Terms : Hide Images
| 6756442609 | allegory | story or poem that can be used to reveal a hidden meaning |  | 0 |
| 6756442610 | alliteration | beginning of same letter or sound in closely connected words |  | 1 |
| 6756442611 | allusion | indirect of passing reference |  | 2 |
| 6756447710 | analogy | term that signifies a comparison between two objects or ideas example: "nature's first green is gold" | 3 | |
| 6756442612 | anaphora | repetition in first part of a sentence , to have an artistic meaning |  | 4 |
| 6756451979 | aphorism | a brief statement of an opinion or elemental truth ex: Vision is the art of seeing the invisible | 5 | |
| 6756442613 | antagonist | a hostile person who is opposed to another character |  | 6 |
| 6756442614 | apostrophe | figure of speech used to adresss an imaginary character |  | 7 |
| 6756442615 | approximate rhyme | words in rhyming pattern that sound alike |  | 8 |
| 6756442616 | aside | when a character's dialogue is spoken but not heard by other actors on the stage |  | 9 |
| 6756442617 | assonance | repetition of vowel sounds |  | 10 |
| 6756442618 | blank verse | poetry written in meter without an ending rhyme |  | 11 |
| 6756442619 | cacophony | blend of unharmonious sounds |  | 12 |
| 6756442620 | caesura | pause in the middle of a line |  | 13 |
| 6756442621 | catharsis | the release of emotions through art (emotional cleanse) |  | 14 |
| 6756456855 | consonance | the repetition of a sequence of two or more consonants, but with a change in the intervening vowel | 15 | |
| 6756442622 | flat character | story character who have no depth, usually has one personality or characteristic |  | 16 |
| 6756442623 | round character | character who has complex personality: contradicted person |  | 17 |
| 6756442624 | dynamic character | changes throughout the story, through major conflict |  | 18 |
| 6756442625 | static character | person who doesn't change throughout story keeps same personality |  | 19 |
| 6756442626 | characterization | process of revealing characters personality |  | 20 |
| 6756442627 | climax | point where conflict hits its highest point |  | 21 |
| 6756442628 | comedy | drama that is amusing or funny |  | 22 |
| 6756442629 | conflict | struggle between opposing forces |  | 23 |
| 6756442630 | connotation | secondary meaning to a word |  | 24 |
| 6756442631 | consonance | repetition of same consonant in words close together |  | 25 |
| 6756442632 | couplet | two rhyming lines in a verse |  | 26 |
| 6756442633 | denotation | the literal meaning of a word |  | 27 |
| 6756442634 | denouement | final outcome of the story |  | 28 |
| 6756442635 | deus ex machina | resolution of a plot by chance or coincidence |  | 29 |
| 6756442636 | didactic writing | writing with a primary purpose to teach or preach |  | 30 |
| 6756442637 | direct presentation of character | author telling the reader how a character is and what actions it will do further in the story |  | 31 |
| 6756442638 | double rhyme | rhyme where the repeated vowel is in the second last syllable of words involved (ex; born scorn) | 32 | |
| 6756442639 | dramatic exposition | prose commentaries, to provide background information about the characters and their world |  | 33 |
| 6756442640 | end rhyme | rhymes occurring at the end of line |  | 34 |
| 6756442641 | end stopped line | line ending in regular punctuation |  | 35 |
| 6756442642 | English sonnet | a sonnet rhyming ababcdcdededgg |  | 36 |
| 6756442643 | epiphany | when a character receives a spiritual insight into they life |  | 37 |
| 6756442644 | euphony | smooth choice and arrangement of sounds |  | 38 |
| 6756442645 | extended figure | A figure of speech sustained or developed through a considerable number of lines or through a whole poem. |  | 39 |
| 6756442646 | falling action | Events after the climax, leading to the resolution |  | 40 |
| 6756442647 | feminine rhyme | lines rhymed by their final two syllables |  | 41 |
| 6756442648 | figurative language | Language that cannot be taken literally since it was written to create a special effect or feeling. |  | 42 |
| 6756442649 | figure of speech | a way of saying something other than the ordinary way |  | 43 |
| 6756442650 | foot | basic unit in the scansion or measurement of verse , stressed and un stressed syllables |  | 44 |
| 6756442651 | form | external pattern or shape of a poem |  | 45 |
| 6756442652 | free verse | Poetry that does not have a regular meter or rhyme scheme |  | 46 |
| 6756442653 | hamartia | tragic flaw which causes a character's downfall |  | 47 |
| 6756442654 | imagery | Description that appeals to the senses (sight, sound, smell, touch, taste) |  | 48 |
| 6756442655 | indirect presentation of character | the personality of a character is revealed by what he or she does or says |  | 49 |
| 6756442656 | internal rhyme | A word inside a line rhymes with another word on the same line |  | 50 |
| 6756442657 | irony | A contrast between expectation and reality |  | 51 |
| 6756442658 | verbal irony | A figure of speech in which what is said is the opposite of what is meant |  | 52 |
| 6756442659 | dramatic irony | Irony that occurs when the meaning of the situation is understood by the audience but not by the characters in the play. |  | 53 |
| 6756442660 | irony of situation | refers to an occurrence that is contrary to what is expected or intended |  | 54 |
| 6756442661 | italian sonnet | A sonnet consisting of an octave with the rhyme pattern abbaabba, followed by a sestet with the rhyme pattern cdecde or cdcdcd |  | 55 |
| 6756442662 | masculine rhyme | A rhyme ending on the final stressed syllable |  | 56 |
| 6756442663 | melodrama | a play based upon a dramatic plot and developed sensationally |  | 57 |
| 6756442664 | metaphor | A comparison without using like or as |  | 58 |
| 6756442665 | meter | A regular pattern of stressed and unstressed syllables in a line of poetry |  | 59 |
| 6756442666 | metonymy | A figure of speech in which something is referred to by using the name of something that is associated with it |  | 60 |
| 6756442667 | motivation | A need or desire that energizes and directs behavior |  | 61 |
| 6756442668 | narrator | Person telling the story |  | 62 |
| 6756442669 | octave | 8 line stanza |  | 63 |
| 6756442670 | onomatopoeia | A word that imitates the sound it represents. |  | 64 |
| 6756442671 | hyperbole | A figure of speech that uses exaggeration to express strong emotion, make a point, or evoke humor |  | 65 |
| 6756442672 | oxymoron | A figure of speech that combines opposite or contradictory terms in a brief phrase. |  | 66 |
| 6756442673 | paradox | A contradiction or dilemma |  | 67 |
| 6756442674 | paraphrase | A restatement of a text or passage in your own words. |  | 68 |
| 6756442675 | personification | A figure of speech in which an object or animal is given human feelings, thoughts, or attitudes |  | 69 |
| 6756442676 | plot | Sequence of events in a story | | 70 |
| 6756442677 | point of view | The perspective from which a story is told |  | 71 |
| 6756442678 | omniscient point of view | The point of view where the narrator knows everything about the characters and their problems - told in the 3rd person. |  | 72 |
| 6756442679 | third person limited point of view | narrator tells the story from only one character's pov |  | 73 |
| 6756442680 | first person point of view | a character in the story is actually telling the story himself/herself |  | 74 |
| 6756442681 | objective point of view | a narrator who is totally impersonal and objective tells the story, with no comment on any characters or events. |  | 75 |
| 6756442682 | protagonist | Main character |  | 76 |
| 6756442683 | quatrain | A four line stanza |  | 77 |
| 6756442684 | rhythm | A regularly recurring sequence of events or actions. |  | 78 |
| 6756442685 | rhyme scheme | A regular pattern of rhyming words in a poem |  | 79 |
| 6756442686 | rising action | Events leading up to the climax |  | 80 |
| 6756442687 | sarcasm | the use of irony to mock or convey contempt |  | 81 |
| 6756442688 | satire | A literary work that criticizes human misconduct and ridicules vices, stupidities, and follies. |  | 82 |
| 6756442689 | scansion | Analysis of verse into metrical patterns |  | 83 |
| 6756442690 | sestet | 6 line stanza |  | 84 |
| 6756442691 | setting | The context in time and place in which the action of a story occurs. |  | 85 |
| 6756442692 | simile | A comparison using "like" or "as" |  | 86 |
| 6756442693 | soliloquy | A long speech expressing the thoughts of a character alone on stage |  | 87 |
| 6756442694 | sonnet | 14 line poem |  | 88 |
| 6756442695 | stanza | A group of lines in a poem | | 89 |
| 6756442696 | stream of consciousness | private thoughts of a character without commentary |  | 90 |
| 6756442697 | syllabic verse | Verse measured by the number of syllables rather than the number of feet per line. |  | 91 |
| 6756442698 | symbol | A thing that represents or stands for something else |  | 92 |
| 6756442699 | synecdoche | a figure of speech in which a part is made to represent the whole or vice versa |  | 93 |
| 6756442700 | synesthesia | describing one kind of sensation in terms of another ("a loud color", "a sweet sound") |  | 94 |
| 6756442701 | tercet | 3 line stanza | | 95 |
| 6756442702 | terza rima | a verse form with a rhyme scheme: aba bcb cdc, etc. |  | 96 |
| 6756442703 | theme | Central idea of a work of literature |  | 97 |
| 6756442704 | tone | Attitude a writer takes toward the audience, a subject, or a character |  | 98 |
| 6756442705 | tragedy | A serious form of drama dealing with the downfall of a heroic or noble character |  | 99 |
| 6756442706 | truncation | Utilizing a melody with part of the end omitted. |  | 100 |
| 6756442707 | understandment | the deliberate representation of something as lesser in magnitude than it actually is; a deliberate under-emphasis |  | 101 |
| 6756442708 | verse | A single line of poetry writing arranged with a metrical rhythm, typically having a rhyme | | 102 |
| 6756442709 | vilanelle | a nineteen-line poem with two rhymes throughout, consisting of five tercets and a quatrain, with the first and third lines of the opening tercet recurring alternately at the end of the other tercets and with both repeated at the close of the concluding quatrain. |  | 103 |
