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AP Music Theory Terms Flashcards

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4098952690AnacrusisPickup note(s)0
4098952691AllegroA fast tempo1
4100730786CadenceA stylized close which divides the music into periods or brings it to a full conclusion.2
4100730960Cadential ExtensionThe prolongation (post-cadential extension) or delay (pre-cadential extension) of a cadence by the addition of material beyond (i.e. before or after) the point at which the cadence is expected. Codetta.3
4100730961CodaThe concluding passage of a piece or movement, typically forming an addition to the basic structure.4
4100731343Codetta("little coda") A brief conclusion, a dominant-tonic cadence at the end of the exposition that may be repeated several times for emphasis.5
4100731344ContourThe pitch contour of a sound is a function or curve that tracks the perceived pitch of the sound over time.6
4100732558CountermelodyA subordinate melody accompanying a principal one7
4100732559ElisionThe process where the last note of one phrase serves as the first note of the next.8
4100733118Fragment (fragmented motive)The use of fragments or the division of a musical idea into segments.9
4123436064DiminutionA Renaissance and Baroque ornamentation which consists of the restatement of a melody in which the note values are shortened, usually by half.10
4123454705DisjunctA melodic line that moves by leaps and skips rather than in steps.11
4123456502TruncationShortening of a musical phrase.12
4123473987MotiveA short tune or musical figure that characterizes and unifies a composition.13
4123477712TurnaroundIn jazz, a turnaround is a passage at the end of a section which leads to the next section.14
4123545635Conclusive cadencesAuthentic and plagal cadences.15
4123548310Deceptive cadence (DC)A chord progression where the dominant chord is followed by a chord other than the tonic chord usually the sixth chord or superdominant chord or submediant chord (V-VI), but sometimes something else.16
4123555146Half cadence (HC)A very common type of unstable or "progressive" cadence. The HC ends with the V chord, which can be preceded by any other chord.17
4123555829Phrygian half cadenceA special name given to the iv6 - V HC in minor.18
4123557266Inconclusive cadenceA cadence that makes a phrase sound incomplete, as though the music needs to continue further. Generally, either the soprano or the bass ends on a scale degree other than 1.19
4123557267Plagal cadenceA IV-I cadence often also called an amen, or church cadence.20
4123620848Arpeggiating 6/4These are chords where the bass is arpeggiating the SAME triad.21
4123643526Cadential 6/4This type of 6/4 chord behaves like an appogiatura - it falls on a stronger beat than the chord of resolution, and upper voices resolve downwards by step. It may be approached by a leap but is often approached by step in the bass. The cadential 6/4 chord is always a tonic six-four, and the resolution chord is always V or V7.22
4123645491Neighboring or pedal 6/4In this type of 6/4 chord, the bass note sustains like a pedal tone, or conversely you might say that two of the upper voices behave like neighbor tones. With a pedal six-four, the bass stays on the same note for three chords in a row - the six-four chord is the middle chord of the three. The bass note is doubled in all three chords.23
4123648037Passing 6/4This type of 6/4 chord is used much like the non-chord tone called a passing tone. The bass note of this six-four chord behaves just like a passing tone - in other words, this bass note, the note before it, and the note after it will make a three note stepwise line, either ascending or descending.24
4123655410AdagioA slow tempo.25
4123663452AllegroA fast tempo.26
4123667232AndanteA moderate, walking tempo.27
4123670006AndantinoA moderate tempo, slightly faster than andante.28

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