Terms : Hide Images
| 7184357422 | Allegory | A work that functions on a symbolic level | 0 | |
| 7184357807 | Alliteration | The repetition of initial consonant "Peter Piper picked a peck of picked peppers" | 1 | |
| 7184359216 | Allusion | A reference contained in a work | 2 | |
| 7184359669 | Anapest | A metrical pattern of two unaccented syllables followed by an accented syllable | 3 | |
| 7184360763 | Antagonist | The force or character that opposes the main character, the protagonist | 4 | |
| 7184361257 | Apostrophe | Direct address in poetry "Be with me Beauty, for the fire is dying" | 5 | |
| 7184362260 | Aside | Words spoken by an actor intended to be heard by the audience but not by the other characters onstage | 6 | |
| 7184363041 | Aubade | A love poem set at dawn which bids farewell to the beloved | 7 | |
| 7184363994 | Ballad | A simple narrative poem, often incorporating dialogue that is written in quatrains, generally with a rhyme scheme of A B C D | 8 | |
| 7184365493 | Blank verse | Unrhymed iambic pentameter. Most of Shakespeare's plays are in this form | 9 | |
| 7184367877 | Cacophony | Harsh and discordant sounds in a line or passage of a literary work | 10 | |
| 7184368754 | Caesura | A break or pause within a line of poetry indicated by punctuation and used to emphasize meaning | 11 | |
| 7184369789 | Catharsis | According to Aristotle, the release of emotion that the audience of a tragedy experiences | 12 | |
| 7184377725 | Character | One who carries out the action of the plot in literature. Major, minor, static, and dynamic are types of characters | 13 | |
| 7184379340 | Climax | The turning point of action or character in a literary work, usually the highest moment of tension | 14 | |
| 7184380332 | Comic relief | The inclusion of a numerous character or scene to contrast with the tragic elements of a work, thereby intensifying the next tragic event | 15 | |
| 7184382767 | Conflict | A clash between opposing forces in a literary work, such as man vs man; man vs nature; man vs God; man vs self | 16 | |
| 7184384077 | Connotation | The interpretive level of a word based on its associated images rather than its literal meaning | 17 | |
| 7184385026 | Convention | A traditional aspect of a literary work such as a soliloquy in a Shakespearean play or a tragic hero in a Greek tragedy | 18 | |
| 7184387187 | Couplet | Two lines of rhyming poetry; often used by Shakespeare to conclude a scene or an important passage | 19 | |
| 7184390279 | Dactyl | A foot of poetry consisting of a stressed syllable followed bye two unstressed syllables | 20 | |
| 7184391295 | Denotation | The literal one dictionary meaning of a word | 21 | |
| 7184391797 | Denouement | The conclusion or typing up of loose ends in a literary work; the resolution of the conflict and plot | 22 | |
| 7184393583 | Deus ex machina | A Greek invention, literally "the god from the machine" who appears at the last moment and resolves the loose ends of a play | 23 | |
| 7184395007 | Diction | The author's choice of words | 24 | |
| 7184395297 | Dramatic monologue | A type of poem that presents a conversation between a speaker and an implied listener | 25 | |
| 7184395970 | Elegy | A poem that lamentable the dead or a loss | 26 | |
| 7184402802 | Enjambment | A technique in poetry that involve the running on of a line or stanza. It enables the poem to move and to develop coherence as well as directing the reader with regard to form and meaning | 27 | |
| 7184406798 | Epic | A lengthy, elevated poem that celebrates the exploits of a hero | 28 | |
| 7184407667 | Epigram | A brief witty poem | 29 | |
| 7184409151 | Euphony | The pleasant, mellifluous presentation of sounds in a literary work | 30 | |
| 7184414273 | Exposition | Background information presented in a literary work | 31 | |
| 7184415155 | Fable | A simple, symbolic story usually employing animals as characters | 32 | |
| 7184416059 | Figurative language | The body of devices that enables the writer to operate on levels other than the literal one. I think include some metaphor, simile, symbol, motif, hyperbole, and others | 33 | |
| 7184421092 | Flashback | A device that enables a writer to refer to past thoughts, events, episodes | 34 | |
| 7184422352 | Foot | A metrical unit in poetry; a syllabic measure of a line: iamb, trochee, anapest, dactyl, and spondee | 35 | |
| 7184494666 | Foreshadowing | Hints of future events in a literary work | 36 | |
| 7184495698 | Form | The shape or structure of a literary work | 37 | |
| 7184502984 | Free verse | Poetry without a defined form, meter, or rhyme scheme | 38 | |
| 7184503970 | Hyperbole | Extreme exaggeration | 39 | |
| 7184504715 | Iamb | A metrical foot consisting of an unaccented syllable followed by an accented one; the most common poetic foot in the English language | 40 | |
| 7184505746 | Idyll | A type of lyric poem which extols the virtues of an ideal place or time | 41 | |
| 7184507182 | Image | A verbal approximation of a sensory impression, concept, or emotion | 42 | |
| 7184507696 | Imagery | The total effect of related sensory images in a work of literature | 43 | |
| 7184508458 | Impressionism | Writing that reflects a personal image of a character, event, or concept | 44 | |
| 7184509162 | Irony | An unexpected twist or contrast between what happens and what was intended or expected to happen. It involves dialogue and situation, and it can be intentional or unplanned. Dramatic irony centers around the ignorance of those involved while the audience is aware of the circumstance | 45 | |
| 7184512476 | Lyric poetry | A type of poetry characterized by emotion, personal feelings, and brevity; a large and inclusive category of poetry that exhibits rhyme, meter, and reflective thought | 46 | |
| 7184514372 | Metaphor | A direct comparison between dissimilar things | 47 | |
| 7184514708 | Metaphysical poetry | Refers to the work of poets like John Donne who explore highly complex, philosophical ideas through extended metaphors and paradox | 48 | |
| 7184517089 | Meter | A pattern of beats in poetry | 49 | |
| 7185285466 | Metonymy | A figure of speech in which a representative term is used for a larger idea "The pen is mightier than the sword" | 50 | |
| 7185291702 | Monologue | A speech given by one character | 51 | |
| 7185297489 | Motif | The repetition or variations of an image or idea in a work which is used to develop theme or characters | 52 | |
| 7185298020 | Narrative poem | A poem that tells a story | 53 | |
| 7185298202 | Narrator | The speaker of a literary work | 54 | |
| 7185298742 | Octave | An eight-line stanza, usually combined with a sestet in a Petrarchan sonnet | 55 | |
| 7185301646 | Ode | A formal, lengthy poem that celebrates a particular subject | 56 | |
| 7185302914 | Onomatopoeia | Words that sound like the sound they represent (Hiss, gurgle, bang) | 57 | |
| 7185304364 | Oxymoron | An image of contradictory terms (Bittersweet, pretty ugly) | 58 | |
| 7185306237 | Parable | A story that operates on more than one level and usually teaches a moral lesson | 59 | |
| 7185307832 | Parallel plot | A secondary story line that mimics and reinforces the main plot | 60 | |
| 7185309972 | Parody | A comic imitation of a work that ridicules the original | 61 | |
| 7185312089 | Pathos | The aspects of a literary work that elicit pity from the audience | 62 | |
| 7185312700 | Personification | The assigning of human qualities to inanimate objects or concepts | 63 | |
| 7185313323 | Plot | A sequence of events in a literary work | 64 | |
| 7185313717 | Point of view | The method of narration in a work | 65 | |
| 7185314639 | Protagonist | The hero or main character of a literary work, the character the audience sympathizes with | 66 | |
| 7185315756 | Quatrain | A four-line stanza | 67 | |
| 7185316245 | Resolution | The denouement of a literary work | 68 | |
| 7185316971 | Rhetorical question | A question that does not expect an explicit answer. It is used to pose an idea to be considered by the speaker or the audience | 69 | |
| 7185318428 | Rhyme/rime | The duplication of final syllable sounds in two or more lines | 70 | |
| 7185323502 | Rhythm | The repetitive pattern of beats in poetry | 71 | |
| 7185327338 | Romanticism | A style or movement of literature that has as its foundation an interest in freedom, adventure, idealism, and escape | 72 | |
| 7185330009 | Satire | A mode of writing based on ridicule, which criticizes the foibles and follies of society without necessarily offering a solution | 73 | |
| 7185333559 | Sestet | A six-line stanza, usually paired with an octave to form a Petrarchan sonnet | 74 | |
| 7185334469 | Sestina | A highly structured poetic form of 39 lines, written in iambic pentameter. It depends upon the repetition of six words from the first stanza in each of six stanzas | 75 | |
| 7185336367 | Setting | The time and place of a literary work | 76 | |
| 7185337262 | Simile | An indirect comparison that uses the words "like" or "as" to link the differing items in the comparison | 77 | |
| 7185339572 | Soliloquy | A speech in a play which is used to reveal the character's inner thoughts to the audience | 78 | |
| 7185343732 | Sonnet | A 14-line poem with a prescribed rhyme scheme in iambic pentameter | 79 | |
| 7185346570 | Spondee | A poetic foot consisting of two accented syllables | 80 | |
| 7185347472 | Stage directions | The specific instructions a playwright includes concerning sets, characterization, delivery, etc | 81 | |
| 7185352122 | Stanza | A unit of a poem, similar in rhyme, meter, and length to other units in the poem | 82 | |
| 7185356251 | Structure | The organization and form of a work | 83 | |
| 7185356676 | Style | The unique way an author presents his ideas. Diction, syntax, imagery, structure, and content all contribute to a particular style | 84 | |
| 7185358018 | Subplot | A secondary plot that explores ideas different from the main storyline | 85 | |
| 7185359051 | Symbol | Something in a literary work that stands for something else | 86 | |
| 7185359623 | Synecdoche | A figure of speech that utilizes a part as representative of a whole | 87 | |
| 7185361549 | Syntax | The grammatical structure of prose and poetry | 88 | |
| 7185361807 | Tercet | A three-line stanza | 89 | |
| 7185361808 | Theme | The underlying ideas that the author illustrates through characterization, motifs, language, plot, etc | 90 | |
| 7185364425 | Tone | The author's attitude toward his subject | 91 | |
| 7185364715 | Tragic hero | According to Aristotle, a basically good person of noble birth or exalted position who has a fatal flaw or commits an error in judgement which leads to his downfall. The tragic hero must have a moment of realization and live and suffer | 92 | |
| 7185367761 | Understatement | The opposite of exaggeration. It is a technique for developing irony and humor where one writes or says less than intended | 93 | |
| 7185370117 | Villanelle | A highly structured poetic form that compromises six stanzas: five tercets, and a quatrain. The poem repeats the first and third lines throughout | 94 |
