i have no clue i will ask someone else | |
890366922 | narration | the factual and background information | |
890366923 | description | i cant find it yolo | |
890366924 | process analysis | its not in the glossary skrew did | |
890366925 | exemplification | showing by example | |
890366926 | comparison/contrast | pertaining to a written exercise about the similarities and differences between two or more | |
890366927 | classification/division | two methods of organizing and explaining information. | |
890366928 | definition | what a thing is | |
890366929 | cause and effect | the principle of causation | |
890366930 | Polysyndeton | the deliberate use of mutiple conjunctions between coordinate phrases and clauses and words | |
890366931 | Propaganda | the spread of ideas and information to further a cause | |
890366932 | purpose | the goal the speaker wants to achieve | |
890366933 | qualifier | in the toulmin model, the qualifier uses words like usually probably maybe in most cases | |
890366934 | Qualified argument | an argument that is not absolute | |
890366935 | refutable | a denial of the validity of an opposing argument | |
890366936 | rebuttal | a rebuttal gives voice to possible objections. | |
890366937 | reservation | a reservation explains the terms and conditions needed by the qualifiers. | |
890366938 | rhetoric | the faculty of observing in any given case | |
890366939 | Rhetorical triangle | relationship among the speaker audience and subject | |
890366940 | Rhetorical question | question posed for the rhetorical effect | |
890366941 | 92. Rogerian argument | based on the assumption that fully understanding an opposing position is essential to responding to it persuasively and refuting it in a way that is accommodating rather than alienation/ | |
890366942 | satire | witty language used to convey insults or scorn | |
890366943 | simile | comparing things with the words "like" or "as" | |
890366944 | simple sentence | a sentence consisting of only one clause, with a single subject and predicate. | |
890366945 | 96. Subordinate clause | a clause, typically introduced by a conjunction, that forms part of and is dependent on a main clause | |
890366946 | subordination | A clause in which the holder of a mortgage permits a subsequent mortgage to take priority. Subordination is the act of yielding priority. | |
890366947 | stance | the speakers attitude towards the audience | |
890366948 | subject | the topic of the text | |
890366949 | 100. Syllogism | a logical structure that uses the major premise and the minor premise to reach a necessary conclusion | |
890366950 | symbol | something visible that by association or convention represents something else that is invisible | |
890366951 | synecdoche | figure of speech that uses a part to represent the whole | |
890366952 | syntax | the arrangement of words into phrases, clauses, and sentences. | |
890366953 | theme | the subject of a talk, a piece of writing, a person's thoughts, or an exhibition; a topic. | |
890366954 | tone | a speaker's attitude toward the subject | |
890366955 | understatement | less important than it actually is | |
890366956 | scheme | a deviation from the normal order of words | |
890366957 | STYLE | a way of expressing something (in language or art or music etc.) that is characteristic of a particular person or group of people or period | |
890366958 | Synthesize | combining two or more ideas in order to create something more complex | |
890366959 | closed thesis | a statement of the main idea of the argument that also preview the major points the writer intends to make | |
890377843 | trope | a metaphor simile hyperbole metonymy or synecdoche | |
890377844 | 113. Toulmin model | an approach to analyzing and constructing arguments created by some guy in his book | |
890377845 | voice | a means or agency by which something is expressed or communicated | |
890377846 | Zeugma | use of two different words in a grammatically similar way that produces different often incongruous meanings |