Terms : Hide Images
| 12089989182 | Ethos | the credibility of the speaker | 0 | |
| 12089989183 | Pathos | Appeal to emotion | 1 | |
| 12089989184 | Logos | an appeal based on logic or reason | 2 | |
| 12089989185 | Attitude | Authors opinion | 3 | |
| 12089989186 | Audience | the intended reader | 4 | |
| 12089989187 | Connotation | How a word makes you feel | 5 | |
| 12089989188 | Context | The extra-textual environment | 6 | |
| 12089989189 | Denotation | The dictionary definition | 7 | |
| 12089989190 | Diction | Style of language used | 8 | |
| 12089989191 | Evidence | Information to persuade the audience | 9 | |
| 12089989192 | figurative language | The use of language in a non-literal way | 10 | |
| 12089989193 | Imagery | Description that appeals to the senses | 11 | |
| 12089989194 | Implication | Something is suggested without being said | 12 | |
| 12089989195 | Irony | the use of words to convey a meaning that is the opposite | 13 | |
| 12089989196 | Juxtaposition | Placement of two very different things together for effect | 14 | |
| 12089989197 | Occasion | The reason of writing | 15 | |
| 12089989198 | Organization | How the parts of an argument are arranged | 16 | |
| 12089989199 | Purpose | Persuasive intention | 17 | |
| 12089989200 | Repetition | Reusing of word/phase | 18 | |
| 12089989201 | Rhetoric | Use of word to convey ideas | 19 | |
| 12089989202 | Speaker | Person adopted by the author | 20 | |
| 12089989203 | Style | The author's own personal approach | 21 | |
| 12089989204 | Sybolism | Using a symbol to refer to an idea or concept | 22 | |
| 12089989205 | Syntax | The way sentences are grammatically constructed. | 23 | |
| 12089989206 | Tone | the author's attitude toward a subject | 24 | |
| 12089989207 | Voice | Authors unique sound | 25 | |
| 12089989208 | Brutus | Husband of Portia, joins & leave the conspiracy | 26 | |
| 12089989209 | Caesar | Emperor of Rome, suffer from falling sickness | 27 | |
| 12089989210 | Portia | Wife of Brutus | 28 | |
| 12089989211 | Cassius | gets Brutus to join | 29 | |
| 12089989212 | Calpurnia | wife of Caesar | 30 | |
| 12089989213 | Antony | 2nd in command, agrees to nephew's death | 31 | |
| 12089989214 | Artemidorus | Tries to warn Caesar | 32 | |
| 12089989215 | Marullus | tribune who breaks up the crowd celebrating Caesar | 33 | |
| 12089989216 | Octavius | Caesar's nephew | 34 | |
| 12089989217 | Pompey | Ruler before Caesar | 35 | |
| 12089989218 | Decius | Persuades Caesar to attend Senate meeting | 36 | |
| 12089989219 | Plutarch | Wrote the history of Julius Caesar | 37 | |
| 12089989220 | Ligarius | Joined the movement because of Brutus | 38 | |
| 12089989221 | Lucius | servant to Brutus | 39 | |
| 12089989222 | Casca | First to stab Caesar | 40 | |
| 12089989223 | soothsayer | "Beware the ides of March" | 41 | |
| 12089989224 | Caesar | "Yond Cassius has a lean and hungry look. Such men are dangerous" | 42 | |
| 12089989225 | Artemidorus | "If you read this, o Caesar, thou may live" | 43 | |
| 12089989226 | Antony | "You have forgot the will I told you of." | 44 | |
| 12089989227 | Brutus | "By your pardon. I will myself into the pulpit first, and show no reason of our Caesar's death" | 45 | |
| 12089989228 | Cassius | "Now let it work. Mischief, thou art afoot. Take thou what course thou wilt." | 46 | |
| 12089989229 | Tintinus | "Our deeds are done. Mistrust of my success hath done this deed." | 47 | |
| 12089989230 | Brutus | "Not that I loved Caesar less, but that I loved Rome more." | 48 | |
| 12089989231 | Ghost of Caesar | "To tell thee thou shalt see me at Phillips." | 49 | |
| 12089989232 | Brutus | "I Julius Caesar, thou art mighty yet! Thy spirit walks abroad, and turns our swords in our own proper entrails." | 50 | |
| 12089989233 | Nick Carraway | Narrator, tries not to judge people | 51 | |
| 12089989234 | Daisy Buchanan | Wears white, talks quite to people can come closer | 52 | |
| 12089989235 | Tom Buchanan | Wealthy, discontinued athlete | 53 | |
| 12089989236 | Jordan Baker | Romantically involved with Nick, professional golfer | 54 | |
| 12089989237 | Jay Gatsby | Rich man who follows his dream for five years | 55 | |
| 12089989238 | Owl eyes | Questions Gatsby's story | 56 | |
| 12089989239 | Meyer Wolfsheim | Fixed 1919 World Series | 57 | |
| 12089989240 | Dr. T.J. Eckleburg | Eye doctor with a billboard in the Valley of Ashes | 58 | |
| 12089989241 | Myrtle Wilson | Tom's mistress | 59 | |
| 12089989242 | George Wilson | Shoots Gatsby, owns a garage | 60 | |
| 12089989243 | Klipspringer | the "boarder" who plays the piano | 61 | |
| 12089989244 | Michaelis | Witness of the accident | 62 | |
| 12089989245 | Valley of Ashes | George and Myrtle live here, Dumping ground | 63 | |
| 12089989246 | East Egg | old money, home of Tom & Daisy | 64 | |
| 12089989247 | West egg | new money, home of Gatsby & Nick | 65 | |
| 12089989248 | New York City | Tom & Myrtle apartments | 66 | |
| 12089989249 | Louisville | Daisy's hometown, where she meets Gatsby | 67 | |
| 12089989250 | Eyes of T.J. Eckleburg | Eyes of God | 68 | |
| 12089989251 | The Green light | Gatsby's goal | 69 | |
| 12089989252 | The puppy | Myrtle double life | 70 | |
| 12089989253 | Daisy to Gatsby | She is he's ideal obsession | 71 | |
| 12089989254 | Why does Gatsby give huge parties? | Hope to run into daisy | 72 | |
| 12089989255 | How does Nick describe Tom & daisy in the end? | Careless | 73 | |
| 12089989256 | Why doesn't anyone come to Gatsby's funeral? | No know actually knows him | 74 | |
| 12089989257 | Argument | Evidence and reasoning | 75 | |
| 12089989258 | Rogerian Argument | Full understanding of an issue | 76 | |
| 12089989259 | Claims of facts | True or false | 77 | |
| 12089989260 | claims of value | Good or bad | 78 | |
| 12089989261 | Claims of Policy | proposes a change | 79 | |
| 12089989262 | closed thesis | Main idea previews the major points | 80 | |
| 12089989263 | open thesis | Does not list any points | 81 | |
| 12089989264 | counter arguing thesis | Summary of opposition | 82 | |
| 12089989265 | Logical fallacies | Weakness in argument | 83 | |
| 12089989266 | Introduction | Introduces the reader to the subject | 84 | |
| 12089989267 | Narration | Factual information | 85 | |
| 12089989268 | Confirmation | Includes proof | 86 | |
| 12089989269 | Refutation | Address opposition | 87 | |
| 12089989270 | Conclusion | brings the essay to a satisfying close | 88 | |
| 12089989271 | Toulmin Model | Uncovers the assumption | 89 | |
| 12089989272 | Warrant | Express your assumption | 90 | |
| 12089989273 | Assumption | Your position | 91 | |
| 12089989274 | Backing | Assurances of data | 92 | |
| 12089989275 | Qualifier | tempers the claim, presents a question | 93 | |
| 12089989276 | Reservation | explains the qualifier | 94 | |
| 12089989277 | Rebuttal | Gives voice to possible objections | 95 |
