Terms for early discussion for AP Language--including Thank You for Arguing
Terms : Hide Images
| 2733983690 | accismus | the figure of coyness ("Oh, you shouldn't have.") | 0 | |
| 2733983691 | anaphora | repetition of a word or phrase as the beginning of successive clauses | 1 | |
| 2733983692 | anthropomorphism | -logical fallacy, the representation of objects (especially a god) as having human form or traits | 2 | |
| 2733983693 | aporia | expression of doubt (often feigned) by which a speaker appears uncertain as to what he should think, say, or do. | 3 | |
| 2733983694 | begging the question | Often called circular reasoning, __ occurs when the believability of the evidence depends on the believability of the claim. | 4 | |
| 2733983695 | circumlocution | talk around an issue to avoid getting to the point | 5 | |
| 2733983696 | concessio | concession, the jujitsu figure. you seem to agree with your opppnent but only use it to your advantage | 6 | |
| 2733983697 | deliberative rhetoric | One of three types of rhetoric (the other two are legal and demonstrative). Deliberative rhetoric deals with argument about choices. It concerns itself with matters that affect thefuture. Without deliberative rhetoric, we wouldn't have democracy. | 7 | |
| 2733983698 | demonstrative rhetoric | Also called epideictic, the speech of sermons, funeral orations and national anthems. It uses the present tense and its chief topic is values. Aristotle named it one of the three kinds of rhetoric, the other two being forensic (legal) and deliberative (political). | 8 | |
| 2733983699 | dialysis | The this-not-that Figure. "Dont buy the shoes. Buy the colors." People take wisdom more seriously if you put it cryptically; it's the idiot savant approach. | 9 | |
| 2733983700 | disinterest | lack of bias or involvement; impartiality; (ed) uninvolved; free from self-interest | 10 | |
| 2733983701 | dubitatio | feigned doubt about your ability to speak well | 11 | |
| 2733983702 | ethos | an appeal based on the character/reputation/ credibility of the speaker. | 12 | |
| 2733983703 | forensic (legal) rhetoric | Argument that determines guilt or innocence. It focuses on the past. | 13 | |
| 2733983704 | hypophora | a figure that asks a rhetorical question and then immediatly answering it. | 14 | |
| 2733983705 | idiom | inseparable words with a single meaning. often mistaken for figures in general, the idiom is merely a kind of figure. | 15 | |
| 2733983706 | kairo | the rhetorical art of seizing the occasion. it covers both timing and the appropriate medium | 16 | |
| 2733983707 | logos | argument by logic, one of three "appeals" | 17 | |
| 2733983708 | post hoc ergo propter hoc | the Chanticleer fallacy. A follow B; therefore. A caused B ("My crowning makes the sun come up.") | 18 | |
| 2733983709 | prolepsis (procatalepsis) | anticipating and answering objections in advance | 19 | |
| 2733983710 | red herring | the fallacy of distraction | 20 | |
| 2733983711 | reductio ad absudrum | taking an opponents argument to its illogical conclusion. A fallacy in formal logic | 21 | |
| 2733983712 | slippery slope | the fallacy of dire consequences. it assumes that one choice will neccessarily lead to a cascading series of bad choices | 22 | |
| 2733983713 | straw man fallacy | instead of dealing with the actual issue, it attacks a weaker version of argument | 23 | |
| 2733983714 | syncrisis | a figure that reframes an argument by redefining it. "Not manipulation. Instruction." | 24 | |
| 2733983715 | Ad hominem | Consists of replying to an argument or factual claim by attacking or appealing to a characterist or belif of the person making the argument or claim, rather than by addressing the substance of the argument or producing evidence against the claim | 25 | |
| 2733983716 | anadiplosis | A rhetorical figure of speech in which a word or phrase from the end of a sentence or clause is repeated at the begginging of the next sentence or clause. More generally it refers to rhetorical repetition for emphisis | 26 | |
| 2733983717 | Personification | assigning human qualities to inanimate objects or concepts. Wordsworth's "the sea that bares her bosom to the moon." | 27 | |
| 2733983718 | Antithesis | the presentation of two contrasting ideas. The ideas are balanced by phrase, clause, or paragraphs. "To be or not to be . . ." "It was the best of times; it was the worst of times . . ." "Ask not what your country can do for you, ask what you can do for your country . . ." | 28 | |
| 2733983719 | Oxymoron | a figure of speech wherein the author groups apparently contradictory terms. "jumbo shrimp" and "cruel kindness." | 29 | |
| 2733983720 | Sarcasm | bitter, caustic language that is meant to hurt or ridicule someone or something. It may use verbal irony as a device. | 30 | |
| 2733983721 | Synecdoche | Part as representative of the whole. "All hands on deck" | 31 | |
| 2733983722 | Hyperbole | deliberate exaggeration or overstatement | 32 | |
| 2733983723 | Metonymy | A type of metaphor in which the name of one object is substituted for that of another closely associated with it. "The White House declared," from the Greek meaning "changed label" or "substitute name" | 33 | |
| 2733983724 | Paradox | A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity. "It was the best of times, it was the worst of times." | 34 | |
| 2733983725 | Onomatopoeia | a figure of speech in which natural sounds are imitated in the sounds of words. Simple examples include such words as buzz, hiss, hum. | 35 | |
| 2733983726 | Metaphor | a comparison of two unlike things, not using like or as. "Your eyes are stars" | 36 | |
| 2733983727 | Symbol | Anything that represents, stands for, something else. Usually concrete—such as an object, action, character, or scene—that represents something more abstract. | 37 | |
| 2733983728 | Invective | an emotionally violent, verbal denunciation or attack using strong, abusive language. | 38 | |
| 2733983729 | Euphemism | a more acceptable and usually more pleasant way of saying something that might be inappropriate or uncomfortable. "He went to his final reward" for "he died." | 39 | |
| 2733983730 | Satire | A work that targets human vices and follies or social institutions and convention for reform or ridicule. | 40 | |
| 2733983731 | Alliteration | The repetition of sounds at the beginning of words, such as "Peter Piper picked a peck of pickled peppers." | 41 | |
| 2733983732 | Pathos | an appeal based on emotion. | 42 | |
| 2733983733 | Syllogism | a deductive system of formal logic that presents two premises that inevitably lead to a sound conclusion. A=B, B=C, so A=C. "All men are mortal; Socrates is a man; therefore, Socrates is mortal." | 43 | |
| 2733983734 | Anecdote | A story or brief episode told by the writer or a character to illustrate a point. | 44 | |
| 2733983735 | Denotation | the literal or dictionary meaning of a word | 45 | |
| 2733983736 | Connotation | the feelings or emotions surrounding/associated with a word, beyond its literal meaning. Generally positive or negative in nature. | 46 | |
| 2733983737 | Repetition | The duplication, either exact or approximate, or any element of language, such as sound, word, phrase, clause, sentence, or grammatical pattern. | 47 | |
| 2733983738 | Voice | Two definitions/uses. One refers to the total "sound" of the writer's style.The second refers to the relationship between a sentence's subject and verb (active and passive). | 48 | |
| 2733983739 | Parallelism | similarity in structure and syntax in a series of related words, phrases, clauses, sentences, or paragraphs that develops balance. Ex. "When you are right, you cannot be too radical; when you are wrong, you cannot be too conservative"- MLK | 49 | |
| 2733983740 | Analogy | Drawing a comparison to show a similarity in some respect. It is assumed that what applies to a parallel situation also applies to the original circumstance. | 50 | |
| 2733983741 | Rhetoric | the techniques and rules for using language effectively, eloquently, and persuasively. | 51 | |
| 2733983742 | Antecedent | the word, phrase, or clause that a pronoun refers to. | 52 | |
| 2733983743 | Thesis | The sentence or group of sentences that directly expresses the author's opinion, purpose, meaning, or proposition. | 53 | |
| 2733983744 | Asyndeton | Commas used (with no conjunction) to separate a series of words, speeds up flow of sentence. X, Y, Z as opposed to X, Y, and Z. | 54 | |
| 2733983745 | Point of View | Who tells a story and how it is told. (1st, 2nd, 3rd limited, 3rd omniscient) | 55 | |
| 2733983746 | Deductive reasoning | reasoning from the general to the particular (or from cause to effect). "People suck, so you probably suck too." | 56 | |
| 2733983747 | Diction | the author's choice of words that creates tone, attitude, and style, as well as meaning | 57 | |
| 2733983748 | Apostrophe | when a speaker address someone/something that isn't there. Ex. "Are you there God? It's me, Mr. Ginley." | 58 | |
| 2733983749 | Extended Metaphor | A metaphor that continues beyond it's initial use, often developed at great length, occurring frequently throughout a work. | 59 | |
| 2733983750 | Cliche | an overused saying or idea | 60 | |
| 2733983751 | Polysyndeton | Deliberate use of many conjunctions in close succession, especially where some might be omitted. Hemingway and the Bible both use extensively. Ex. "he ran and jumped and laughed for joy" | 61 | |
| 2733983752 | Inductive reasoning | reasoning from detailed facts to general principles. Ex. "All of the ice we have examined so far is cold.Therefore, all ice is cold." | 62 | |
| 2733983753 | Imagery | words that create mental pictures | 63 | |
| 2733983754 | Simile | a comparison using like or as | 64 | |
| 2733983755 | Motif | pattern; repeated image, symbol, idea | 65 | |
| 2733983756 | Pun | a play on words that are identical or similar in sounds but differ in meaning | 66 | |
| 2733983757 | Ambiguity | deliberately unclear, having multiple meanings | 67 | |
| 2733983758 | Chiasmus | a statement consisting of two parallel parts in which the second part is reversed ("Susan walked, and in rushed Mary.") | 68 | |
| 2733983759 | Rhetorical Question | a question that does not expect an explicit answer | 69 | |
| 2733983760 | Juxtaposition | words, phrases, ideas placed side by side for effect | 70 | |
| 2733983761 | Non Sequitur | an inference that does not follow logically from the premise (literally, does not follow) | 71 | |
| 2733983762 | Logical Fallacy | a mistake in reasoning | 72 | |
| 2733983763 | Abstract | refers to language that describes concepts rather than concrete images ( ideas and qualities rather than observable or specific things, people, or places). The observable or "physical" is usually described in concrete language. | 73 | |
| 2733983764 | Allegory | an extended narrative in prose or verse in which characters, events, and settings represent abstract qualities and in which the writer intends a second meaning to be read beneath the surface of the story; the underlying meaning may be moral, religious, political, social, or satiric. Examples: John Bunyan's Pilgrim's Progress (Temptations of Christians) , Orwell's Animal Farm (Russian Revolution), and Arthur Miller's Crucible ("Red Scare") | 74 | |
| 2733983765 | Allusion | a reference to a well-known person, place, or thing from literature, history, etc. Example: Eden, Scrooge, Prodigal Son, Catch-22, Judas, Don Quixote, Mother Theresa | 75 | |
| 2733983766 | Aphorism | a short, often witty statement of a principle or a truth about life. Examples: "Early bird gets the worm." "What goes around, comes around.." "People who live in glass houses shouldn't throw stones." | 76 | |
| 2733983767 | Assonance | repetition of vowel sounds between different consonants, such as in neigh/fade, | 77 | |
| 2733983768 | Cacophony | harsh, awkward, or dissonant sounds used deliberately in poetry or prose; the opposite of euphony. | 78 | |
| 2733983769 | Consonance | repetition of identical consonant sounds within two or more words in close proximity, as in boost/best; it can also be seen within several compound words, such as fulfill and ping-pong | 79 | |
| 2733983770 | Epistrophe | repetition of a word or expression at the end of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect (as Lincoln's "of the people, by the people, for the people") Compare to anaphora. Ex: "When I was a child, I spoke like a child, I thought like a child, I reasoned like a child." (Corinthians) Ex: I'll have my bond!/ Speak not against my bond!/ I have sworn an oath that I will have my bond.---The Merchant of Venice | 80 | |
| 2733983771 | Euphony | a succession of harmonious sounds used in poetry or prose; the opposite of cacophony | 81 | |
| 2733983772 | False Analogy | When two cases are not sufficiently parallel to lead readers to accept a claim of connection between them. | 82 | |
| 2733983773 | Oversimplification | When a writer obscures or denies the complexity of the issues in an argument | 83 | |
| 2733983774 | Syntax | the grammatical structure of a sentence; the arrangement of words in a sentence. It includes length of sentence, kinds of sentences (questions, exclamations, declarative sentences, rhetorical questions, simple, complex, or compound). | 84 | |
| 2733983775 | Tone | the characteristic emotion or attitude of an author toward the characters, subject, and audience (anger, sarcastic, loving, didactic, emotional, etc.) | 85 | |
| 2733983776 | Transition | a word or phrase that links one idea to the next and carries the reader from sentence to sentence, paragraph to paragraph. | 86 | |
| 2733983777 | Ellipses | Indicated by a series of three periods; shows that words have been omitted | 87 | |
| 2733983778 | Either-or reasoning | When the writer reduces an argument or issue to two polar opposites and ignores any alternatives. | 88 | |
| 2733983779 | Style | an evaluation of the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices. | 89 | |
| 2733983780 | Parenthetical idea | An idea that is set off from the rest of the sentence. | 90 | |
| 2733983781 | Litotes | A particular form of understatement, generated by denying the opposite of the statement which otherwise would be used. | 91 | |
| 2733983782 | Anastrophe | Departure from normal word order. "Faults, no one lives without." | 92 | |
| 2733983783 | Antimetabole | Reversing the order of repeated words of phrases (a loosely chiastic structure, AB-BA) to intensify the final formulation, to present alternatives, or to show contrast. "As not what your country can do for you; ask what you can do for your country." | 93 | |
| 2733983784 | Antiphrasis | One-word irony, established by context. "Come here, Tiny," he said to the fat man. | 94 | |
| 2733983785 | Appositive | A noun or noun substitute placed next to (in apposition to) another noun to be described or defined by the appositive. The appositive can be placed before or after the noun. | 95 | |
| 2733983786 | Climax | Arranging words, clauses, or sentences in the order of increasing importance, weight, or emphasis. Parallelism usually forms a part of the arrangement because it offers a sense of continuity, order and movement up the latter of importance. | 96 | |
| 2733983787 | Epanalepsis | Repetition of the beginning word of a clasue or sentence at the end. | 97 | |
| 2733983788 | Hasty Generalization | Leaping to a generalization from inadequate or faulty evidence. | 98 | |
| 2733983789 | Argument from doubtful authority | "According to reliable sources, my opponent is lying." | 99 |
