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| 5251224386 | The feminine archetype in ballet was seen as gentle, lofty, and beyond sex. This directly reflected the position of women in society at that time. The men were viewed as strong and rescuing damsels in distress | Gender roles associated with 19th century ballet | 0 | |
| 5251227264 | Why did these gender roles seem less appropriate for some part of the population in the beginning of the 20th Century? | The gender roles became less appropriate in the 20th century because we were beginning to see the start of the women's movement and industrialization where women were working in factories | 1 | |
| 5251230421 | Characteristics that make a dance a ballet | 5 canonical positions | 2 | |
| 5251231797 | Founder of the Ballet Russe | Sergei Diaghilev | 3 | |
| 5251236181 | Two important dancers with the Ballet Russe | Anna Pavlova Tamara Karsavina | 4 | |
| 5251238495 | Two important choreographers with the ballet Russe | Michel Fokine Vaslav Nijinsky | 5 | |
| 5251243522 | Describe what was unique or different about Nijinsky's Afternoon of a Faun. | Nijinsky's Afternoon of a Faun was unique because it was not metrically linked to music. Also it was erotic, static, angular, and still. | 6 | |
| 5251247465 | Balanchine's contributions to ballet | Merged the corps de ballet everyone below the principals became a part of the corps dance to music relationship is essential dance based on sophisticated elements of music rather than the plot aesthetic advancement | 7 | |
| 5251257977 | Two famous Balanchine ballerinas | Suzanne Farrell Maria Tallchief | 8 | |
| 5251260834 | The founder of a popular form of exercise based on modern "scientific" principles that influenced many early modern dancers. | Francois Delsarte | 9 | |
| 5251266421 | What the above person said: "Grace is..." | efficiency of movement | 10 | |
| 5251273984 | Three social trends that influenced the beginning of modern dance. | age of invention art nouveau women's movement | 11 | |
| 5251276815 | The founding "mothers" of modern dance. | Loie Fuller Isadora Duncan Ruth St. Denis | 12 | |
| 5251280814 | Two contributions Loie Fuller made to the art of performing dance. | darkened theater & projected stage light lighting gels | 13 | |
| 5251282850 | What Duncan thought motivated dance and what great art influenced her. | emotion motivated motion grecian art influenced her | 14 | |
| 5251285422 | One culture that Ruth St. Denis researched for her dances. | Egypt | 15 | |
| 5251287617 | The name and founders of the first school of modern dance. | Denishawn Ted Shawn and Ruth St. Denis | 16 | |
| 5251291181 | Name two famous pupils of this school | Martha Graham Doris Humphrey | 17 | |
| 5251295946 | Principles associated with Doris Humphrey and what she felt was the full potential of the art form, and her most famous pupil. | principles pure dance is related to form all patterns of movement consist of opposition, succession, and unison group dance is like a symphony movement is an activity that occurs between falling & recovery, the in breath & the out breath, balance & loss of balance qualities of movement are sharp accents, sustained slow, and rest the full potential of the art form group dance is like a symphony most famous pupil Jose Limon | 18 | |
| 5251307413 | Name one dance choreographed by Jose Limon | Danzas Mexican | 19 | |
| 5251309354 | Name an influential German Modern dance pioneer. | Mary Wigman | 20 | |
| 5251311677 | Name a well known pupil of the above pioneer. | Hanya Holm | 21 | |
| 5251314143 | What was significant about the technique of Hanya Holm | Holm taught technique without stylization | 22 | |
| 5251317409 | Name one famous Graham dancer. | Merce Cunningham | 23 | |
| 5257884754 | Name one well known Graham dance. | Lamentation | 24 | |
| 5259783351 | Name five principles associated with the work of Merce Cunningham. | -Not every movement means something- in fact most don't -Subject of dance is not the id and the ego, but dancing -Spine is the axis of the body -Inclusion of pedestrian actions -The only relationship between music, dance and set is that they occupy the theater at the same time -Elements of chance and disassociation with the music lead to freedom in choreography | 25 | |
| 5259785565 | On what was Katherine Dunham's work based | caribbean dance rituals | 26 | |
| 5259788408 | The significance of Anna Sokolow's work | choreographed for the worker's dance league socially conscious themes | 27 | |
| 5259790701 | Two major choreographers who created work for Ballet Theatre | Anthony Tudor Agnes DeMille | 28 | |
| 5259794446 | Two characteristics of Agnes DeMille's choreography. | contemporary fluid | 29 |
