Texas Tech MUHL 2301 final information!
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| 168164186 | Who is the composer of "Beautiful Dreamer"? | Foster | |
| 168164187 | Who is the composer of "Caprices, no. 24, Op. 1 in A minor"? | Paganini | |
| 168164188 | Who is the composer of "Virga Jesse floruit"? | Bruckner | |
| 168164189 | Who is the composer of "Lyrical Pieces, Op. 47: Halling"? | Grieg | |
| 168164190 | Who is the composer of "Symphony No. 3, Op. 55, Mvt. 1 and 2" and what are the names of the movements we're studying? | Beethoven; Eroica and Marcia Funebre | |
| 168164191 | Who is the composer of "Piano Sonata in C, Op. 53"? | Beethoven | |
| 168164192 | Who is the composer of "Symphonie Fantastique, Mvt. 5"? | Berlioz | |
| 168164193 | Who is the composer of "Wanderers Nachtlied, D. 768"? | Schubert | |
| 168164194 | Who is the composer of "Mazurka in A minor, Op. 17, No. 4"? | Chopin | |
| 168164195 | Who is the composer of "Il Barbiere di Siviglia"? | Rossini | |
| 168164196 | Who is the composer of "Etudes d'execution transcendante, No. 1"? | Liszt | |
| 168164197 | Who is the composer of "The Banjo"? | Gottschalk | |
| 168164198 | Who is the composer of "Rigoletto, Act 3, No. 16"? | Verdi | |
| 168164199 | Who is the composer of "Tristan und Isolde"? | Wagner | |
| 168164200 | Who is the composer of "Symphony No. 9, Mvt. 2" and what was it called? | Dvorak; "New World Symphony" | |
| 168164201 | What type of composition is "Beautiful Dreamer"? | Parlor Song | |
| 168164202 | What piece did Foster write? | "Beautiful Dreamer" | |
| 168164203 | What instrument(s) was "Caprices, No. 24, Op. 1 in A minor" written for? | Violin | |
| 168164204 | What type of group would perform "Virga Jesse floruit"? | Four-Part Chorus | |
| 168164205 | What piece did Bruckner compose? | "Virga Jesse floruit" | |
| 168164206 | What instrument(s) perform "Lyrical Pieces"? | Fiddle and Piano | |
| 168164207 | What piece did Grieg write? | "Lyrical Pieces" | |
| 168164209 | What is another name for Beethoven's "Piano Sonata in C"? | "Walstein Sonata" | |
| 168164208 | What pieces did Beethoven compose? | "Symphony No. 3, Mvts. 1 and 2" and "Piano Sonata in C" | |
| 168164210 | Who composed the "Walstein Sonata" and for which instrument was it written? | Beethoven; Piano | |
| 168164211 | What piece did Berlioz compose? | "Symphonie Fantastique, Mvt. 5" | |
| 168164212 | Which piece did Schubert compose? | "Wanderers Nachtlied" | |
| 168164213 | What type of composition is "Wanderers Nachtlied"? | Lieder; Song | |
| 168164214 | What did Chopin compose? | "Mazurka in A minor" | |
| 168164215 | What type of composition is "Mazurka in A minor"? | Character Piece; Dance | |
| 168164216 | What piece did Rossini compose? | "Barber of Seville" | |
| 168164217 | What type of composition is "Il Barbiere di Siviglia"? | Opera | |
| 168164218 | Which parts are we studying from "Il Barbiere di Siviglia"? | Act 1, Scenes 2 (Figaro) and 5 (Rosina) | |
| 168164219 | What opera style characteristic do Act 1, Scenes 2 and 5 of "Il Barbiere di Siviglia" fall under? | Cavatina | |
| 168164220 | What grouping of pieces does "Wanderers Nachtlied fall under? | "Three Lieder" by Schubert | |
| 168164221 | For which instrument was "Mazurka in A minor" composed? | Piano | |
| 168164222 | What type of composition did Liszt write? | Etudes | |
| 168164223 | For which instrument(s) did Liszt write? | Piano | |
| 168164224 | For which instrument was "Etudes d'execution transcendante, No. 1" written? | Piano | |
| 168164225 | Which composition did Gottschalk write? | "The Banjo" | |
| 168164226 | Which instrument did Gottschalk write for? | Piano | |
| 168164227 | For which instrument was "The Banjo" composed? | Piano | |
| 168164228 | What type of composition is "Rigoletto"? | Opera | |
| 168164229 | What composition did Verdi write? | "Rigoletto" | |
| 168164230 | Which work did Wagner write? | "Tristan und Isolde" | |
| 168164231 | What type of work is "Tristan und Isolde"? | Opera | |
| 168164232 | What piece did Dvorak write? | "Symphony No. 9" | |
| 168164233 | What was Dvorak's piece named? | "New World Symphony" | |
| 168164234 | What was an alternative name for "Symphony No. 9" by Dvorak? | "New World Symphony" | |
| 168164235 | Which country did Chopin represent? | Poland | |
| 168164236 | Poland was represented by which composer? | Chopin | |
| 168164237 | Which country did Glinka represent? | Russia | |
| 168164238 | Russia was represented by which composer? | Glinka | |
| 168164239 | Which country did Dvorak represent? | Bohemia/Czech | |
| 168164240 | Bohemia/Czech was represented by which composer? | Dvorak | |
| 168164241 | Which non-native country did Dvorak compose for? | America | |
| 168164242 | Which non-native composer represented America? | Dvorak | |
| 168164243 | Which country was represented by Verdi? | Italy | |
| 168164244 | Italy was represented by which composer? | Verdi | |
| 168215264 | Romantic Ideology focuses on | a persona; a person or role portrayed through a piece. | |
| 168215265 | Romanticism emphasizes | the worth of a person as a unique individual. | |
| 168215266 | The concept of organic unity means | humanity is the culmination of life and art and religion are its pinnacles. | |
| 168215267 | Dionysian | passion, vastness, ruggedness, yearning toward the unattainable. | |
| 168215268 | Who established a discipline of musicology? | Guido Adler | |
| 168215269 | Who came up with the idea of romantic rhetoric? | Carl Dahlhaus | |
| 168215270 | Was there an increased or decreased sense of national identity? | Increased | |
| 168215271 | Exoticism | Interest in "the other" | |
| 168215272 | Name a piano virtuoso of this time. | Liszt | |
| 168215273 | Name a violin virtuoso of this time. | Paganini | |
| 168215274 | Musical periods as a | long continuum. | |
| 168215275 | The Cecilian Movement was | a nineteenth century movement for reform in the Roman Catholic Church. | |
| 168215276 | The Cecilian Movement brought about | the development of church choirs and congressional singing. | |
| 168215277 | The Cecilian Movement promoted | a cappella polyphony and Gregorian Chant. | |
| 168215278 | Beethoven wrote a letter called the | Heiligenstadt Testament. | |
| 168215279 | The Heiligenstadt Testament was written by | Beethoven. | |
| 168215280 | The Heiligenstadt Testament detailed | Beethoven's sorrow about his deafness and death wishes. | |
| 168215281 | Beethoven fought a legal battle for | his nephew. | |
| 168215282 | The Beethoven Myth claims that | Beethoven began the Romantic composer model. | |
| 168215283 | The Romantic composer model included | an artist enduring affliction and living for music alone. | |
| 168215284 | Beethoven worked mainly in | Vienna. | |
| 168215285 | Berlioz was in love with | Harriet Smithson. | |
| 168215286 | Berlioz was interested in | Shakespeare. | |
| 168215287 | Berlioz wrote the | Treatise on Instrumentation. | |
| 168215288 | The Treatise on Instrumentation was written by | Berlioz. | |
| 168215289 | Berlioz was considered ______ and prefered ______ music. | too progressive; program | |
| 168215290 | "Symphonie Fantastique" is a | program symphony. | |
| 168215291 | Berlioz is the | "creator of the modern orchestra." | |
| 168215292 | The Treatise on Instrumentation indicated | instruments' ranges and abilities and how to/not to use them. | |
| 168215293 | Idee fixe means | fixed idea; a musical idea that recurrs throughout a piece. | |
| 168215294 | "Symphonie Fantastique" transforms from movements 1-5 but is connected throughout because it is | through-composed. | |
| 168215295 | Romantic song became popular because of | changes in class, focus on home, more time and money (Industrial Revolution), rise of the amateur musician, more individualistic ideas, and war. | |
| 168215296 | The biggest cause of romantic song popularity is | war. | |
| 168215297 | Who are poets of German literature? | Goethe, Schiller, Heine | |
| 168215298 | Schubert studied with | Salieri. | |
| 168215299 | Schubert wrote more than | 600 songs. | |
| 168215300 | Schubert's main category of music was | the song. | |
| 168215301 | Strophic | hymn-like; each verse of a poem set to the same music | |
| 168215302 | Modified Strophic | music is mainly the same but is varied to fit new verses' texts | |
| 168215303 | Through-composed | music written to fit a poem with no real pattern or repetition throughout | |
| 168215304 | Chopin lived mainly in | Paris. | |
| 168215305 | Schubert lived mainly in | Vienna. | |
| 168215306 | Chopin concentrated on music for | the salon. | |
| 168215307 | Chopin was usually employed by | aristocratic patrons. | |
| 168215308 | Chopin was a composer as well as a | teacher. | |
| 168215309 | Which composer was also a teacher? | Chopin | |
| 168215310 | Chopin mainly wrote music for | piano; his primary instrument. | |
| 168215311 | Chopin wrote dances called | Mazurkas and Polonaises. | |
| 168215312 | Chopin was interested in what musical characteristic? | Harmonic color | |
| 168215313 | Chopin's style usually included | long melodic lines, chromaticism, colorful harmonic palette, tempo rubato, and melancholic character. | |
| 168416176 | There were ______ kinds of of subject matter for librettos, including ______ themes. | new; narrative/novelistic | |
| 168416177 | Lyricism in romantic opera | increased during this time. | |
| 168416178 | Romantic operas made use of what technical style? | Bel Canto | |
| 168416179 | Opera seria plots were formerly based on | ancient mythology. | |
| 168416180 | Opera seria plots transformed into | historical and romantic historica novelistic dramas. | |
| 168416181 | Opera buffa style | remained traditional. | |
| 168416182 | Opera buffa included what type(s) of characters? | Everyday/commedia dell'arte | |
| 168416183 | Rossini spent most of his compositional life in | Italy. | |
| 168416184 | Rossini's compositions were mostly | operas. | |
| 168416185 | Scena ed Aria | Two-part form of Italian Romantic Opera | |
| 168416186 | The first section of Scena ed Aria is called the | cavatina. | |
| 168416187 | Cavatina | free passage; a mixture of recitative and arioso-style singing | |
| 168416188 | The cavatina has a ______ nature and is ______. | reflexive; slow/ lyric | |
| 168416189 | How many stanzas are usually included in the cavatina? | Two | |
| 168416190 | The second section of Scena ed Aria is called the | cabaletta. | |
| 168416191 | Cabaletta | fast and brilliant form | |
| 168416192 | The cabaletta expresses ______ and is the _____. | powerful emotions; climax of a scene | |
| 168416193 | Bel Canto Style Era was characterized by | impeccable legato, light tone, flexible technique, execution of fast passages, the expectation of improvisation. | |
| 168416194 | The Bel Canto tradition declined for many reasons including: | it was difficult to find able singers the style had been around for a long time it was not easy to perform in the home the orchestra overshadowed singing over time composers were moving back toward realism | |
| 168416195 | Composers of romantic opera preferred | realistic themes. | |
| 168416196 | Virtuosi became | more popular. | |
| 168416197 | Virtuosi and composers were seen as | demigods. | |
| 168416198 | There was ____ drive for public concerts during this era. | more | |
| 168416199 | Music was used as a | distraction from war. | |
| 168416200 | What key factor made amateur musicianship and public concerts more attainable? | Technological Advances | |
| 168416201 | Which technological advances impacted the music world most? | Mass paper-making and printing; instrumental structure improvements | |
| 168427704 | Etudes focused on which two aspects of music? | sound and technique | |
| 168427705 | Etudes were lacking in | harmonic progression. | |
| 168427706 | Etudes included | non-tonal sections and chromaticism in the bass. | |
| 168427707 | Verdi built on the styles of which two Italian composers? | Rossini and Bellini | |
| 168427708 | Verdi achieved greater flexibility of _______ and ______ than his predecessors? | harmony; phrase structure | |
| 168427709 | Verdi was very careful in his choice of | libretto. | |
| 168427710 | Verdi preferred what type of libretto? | Serious | |
| 168427711 | The La Scala Opera House was associated with which composer? | Verdi | |
| 168427712 | Which of the composers we're studying was known for his serious, melancholic librettos? | Verdi | |
| 168427713 | Verdi was associated with which architectural structure? | The La Scala Opera House | |
| 168427714 | The La Scala Opera House was built in which city? | Milan, Italy | |
| 168427715 | Verdi's topics included mostly | important events and forces from his own life. | |
| 168427716 | Verdi wrote about two specific main topics, which included | tragic relationships between father and son as well as political liberty and the overthrow of tyranny. | |
| 168427717 | The Risorgimento was when | everyone wanted a piece of Italy. | |
| 168427718 | The Risorgimento occurred because | Italy was perfectly located geographically for money-making purposes. | |
| 168427719 | Verdi was used as a | political tool. | |
| 168427720 | Verdi's name was a political | acronym. | |
| 168427721 | Verdi was a symbol of | Italian unity. | |
| 168427722 | Which of Verdi's operas stood for Italian independence? | "Nabucco" | |
| 168427723 | Who was the composer whose works were sometimes censored? | Verdi | |
| 168427724 | Which composer was a political activist? | Verdi |
