Terms!
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| 177623183 | The first scale degree | tonic | |
| 177623184 | 2nd scale degree | supertonic | |
| 177623185 | 3rd scale degree | medient | |
| 177623186 | 4th scale degree | sub dominant | |
| 177623187 | 5th scale degree | dominant | |
| 177623188 | 6th scale degree | submedient | |
| 177623189 | 7th scale degree | leading tone | |
| 177623190 | a triad consisting of 2 Major 3rds | augmented | |
| 177623191 | a triad consisting of 2 minor 3rds | diminished | |
| 177623192 | double this note in a root position chord | double the root | |
| 177623193 | double this note in a 1st inversion chord | bass or soprano | |
| 177623194 | motive or motif | short melodic fragment | |
| 177623195 | motivic development | technique (e.g. repetition) used to expand a motive into a longer musical statement | |
| 177623196 | write the motive backwards | retrogression | |
| 177623197 | reverse the intervals in a motive | interval inversion | |
| 177623198 | duple compound meter | 6/8 | |
| 177623199 | triple compound meter | 9/8 | |
| 177623200 | triple simple meter | 3/8 | |
| 177623201 | duple simple meter | 2/2 | |
| 177623202 | quadruple simple meter | 4/4 | |
| 177623203 | asymmetrical meter | the beats of the measure cannot be divided evenly | |
| 177623204 | compound meter (definition) | unit beat is evenly divisible by 3 instead of 2 | |
| 177623205 | simple meter (definition) | unit beat is evenly divisible by 2 | |
| 177623206 | V/V in c minor | D,F#,A,C | |
| 177623207 | V7/ii in A-flat | F,A,C,E-flat | |
| 177623208 | V/iii in G | F#, A#, C# | |
| 177623209 | V7/V in C# | D#, Fx, A#, Cx | |
| 177632234 | vii/V in d | G#,B, D, F | |
| 177640901 | pan-triadic | any triad can progress to any other triad | |
| 177640902 | polychords | two different chords sounding simultaneously | |
| 177640903 | quartal harmony | harmony built on P4 or P5 interval | |
| 177640904 | serialism | 20th century technique where one or more aspects of composition are predetermined | |
| 177640905 | whole tone scale built on F | F, G, A, B, C#, D#, F | |
| 177640906 | pentatonic scale built on C# | C#, D#, E#, G#, A#, C# | |
| 177640907 | hungarian minor scale built on d | d, e, f, g#, a, b-flat, C#, d | |
| 177646655 | Perfect Authentic Cadence | V-I, or V-i with root in soprano | |
| 177646656 | Imperfect Authentic Cadence | V-I, or V-i | |
| 177646657 | Plagal Cadence | IV-I, or iv-i | |
| 177646658 | half cadence | IV-V or I-V | |
| 177646659 | deceptive cadence | V-vi, or V-VI | |
| 177646660 | Composer of Pan-triadic technique | Copland, Bartok, Ives | |
| 177646661 | neopolitan chord in B | C, E, G | |
| 177646662 | Name the 4 voice parts in a chorale | soprano, alto, tenor, bass | |
| 177646663 | Avoid leaps of this interval | tritone, +4, or dim. 5 |
