Terms : Hide Images
| 6735750827 | pre-renaissance art | no perspective or attention to detail unrealistic gold leaf religious |  | 0 |
| 6735750828 | renaissance art | emphasis on proportion and perspective effort to look 3D and realistic introduction of secular, but majority is religious |  | 1 |
| 6735750830 | Leonardo Da Vinci, most famous work | Mona Lisa |  | 2 |
| 6735750831 | Leonardo Da Vinci, renaissance fresco | The Last Supper |  | 3 |
| 6735750832 | Sandro Botticelli, renaissance | The Birth of Venus |  | 4 |
| 6735750833 | Donato di Donatello, renaissance bronze | Young David |  | 5 |
| 6735750834 | Michelangelo, renaissance fresco | Sistine Chapel |  | 6 |
| 6735750835 | Michelangelo, renaissance marble | David |  | 7 |
| 6735750836 | Raphael Sanzio, Renaissance Fresco | School of Athens |  | 8 |
| 6735750837 | Northern Renaissance | visual reality and accurate portrayal of detail is a reraction to the southern renaissance and is much more secular |  | 9 |
| 6735750838 | Jan von Eyck | Giovanni and His Bride with the incredible invereted mirror and his breath taking picturesque style | | 10 |
| 6735750839 | Mannerism | Post Renaissance (1520's) delibererate distortion of proportion |  | 11 |
| 6735750840 | Domenikos Theotocopoulos, mannerism El Greco | Laocoon |  | 12 |
| 6735750841 | Baroque | eaggerated motion,drama, tension, euberance, and grandeur from ssculpture, painting, literature and music EMBRACES catholic reform movement |  | 13 |
| 6735750842 | Gian Lorenzo Berini, baroque | Throne of St. Peter |  | 14 |
| 6735750843 | Artemisia Gentileschi, baroque | Judith Beheading Holofernes (not the actual, but pretty close. stupid quizlet) |  | 15 |
| 6735750844 | French Classicism | adherence to certain rules of proportion and sobriety characteristic of the Baroque as it was practiced in Southern and Eastern Europe during the same period |  | 16 |
| 6735750845 | Nicholas Poussin, French Classicism landscapes and classical mythology | Les Bergers d'Arcadie |  | 17 |
| 6735750846 | Dutch Realism | primarily interested in the realistic portrayal of secular everyday life |  | 18 |
| 6735750847 | Rembrandt van Rijn, dutch realist self portraits at first, biblical tales towards end of life | Bathsheba with King David's Letter (ignore the labtop) |  | 19 |
| 6735750848 | Rococo | emphasized grance and gentle action highly secular rejected strict geometric patterns fondness for curves worked well with baroque architecture |  | 20 |
| 6735750849 | Jean-Antoine Watteau, Rococo portraits of aristocratic life |  | 21 | |
| 6735750850 | Johann Balthasar Neumann, Rococo architect | Church of the Vierzehnheiligen |  | 22 |
| 6735750851 | Neoclassicism | still prevalent in some places classical style and themes |  | 23 |
| 6735750853 | Jacques-Louis David, neoclassicist numerous themes from greek and roman hsitory | The death of Socrates |  | 24 |
| 6735750854 | Jacques-Louis David, neoclassicist | Bonaparte Crossing the St. Bernard Pass |  | 25 |
| 6735750855 | Romanticism | a painting should mirror the artist's vision of the world- it is a relfection of the artist's inner feelings a direct rejection of classical restraint on warmth, emotion and movement individualism-interest in the unique traits of each person romantic heroes and interest in the past love of nature |  | 26 |
| 6735750856 | Caspar David Friedich | Wanderer above sea of fog (and , romantic preoccupied with god and nature paintings tend to have mystery and mysticism themes) |  | 27 |
| 6735750857 | Joseph Mallord William Turner, romantic painted numerous landscapes, seascapes, sun rises/sets painted moods by using color and light |  | 28 | |
| 6735750859 | Eugene Delacroix, romantic passion for color and historical subjects | Liberty Leading the People |  | 29 |
| 6735750860 | Realism | deal with ordinary characters from real life rather than romantic heroes in unusual settings deliberate rejection of romanticism |  | 30 |
| 6735750861 | Gustave Courbet, realist word realism first coined to describe one of his paintings subjects= factory workers, peasants, and wives of saloon keepers | The Young Bather |  | 31 |
| 6735750862 | Jean-Francois Millet, realist painted scenes from rural life, especially peasants in the fields | The Gleaners |  | 32 |
| 6735750864 | Impressionism | prefer to paint in the country side not much detail, shown with color |  | 33 |
| 6735750865 | Claude Monet, impressionist | The Lily Pond |  | 34 |
| 6735750871 | Edgar Degas, impressionism founder of impressionism BALLERINAS |  | 35 | |
| 6735750875 | Post Impressionism | more attention to structure and form use color and line to express inner feeling and produce a personal statement of reality rather than an imitation of objects shifted from objective reality to subjective reality |  | 36 |
| 6735750876 | Paul Cezanne, Post impressionist express underlying geometric structure and form of everything he painted | The Card Players |  | 37 |
| 6735750877 | Vincent Van Gogh, post impressionist color acted as own form of language artists should paint what they feel |  | 38 | |
| 6735750878 | Cubism | use of geometric designs as a visual stimuli to re-create reality in the viewer's mind | 39 | |
| 6735750879 | Pablo Picasso, cubist |  | 40 | |
| 6735750881 | abstract painting | just a bunch of shapes and crap | 41 | |
| 6735750882 | Wassily Kandinksky, abstract sought to avoid representation all together art should speak directly to the soul-in order to do so it must avoid any reference to visual reality and concentrate on color |  | 42 | |
| 6735750883 | Dada movement | emphasizes purposelessness of life anti-art contempt for western tradition |  | 43 |
| 6735750885 | Surrealism | sought a world beyond the material, sensible world world of unconscious thought through the portrayal of fantasies, dreams or nightmares |  | 44 |
| 6735750887 | Salvador Dali, surrealist | The persistence of memory |  | 45 |
