| 8587580588 | Personification | The assigning of human qualities to inanimate objects or concepts. An example: Wordsworth's "the sea that bares her bosom to the moon." | | 0 |
| 8587580589 | Antithesis | the presentation of two contrasting images. The ideas are balanced by phrase, clause, or paragraphs. "To be or not to be . . ." "It was the best of times; it was the worst of times . . ." "Ask not what your country can do for you, ask what you can do for your country . . ." | | 1 |
| 8587580590 | Oxymoron | From the Greek for "pointedly foolish," ___ is a figure of speech wherein the author groups apparently contradictory terms. Simple examples include "jumbo shrimp" and "cruel kindness." | | 2 |
| 8587580591 | Sarcasm | from the Greek meaning "to tear flesh," ___ involves bitter, caustic language that is meant to hurt or ridicule someone or something. It may use irony as a device. | | 3 |
| 8587580592 | Synecdoche | . a figure of speech that utilizes a part as representative of the whole. "All hands on deck" is an example. | | 4 |
| 8587580593 | Hyperbole | a figure of speech using deliberate exaggeration or overstatement | | 5 |
| 8587580594 | Anaphora | repetition of a word, phrase, or clause at the beginning of two or more sentences in a row. This is a deliberate form of repetition and helps make the writer's point more coherent. | | 6 |
| 8587580595 | Euphony | the pleasant, mellifluous presentation of sounds in a literary work. | | 7 |
| 8587580596 | Theme | The central idea or message of a work, the insight it offers into life. Usually, __ is unstated in fictional works, but in nonfiction, the __ may be directly stated, especially in expository or argumentative writing. | | 8 |
| 8587580597 | Metonomy | a term from the Greek meaning "changed label" or "substitute name" __ is a figure of speech in which the name of one object is substituted for that of another closely associated with it. For example: a news release that claims "The White House declared" rather than "The President declared" | | 9 |
| 8587580598 | Paradox | A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity. | | 10 |
| 8587580599 | Transition | a word or phrase that links one idea to the next and carries the reader from sentence to sentence, paragraph to paragraph. | | 11 |
| 8587580600 | Onomatopoeia | a figure of speech in which natural sounds are imitated in the sounds of words. Simple examples include such words as buzz, hiss, hum. | | 12 |
| 8587580601 | Cacophony | harsh and discordant sounds in a line or passage in a literary word. | | 13 |
| 8587580602 | Metaphor | a direct comparison between dissimilar things. "Your eyes are stars" is an example. | | 14 |
| 8587580603 | Symbol | generally, anything that represents, stands for, something else. Usually, a ___ is something concrete—such as an object, action, character, or scene—that represents something more abstract. | | 15 |
| 8587580604 | Begging the Question | Often called circular reasoning, __ occurs when the believability of the evidence depends on the believability of the claim. | | 16 |
| 8587580605 | Invective | an emotionally violent, verbal denunciation or attack using strong, abusive language. | | 17 |
| 8587580606 | Understatement | the opposite of exaggeration. It is a technique for developing irony and/or humor where one writes or says less than intended. | | 18 |
| 8587580607 | Either-or reasoning | When the writer reduces an argument or issue to two polar opposites and ignores any alternatives. | | 19 |
| 8587580608 | Homily | This term literally means "sermon," but more informally, it can include any serious talk, speech, or lecture involving moral or spiritual advice. | | 20 |
| 8587580609 | Pedantic | An adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish. | | 21 |
| 8587580610 | Causal Relationship | In __, a writer asserts that one thing results from another. To show how one thing produces or brings about another is often relevant in establishing a logical argument. | | 22 |
| 8587580611 | Equivocation | When a writer uses the same term in two different senses in an argument. | | 23 |
| 8587580612 | Imagery | The sensory details or figurative language used to describe, arouse emotion, or represent abstractions. On a physical level, __ uses terms related to the five senses; we refer to visual, auditory, tactile, gustatory, or olfactory. For example, a rose may present visual __ while also representing the color in a woman's cheeks. | | 24 |
| 8587580613 | Euphemism | a more acceptable and usually more pleasant way of saying something that might be inappropriate or uncomfortable. "He went to his final reward" is a common __ for "he died." They are also used to obscure the reality of the situation. | | 25 |
| 8587580614 | Figure of Speech | A device used to produce figurative language. Many compare dissimilar things. Examples are apostrophe, hyperbole, irony, metaphor, metonomy, oxymoron, paradox, personification, simile, synecdoche, and understatement. | | 26 |
| 8587580615 | Irony | The contrast between what is stated explicitly and what is really meant. The difference between what appears to be and what actually is true. | | 27 |
| 8587580616 | Satire | A work that targets human vices and follies or social institutions and convention for reform or ridicule. Regardless of whether or not the work aims to reform humans or their society, ___ is best seen as a style of writing rather than a purpose for writing. The effect of __, often humorous, is thought provoking and insightful about the human condition. | | 28 |
| 8587580617 | Alliteration | The repetition of initial consonant sounds, such as "Peter Piper picked a peck of pickled peppers." | | 29 |
| 8587580618 | Epigraph | The use of a quotation at the beginning of a work that hints at its theme. Hemingway begins The Sun Also Rises with two. One of them is "You are all a lost generation" by Gertrude Stein. | | 30 |
| 8587580619 | Periodic Sentence | A sentence that presents its central meaning in a main clause at the end. The independent clause is preceded by a phrase or clause that cannot stand alone. The effect is to add emphasis and structural variety. | | 31 |
| 8587580620 | Narrative | The telling of a story or an account of an event or series of events. | | 32 |
| 8587580621 | Ethos | an appeal based on the character of the speaker. An __-driven document relies on the reputation of the author. | | 33 |
| 8587580622 | Situational Irony | a type of irony in which events turn out the opposite of what was expected. | | 34 |
| 8587580623 | Consonance | Repetition of a consonant sound within two or more words in close proximity. | | 35 |
| 8587580624 | Pathos | an appeal based on emotion. | | 36 |
| 8587580625 | Syllogism | From the Greek for "reckoning together," a __ is a deductive system of formal logic that presents two premises that inevitably lead to a sound conclusion. | | 37 |
| 8587580626 | Logos | an appeal based on logic or reason | | 38 |
| 8587580627 | Verbal Irony | In this type of irony, the words literally state the opposite of the writer's true meaning | | 39 |
| 8587580628 | Anecdote | A story or brief episode told by the writer or a character to illustrate a point. | | 40 |
| 8587580629 | Abstract Language | Language describing ideas and qualities rather than observable or specific things, people, or places. | | 41 |
| 8587580630 | Ad Hominem | In an argument, this is an attack on the person rather than on the opponent's ideas. It comes from the Latin meaning "against the man." | | 42 |
| 8587580631 | Denotation | the literal or dictionary meaning of a word | | 43 |
| 8587580632 | Cumulative | Sentence which begins with the main idea and then expands on that idea with a series of details or other particulars | | 44 |
| 8587580633 | Dramatic Irony | In this type of irony, facts or events are unknown to a character in a play or a piece of fiction but known to the reader, audience, or other characters in the work | | 45 |
| 8587580634 | Parody | A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule. | | 46 |
| 8587580635 | Connotation | the interpretive level or a word based on its associated images rather than its literal meaning. | | 47 |
| 8587580636 | Repetition | The duplication, either exact or approximate, or any element of language, such as sound, word, phrase, clause, sentence, or grammatical pattern. | | 48 |
| 8587580637 | Syntax | The grammatical structure of prose and poetry. | | 49 |
| 8587580638 | Assonance | Repetition of a vowel sound within two or more words in close proximity | | 50 |
| 8587580639 | Voice | can refer to two different areas of writing. One refers to the relationship between a sentence's subject and verb (active and passive). The second refers to the total "sound" of the writer's style. | | 51 |
| 8587580640 | Infer | To draw a reasonable conclusion from the information presented. | | 52 |
| 8587580641 | Argument | A single assertion or a series of assertions presented and defended by the writer | | 53 |
| 8587580642 | Allusion | A reference contained in a work | | 54 |
| 8587580643 | Genre | The major category into which a literary work fits. The basic divisions of literature are prose, poetry, and drama. | | 55 |
| 8587580644 | Stream-of-consciousness | This is a narrative technique that places the reader in the mind and thought process of the narrator, no matter how random and spontaneous that may be. | | 56 |
| 8587580645 | Allegory | A work that functions on a symbolic level | | 57 |
| 8587580646 | Explication | The act of interpreting or discovering the meaning of a text. __ usually involves close reading and special attention to figurative language. | | 58 |
| 8587580647 | Parallelism | refers to the grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity. | | 59 |
| 8587580648 | Semantics | The branch of linguistics that studies that meaning of words, their historical and psychological development, their connotations, and their relation to one another. | | 60 |
| 8587580649 | Rhetorical Modes | The flexible term describes the variety, the conventions, and the purposes of the major kinds of writing. | | 61 |
| 8587580650 | Analogy | a literary device employed to serve as a basis for comparison. It is assumed that what applies to the parallel situation also applies to the original circumstance. In other words, it is the comparison between two different items. | | 62 |
| 8587580651 | Figurative Language | Writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid. | | 63 |
| 8587580652 | Example | an individual instance taken to be representative of a general pattern | | 64 |
| 8587580653 | Description | The purpose of this rhetorical mode is to re-create, invent, or visually present a person, place, event, or action so that the reader can picture that being described. Sometimes an author engages all five senses. | | 65 |
| 8587580654 | Narrative Device | This term describes the tools of the storyteller, such as ordering events to that they build to climatic movement or withholding information until a crucial or appropriate moment when revealing in creates a desired effect. | | 66 |
| 8587580655 | Ethical Appeal | When a writer tries to persuade the audience to respect and believe him or her based on a presentation of image of self through the text. | | 67 |
| 8587580656 | Exposition | The purpose of this rhetorical mode is to explain and analyze information by presenting an idea, relevant evidence, and appropriate discussion. | | 68 |
| 8587580657 | Attitude | the relationship an author has toward his or her subject, and/or his or her audience | | 69 |
| 8587580658 | Backing | Support or evidence for a claim in an argument | | 70 |
| 8587580659 | Ellipsis | Indicated by a series of three periods, the __ indicates that some material has been omitted from a given text. | | 71 |
| 8587580660 | Argumentation | The purpose of this rhetorical mode is to prove the validity of an idea, or point of view, by presenting sound reasoning, discussion, and argument that thoroughly convince the reader. | | 72 |
| 8587580661 | Didactic | writing whose purpose is to instruct or to teach. A ___ work is usually formal and focuses on moral or ethical concerns. | | 73 |
| 8587580662 | Ambiguity | an event or situation that may be interpreted in more than one way. | | 74 |
| 8587580663 | Narration | The purpose of this type of rhetorical mode is to tell the story or narrate an event or series of events. | | 75 |
| 8587580664 | Rhetoric | from the Greek for "orator," this term describes the principle governing the art of writing effectively, eloquently, and persuasively. | | 76 |
| 8587580665 | Third Person Limited Omniscient | This type of point of view presents the feelings and thoughts of only one character, presenting only the actions of all remaining characters | | 77 |
| 8587580666 | Third Person Omniscient | In ___, the narrator, with a godlike knowledge, presents the thoughts and actions of any or all characters. | | 78 |
| 8587580667 | Comic Relief | the inclusion of a humorous character or scene to contrast with the tragic elements of a work, thereby intensifying the next tragic event. | | 79 |
| 8587580668 | Character | those who carry out the action of the plot in literature. Major, minor, static, and dynamic are the types. | | 80 |
| 8587580669 | Colloquial | the use of slang in writing, often to create local color and to provide an informal tone. Huckleberry Finn in written in a __ style. | | 81 |
| 8587580670 | Antecedent | the word, phrase, or clause to which a pronoun refers. | | 82 |
| 8587580671 | Style | an evaluation of the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices. | | 83 |
| 8587580672 | Thesis | The sentence or group of sentences that directly expresses the author's opinion, purpose, meaning, or proposition. | | 84 |
| 8587580673 | Authority | Arguments that draw on recognized experts or persons with highly relevant experience. | | 85 |
| 8587580674 | Chiasmus | Arrangement of repeated thoughts in the pattern of X Y Y X. It is often short and summarizes a main idea. | | 86 |
| 8587580675 | Deconstruction | a critical approach that debunks single definitions of meaning based on the instability of language. It "is not a dismantling of a structure of a text, but a demonstration that it has already dismantled itself." | | 87 |
| 8587580676 | Balance | a situation in which all parts of the presentation are equal, whether in sentences or paragraphs or sections of a longer work. | | 88 |
| 8587580677 | Conflict | a clash between opposing forces in a literary work, such as man vs. man; man vs. nature; man vs. God; man vs. self | | 89 |
| 8587580678 | Tone | Similar to mood, __ describes the author's attitude toward his or her material, the audience, or both. | | 90 |
| 8587580679 | Prose | One of the major divisions of genre, ___ refers to fiction and nonfiction, including all its forms, because they are written in ordinary language and most closely resemble everyday speech. | | 91 |
| 8587580680 | Dialect | the recreation of regional spoken language, such as a Southern one. Hurston uses this in Their Eyes Were Watching God. | | 92 |
| 8587580681 | Asyndeton | Commas used (with no conjunction) to separate a series of words. The parts are emphasized equally when the conjunction is omitted; in addition, the use of commas with no intervening conjunction speeds up the flow of the sentence. X, Y, Z as opposed to X, Y, and Z. | | 93 |
| 8587580682 | Wit | In modern usage, intellectually amusing language that surprises and delights. Usually uses terse language that makes a pointed statement. | | 94 |
| 8587580683 | Point of View | In literature, the perspective from which a story is told. | | 95 |
| 8587580684 | Deduction | The process of moving from a general rule to a specific example. | | 96 |
| 8587580685 | Annotation | explanatory notes added to a text to explain, cite sources, or give bibliographical data. | | 97 |
| 8587580686 | Mood | This term has two distinct technical meanings in English writing. The first meaning is grammatical and deals with verbal units and a speaker's attitude. The second meaning is literary, meaning the prevailing atmosphere or emotional aura of a work. | | 98 |
| 8587580687 | Diction | the author's choice of words that creates tone, attitude, and style, as well as meaning | | 99 |
| 8600225302 | Logic | When support for an argument is acceptable, believable, and consistent | | 100 |
| 8600237058 | Non-Sequitur | A statement that is not logically connected with the others. | | 101 |
| 8600242408 | Over-Simplification | When a writer obscures or denies the complexity of an issue | | 102 |
| 8600255768 | Post Hoc, Ergo, Propter Hoc | When a writer implies that because something follows another it caused the other. | | 103 |
| 8600263275 | Red Herring | When a writer raises an irrelevant issue to draw attention from the real issue. | | 104 |
| 8600268563 | Unity | A piece of literature is said to have unity if all of its parts are related to one central idea or organizing principle. | | 105 |
| 8600282491 | Aphorism | A terse statement of known authorship which expresses a general truth or moral principle. If authorship is unknown, the statement is considered a folk proverb. | | 106 |
| 8600291695 | Apostrophe | A figure of speech that directly addresses an absent or imaginary person or a personified abstraction, such as liberty or love. | | 107 |
| 8600305082 | Atmosphere | The prevailing emotion or emotional backdrop of a scene or descriptive passage (usually subtly and consciously created by the author). | | 108 |
| 8600313390 | Conceit | An elaborate comparison usually in the form of an extended metaphor or simile comparing things that are startlingly different. | | 109 |
| 8600327382 | Extended Metaphor | A metaphor developed at great length, occurring frequently in or throughout a work. | | 110 |
| 8600334361 | Generic Conventions | This term describes traditions for each genre. | | 111 |
| 8600340050 | Inversion (form) | A sentence that varies from the normal sentence pattern of noun-verb-compliment by putting a verb or modifier first. | | 112 |
| 8600348438 | Negative-Positive (form) | Another way of describing antitheses-when the writer employs two sentences of contrasting meanings in close proximity to one another. Whether they are words or phrases of the same sentence, an antithesis is used to create a stark contrast using two divergent elements that come together to create one uniform whole. | | 113 |
| 8600393510 | Predicate Adjective (form) | One type of subjective complement- an adjective, group of adjectives, or adjective clause that follows a linking verb. It is in the predicate of the sentence, and modifies, or describes, the subject. | | 114 |
| 8600415483 | Predicate Nominative (form) | A second type of subjective compliment- a noun, group of nouns, or noun clause that renames the subject. It's like the predicate adjective, follows a linking verb and is located the predicate of this sentence. | | 115 |
| 8600432815 | Simile | A direct comparison using the works like or as or another directly comparative word (that resembles, seems, etc.) | | 116 |
| 8600438737 | Subject Complement | The word (with any accompanying phrases) or clause that follows a linking verb and complements, or completes the subject of the sentence by either (1) renaming it or (2) describing it. | | 117 |
| 8600451359 | Subordinate Clause (form) | Like all clauses, this clause contains a subject and a verb, but it cannot stand alone, as it does not express a complete thought. It depends on a min clause sometimes called an independent clause to complete its meaning. | | 118 |
