4386717698 | allusion | a reference in a work of literature to something outside of the work, especially a well known historical or literary person, event, or work. | 0 | |
4386726567 | attitude | the disposition toward or opinion of a subject by a speaker, author, or character | 1 | |
4386740276 | details (choice of details) | the individual items or parts that make up a larger picture or story | 2 | |
4386747535 | devices of sound | the techniques of deploying the sound of words, especially in poetry (rhyme, alliteration, assonance, consonance, and onomatopoeia) they are used for many reasons, including to create a general effect of pleasant or of discordant sound, to imitate another sound, or to reflect a meaning | 3 | |
4386782614 | diction | word choice | 4 | |
4386790037 | figurative language | writing that uses figures of speech, such as metaphor, simile, and irony. uses words to mean something other than their literal meaning | 5 | |
4386800060 | imagery | the images created by a literary work; the sensory details of a work; the figurative language of a work. the visual, auditory, or tactile images evoked by the words of a literary work, and the images that figurative language evokes | 6 | |
4386819843 | irony | a figure of speech in which the intended meaning and the actual meaning differ, characteristically using praise to indicate blame or using blame to indicate praise; a pattern of words that turns away from direct statement of its own obvious meaning | 7 | |
4386830051 | metaphor | a figurative use of language in which a comparison is expressed without the use of comparative terms like "as," "like," or "than." | 8 | |
4386842797 | narrative techniques | the methods involved in telling a story; the procedures used by a writer of stories or accounts. asks you to discuss the procedures used in the telling of a story | 9 | |
4386851090 | omniscient point of view | the vantage point of a story in which the narrator can know, see, and report whatever he or she chooses | 10 | |
4386857846 | point of view | any of several possible vantage points from which a story is told. may be omniscient, limited to several characters, or to just a single character | 11 | |
4386865420 | resources of language | a general phrase for the linguistic devices or techniques that a writer can use. asks you to discuss the style and rhetoric of a passage. (examples: diction, syntax, figurative language, imagery) | 12 | |
4386879081 | rhetorical techniques | the devices used in effective or persuasive language (contrast, repetition, paradox, understatement, sarcasm, and rhetorical question | 13 | |
4386887234 | satire | writing that uses ridicule to arouse a reader's disapproval of the subject. comedy that exposes errors with an eye to correct vice and folly | 14 | |
4386908519 | setting | the background of a story; the physical location of a play, story , or novel. includes both time and place | 15 | |
4386923672 | simile | a directly expressed comparison; a figure of speech comparing two objects, usually with like or as or than. | 16 | |
4386929029 | strategy (rhetorical strategy) | the management of language for a specific effect. the planned placing of elements to achieve an effect | 17 | |
4386951062 | structure | the arrangement of materials within a work; the relationship of the parts of a work to the whole; the logical divisions of a work | 18 | |
4386962174 | style | the mode of expression in language; the characteristic manner of expression of an author. can discuss diction, syntax, figurative language, imagery, selection of detail, sound effects, and tone | 19 | |
4386979502 | symbol | something that is simultaneously itself and also a sign of something else | 20 | |
4386983745 | syntax | the structure of a sentence; the arrangement of words in a sentence. could include the length or brevity of sentences, and the kinds of sentences. (questions, exclamations, declarative, rhetorical questions, periodic or loose sentences, and simple, complex, or compound sentences | 21 | |
4386998918 | theme | the main thought expressed by a work | 22 | |
4387009113 | tone | the manner in which an author expresses his or her attitude; the intonation of the voice that expresses meaning. it is described by adjectives. it is the result of allusion, diction, figurative language, imagery, irony, symbol, syntax, and style | 23 | |
4387032396 | allegory | a story in which the people, things, and events have another extended, frequently abstract, meaning | 24 | |
4387036937 | ambiguity | multiple meanings that a literary work may communicate, especially when two meanings are incompatible | 25 | |
4387094373 | apostrophe | direct address, usually to someone or something that is not present | 26 | |
4387098020 | connotation | the implications of a word or phrase, or the emotions associated with it, as opposed to its exact meaning | 27 | |
4387107599 | convention | a device or style or subject matter that is used so often that it becomes a recognized means of expression. For example, a character observing the literary conventions of an impassioned lover cannot eat, or sleep, and he grows pale and lean | 28 | |
4387127933 | denotation | the specific, literal meaning of a word to be found in a dictionary, as opposed to connotation | 29 | |
4387131873 | didactic | explicitly instructive | 30 | |
4387133916 | digression | the inclusion of material unrelated to the actual subject of a work | 31 | |
4387145640 | epigram | a pithy staying, often employing contrast. also a verse form that is brief and pointed | 32 | |
4387155914 | euphemism | a figure of speech utilizing indirection to avoid offensive bluntness, such as "deceased" for "dead" or "remains" for "corpse" | 33 | |
4387163764 | grotesque | characterized by distortions or incongruities | 34 | |
4387167103 | hyperbole | deliberate exaggeration, overstatement. it is self conscious with the intention of not being accepted literally | 35 | |
4387172602 | jargon | the specialized language or a profession or group may be evasive, tedious, and unintelligible to outsiders | 36 | |
4387182093 | literal | the precise, explicit meaning; accurate to the letter; a matter of fact, as opposed to figurative language | 37 | |
4387186941 | lyrical | songlike; characterized by emotion, subjectivity, and imagination | 38 | |
4387195281 | oxymoron | a combination of juxtaposition of opposites; a union of contradictory terms "bright smoke" "feather of lead" "cold fire" | 39 | |
4387201127 | parable | a story designed to suggest a principle, to illustrate a moral, or to answer a question. they are allegorical stories | 40 | |
4387205457 | paradox | a statement that seems to be self-contradictory but is in fact, true. "chaste but you ravish me" "fair is foul and foul is fair" | 41 | |
4387215376 | parody | a composition that imitates the style of another composition, normally done for comic effect | 42 | |
4387223698 | personification | a figurative use of language that endows the nonhuman (ideas, inanimate objects, animals, abstractions) with human characteristics | 43 | |
4387251663 | reliability | a quality of some fictional narrators in whose word the reader can place his trust. There are both reliable and unreliable narrators, that is, tellers of a story who should or should not be trusted | 44 | |
4387263015 | rhetorical question | a question asked for effect, not in expectation of a reply. a reply is not expected because the question presupposes only one possible answer | 45 | |
4387269860 | soliloquy | a speech in which a character who is alone speaks his or her thoughts aloud. | 46 | |
4387275589 | stereotype | a conventional pattern, expression, character, or idea | 47 | |
4387279757 | syllogism | a form of reasoning in which two statements are made and a conclusion is drawn from them. "all tragedies end unhappily. hamlet is a tragedy. therefore, hamlet ends unhappily | 48 | |
4387288096 | thesis | the theme, meaning, or position that a writer endeavors to prove or support | 49 | |
4387295735 | alliteration | the repetition of similar or identical consonant sounds, normally at the beginning of the words. "Gnus never know pneumonia" (all have the n sound) | 50 | |
4387302297 | assonance | the repetition of identical or similar vowel sounds. "a land laid waste with all its young men slain" repeats the same a sound in laid, waste, and slain | 51 | |
4387310166 | ballad meter | a four-line stanza rhymed abcb in which lines one and three have four feet and lines two and four have three feet | 52 | |
4387322517 | blank verse | unrhymed iambic pentameter (meter of most of Shakespeare's plays) | 53 | |
4387328019 | dactyl | a metrical foot of three syllables, including an accented syllable followed by two unaccented syllables | 54 | |
4387333318 | end-stopped | a line with a pause at the end. lines that end with a period, comma, colon, semicolon, exclamation point, or question mark | 55 | |
4387339285 | free verse | poetry that is not written in a traditional meter but is still rhythmical | 56 | |
4387345020 | heroic couplet | two end-stopped iambic pentameter lines rhymed aa, bb, cc, usually containing a complete thought in the two-line unit | 57 | |
4387357169 | hexameter | a line containing six feet | 58 | |
4387358940 | iamb | a two-syllable foot with an unaccented syllable followed by an accented syllable. most common foot in English poetry | 59 | |
4387362158 | internal rhyme | rhyme that occurs within a line, rather than at the end | 60 | |
4387370679 | onomatopoeia | the use of words whose very sound suggests their actual meaning. buzz, hiss, honk | 61 | |
4387373386 | pentameter | a line containing five feet. the iambic pentameter is the most common line used in English verse before 1950 | 62 | |
4387378956 | rhyme royal | a seven-line stanza of iambic pentameter rhymed ababbcc | 63 | |
4387384985 | sonnet | a poem written in iambic pentameter, normally composed of 14 lines. Italian/Petrarchan is abba abba cde cde. English/Shakespearean is abab cdcd efef gg | 64 | |
4387397258 | stanza | a repeated grouping of three or more lines, usually with the same meter and rhyme scheme | 65 | |
4387401389 | terza rima | a three-line stanza rhymed aba bcb cdc | 66 | |
4387404206 | tetrameter | a line of four feet | 67 | |
4387415776 | antecedent | that which has gone before, especially the word, phrase, or clause to which a pronoun refers. "the witches cast their spells" the antecedent of the pronoun their is the noun witches | 68 | |
4387424897 | clause | a group of words containing a subject and its verb that may or may not form a complete sentence | 69 | |
4387429882 | ellipsis | a phrase that omits some words that would be necessary for a complete construction, yet which is still understandable. "if rainy, bring an umbrella" | 70 | |
4387436351 | modify | to restrict or limit in meaning. in the phrase "large, shaggy dog," the two adjectives modify the noun. | 71 | |
4387441021 | parallel structure | a similar grammatical structure within a sentence or within a paragraph | 72 | |
4387448655 | periodic sentence | a sentence that becomes grammatically complete only at the end. "when conquering love did first my heart assail, unto mine aid I summoned every sense" | 73 | |
4387452839 | loose sentence | grammatically complete before the period "fair is my love, and cruel as she's fair" | 74 | |
4387460256 | 75 |
AP Literature Lit Terms Flashcards
Primary tabs
Need Help?
We hope your visit has been a productive one. If you're having any problems, or would like to give some feedback, we'd love to hear from you.
For general help, questions, and suggestions, try our dedicated support forums.
If you need to contact the Course-Notes.Org web experience team, please use our contact form.
Need Notes?
While we strive to provide the most comprehensive notes for as many high school textbooks as possible, there are certainly going to be some that we miss. Drop us a note and let us know which textbooks you need. Be sure to include which edition of the textbook you are using! If we see enough demand, we'll do whatever we can to get those notes up on the site for you!