| 4348141494 | allusion | an implicit reference within a literary work to a historical or literary person, place or event ("Don't act like a Romeo in front of her." - "Romeo" is a reference to Shakespeare's Romeo, a passionate lover of Juliet in "Romeo and Juliet") | | 0 |
| 4348141495 | paralipsis | drawing attention to something by claiming not to mention it (We will not speak of Ms. McArdle's indiscretion here; how she got five of her test questions from SparkNotes) | | 1 |
| 4348141496 | metaphor | a figure of speech comparing to unlike things without using like or as (life is but a walking shadow) | | 2 |
| 4348141497 | aphorism | a concise statement of a truth or principle (The early bird gets the worm) | | 3 |
| 4348141498 | parallelism | phrases or sentences of a similar construction/meaning placed side by side, balancing each other (I came, I saw, I conquered) | | 4 |
| 4348141499 | euphemism | an inoffensive expression that is substituted for one that is considered offensive (saying "passed" instead of "died") | | 5 |
| 4348141500 | epithet | any word or phrase applied to a person or thing to describe an actual or attributed quality ("Shoeless Joe Jackson," "Richard the Lionheart," "The Brooklyn Bomber") | | 6 |
| 4348141501 | antithesis | the juxtaposition of contrasting words or ideas to give a feeling of balance ("Not that I loved Caesar less, but that I loved Rome more") | | 7 |
| 4348141502 | paradox | a statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth ("And all men kill the thing they love...") | | 8 |
| 4348141503 | ellipsis | the omission of a word or phrase which is grammatically necessary but can be deduced for the context ("Some people prefer cats; others, dogs") | | 9 |
| 4348141504 | hyperbole | a figure of speech that uses exaggeration to express strong emotion, make a point, or evoke humor (Ms. McArdle is a total psychopath with her tests) | | 10 |
| 4348141505 | consonance | the repetition of consonants (or consonant patterns) especially at the ends of words ("We rush into rain that rattles double glass") | | 11 |
| 4348141506 | periphrasis | substitution of a descriptive word or phrase for a name, "fickle mistress" for luck, "big man upstairs" for God | | 12 |
| 4348141507 | synaesthesia | describing one kind of sensation in terms of another ("loud color" or "sweet sound") | | 13 |
| 4348141508 | meiosis | understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary) (Mercutio, after being mortally wouned, says his wound is only "a scratch") | | 14 |
| 4348141509 | apostrophe | figure of speech in which someone (usually absent), some abstract quality, or some nonexistent personage is directly addressed as though present | | 15 |
| 4348141510 | asyndeton | a construction in which elements are presented in a series without conjunctions (I shot, scored, ran. It was ridiculous) | | 16 |
| 4348141511 | isocolon | corresponding clauses of equal weight | | 17 |
| 4348141512 | cliche | an overused saying or idea | | 18 |
| 4348141513 | metonymy | substituting the name of an attribute or feature for the name of the thing itself (as in "they counted heads") | | 19 |
| 4348141514 | litotes | understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary) ("It's nothing. I'm just bleeding to death is all" or "he is not unfriendly") | | 20 |
| 4348141515 | in medias res | in or into the middle of a plot; into the middle of things | | 21 |
| 4348141516 | delayed / periodic sentence | A sentence that withholds its main idea until the end. | | 22 |
| 4348141517 | chiasmus | a statement consisting of two parallel parts in which the second part is structurally reversed ("When the going gets tough, the tough get going") | | 23 |
| 4348141518 | analogy | drawing a comparison in order to show a similarity in some respect | | 24 |
| 4348141519 | anadiplosis | repetition of the final words of a sentence or line at the beginning of the next (Chicken for dinner? Dinner will be ruined!) | | 25 |
| 4348141520 | bathos | insincere or overly sentimental quality of writing/speech intended to evoke pity | | 26 |
| 4348141521 | cacophony | loud confusing disagreeable sounds (puke, snot, barf) | | 27 |
| 4348141522 | euphony | any agreeable (pleasing and harmonious) sounds (butterfly, lovely, bright) | | 28 |
| 4348141523 | juxtaposition | placing two elements side by side to present a comparison or contrast | | 29 |
| 4348141524 | simile | a figure of speech that expresses a resemblance between things of different kinds (usually formed with 'like' or 'as') | | 30 |
| 4348141525 | repetition | the repeated use of the same word or word pattern as a rhetorical device | | 31 |
| 4348141526 | polysyndeton | using several conjunctions in close succession, especially where some might be omitted (as in 'he ran and jumped and laughed for joy') | | 32 |
| 4348141527 | colloquialism | a word or phrase (including slang) used in everyday conversation and informal writing but that is often inappropriate in formal writing (y'all, ain't) | | 33 |
| 4348141528 | anachronism | something located at a time when it could not have existed or occurred (In Shakespeare's Julius Caesar, characters refer to clocks which did not exist in ancient Rome) | | 34 |
| 4348141529 | personification | giving human characteristics to something that is not human | | 35 |
| 4348141530 | pathetic fallacy | The attribution of human emotions or characteristics to inanimate objects or to nature (angry clouds; a cruel wind) | | 36 |
| 4348141531 | oxymoron | conjoining contradictory terms (as in 'deafening silence') | | 37 |
| 4348141532 | aposiopesis | when the speaker or writer deliberately stops short and leaves something unexpressed, but yet obvious, to be supplied by the imagination | | 38 |
| 4348141533 | synecdoche | Uses a part to explain a whole or a whole to explain a part ("lend me an ear," "want to take a ride in my new wheels?") | | 39 |
| 4348141534 | alliteration | use of the same consonant at the beginning of each stressed syllable in a line of verse (run rascal rapidly) | | 40 |
| 4348141535 | pun | play on words (I see said the blind man as he pick up his hammer saw) | | 41 |
| 4348141536 | symbol | something visible that by association or convention represents something else that is invisible (an eagle representing freedom) | | 42 |
| 4348141537 | mixed metaphor | a combination of two or more metaphors that together produce a ridiculous effect | | 43 |
| 4348141538 | epistrophe | The figure of repetition that occurs when the last word or set of words in a sentence, clause, or phrase is repeated one or more times at the end of successive sentences, clauses, or phrases (of the people, by the people, for the people) | | 44 |
| 4348141539 | anaphora | repetition of a word or phrase as the beginning of successive clauses | | 45 |
| 4348141540 | archetype | A detail, image, or character type that occurs frequently in literature and myth and is thought to appeal in a universal way to the unconscious and to evoke a response (the hero-quest journey, the trickster, etc.) | | 46 |
| 4348141541 | canon | an established set of principles; a basis or standard for judgment; a group of literary works (the works of Homer, The American literary _____, Shakespeare) | | 47 |
| 4348141542 | conceit | a fanciful expression, usually in the form of an extended metaphor or surprising analogy between seemingly dissimilar objects | | 48 |
| 4348141543 | rhetoric | the art of using language effectively and persuasively | | 49 |
| 4348141544 | rhetorical context | the circumstances in which a text is written, including the intended audience, the author's aim or purpose in writing, and the audience's preexisting ideas and opinions | | 50 |
| 4348141545 | rhetorical device | a specific method used in writing or speaking in which language is used to influence or persuade an audience | | 51 |
| 4348141546 | situational irony | occurs when the outcome of a work is unexpected, or events turn out to be the opposite from what one had expected | | 52 |
| 4348141547 | hamartia/hubris | the character flaw or error of a tragic hero that leads to his downfall | | 53 |
| 4348141548 | dramatic irony | (theater) irony that occurs when the meaning of the situation is understood by the audience but not by the characters in the play | | 54 |
| 4348141549 | cosmic irony | when a writer uses God, destiny, or fate to dash the hopes and expectations of a character or humankind in general | | 55 |
| 4348141550 | sarcasm | sneering and often ironic language intended to hurt a person's feelings | | 56 |
| 4348141551 | irony | a trope that involves incongruity between what is expected and what occurs | | 57 |
| 4348141552 | satire | the use of humor to emphasize human weaknesses or imperfections in social institutions | | 58 |
| 4348141553 | zeugma | the use of a word to modify two or more words, but used for different meanings (He closed the door and his heart on his lost love.) | | 59 |
| 4348141554 | rhetorical question | a question asked merely for rhetorical effect and not requiring an answer | | 60 |
| 4348141555 | onomatopoeia | a figure of speech in which natural sounds are imitated in the sounds of words. Simple examples include such words as buzz, hiss, hum. | | 61 |
| 4348141556 | ad hominem | In an argument, this is an attack on the person rather than on the opponent's ideas. It comes from the Latin meaning "against the man." | | 62 |
| 4348141557 | allegory | an expressive style that uses fictional characters and events to describe some subject by suggestive resemblances | | 63 |
| 4348141558 | anecdote | a brief narrative that focuses on a particular incident or event | | 64 |
| 4348141559 | antecedent | the word, phrase, or clause to which a pronoun refers | | 65 |
| 4348141560 | comic relief | A humorous scene or speech intended to lighten the mood | | 66 |
| 4348141561 | connotation | refers to the implied or suggested meanings associated with a word beyond its dictionary definition | | 67 |
| 4348141562 | deductive reasoning | reasoning in which a conclusion is reached by stating a general principle and then applying that principle to a specific case (The sun rises every morning; therefore, the sun will rise on Tuesday morning.) | | 68 |
| 4348141563 | inductive reasoning | deriving general principles from particular facts or instances ("Every cat I have ever seen has four legs; cats are four-legged animals"). | | 69 |
| 4348141564 | denotation | The dictionary definition of a word | | 70 |
| 4348141565 | dialect | a variety of speech characterized by its own particular grammar or pronunciation, often associated with a particular geographical region | | 71 |
| 4348141566 | diction | the manner in which something is expressed in words | | 72 |
| 4348141567 | didactic | having the primary purpose of teaching or instructing | | 73 |
| 4348141568 | nostalgic | wishing for a return to the way things used to be; longing for the past; homesick | | 74 |
| 4348141569 | epigraph | The use of a quotation at the beginning of a work that hints at its theme. | | 75 |
| 4348141570 | imagery | The use of language to evoke a picture or a concrete sensation of a person, thing, place, or experience | | 76 |
| 4348141571 | inference | the reasoning involved in drawing a conclusion or making a logical judgment on the basis of circumstantial evidence and prior conclusions rather than on the basis of direct observation | | 77 |
| 4348141572 | invective | abusive or venomous language used to express blame or censure or bitter deep-seated ill will | | 78 |
| 4348141573 | logical fallacy | An error in reasoning that renders an argument invalid | | 79 |
| 4348141574 | motif | a principal idea, feature, theme, or element; a repeated or dominant figure in a design | | 80 |
| 4348141575 | parody | a composition that imitates somebody's style in a humorous way | | 81 |
| 4348141576 | pathos | a style that has the power to evoke feelings | | 82 |
| 4348141577 | pedantic | excessively concerned with book learning and formal rules | | 83 |
| 4348141578 | style | the unique way an author presents his ideas--diction, syntax, imagery, structure, and content all contribute to this | | 84 |
| 4348141579 | syllogism | a three-part deductive argument in which a conclusion is based on a major premise and a minor premise ("All men are mortal; Socrates is a man; therefore, Socrates is mortal.") | | 85 |
| 4348141580 | syntax | the rules for combining words into grammatically sensible sentences in a given language | | 86 |
| 4348141581 | theme | a unifying idea that is a recurrent element in a literary or artistic work | | 87 |
| 4348141582 | tone | the quality of something (an act or a piece of writing) that reveals the attitudes and presuppositions of the author | | 88 |
| 4348141583 | transition | a word or phrase that links one idea to the next and carries the reader from sentence to sentence, paragraph to paragraph. | | 89 |
| 4348141584 | voice | a means or agency by which something is expressed or communicated (an author's way of using language to reflect his or her attitude) | | 90 |
| 4348141585 | inversion (anastrophe) | the reversal of the normal word order in a sentence or phrase | | 91 |
| 4348141586 | parallelism | phrases or sentences of a similar construction/meaning placed side by side, balancing each other | | 92 |
| 4348141587 | atmosphere | a distinctive but intangible quality surrounding a person or thing | | 93 |
| 4348141588 | logos | an appeal based on logic or reason | | 94 |
| 4348141589 | ethos | The appeal of a text to the credibility and character of the speaker, writer, or narrator | | 95 |
| 4348141590 | ambiguity | The multiple meanings, either intentional or unintentional, of a word, phrase, sentence, or passage. | | 96 |
| 4348141591 | annotation | the act of adding notes | | 97 |
| 4348141592 | prose | the ordinary form of written language | | 98 |
| 4348141593 | semantic | referring to the relationships between words and meanings | | 99 |
| 4348141594 | non sequitur | a reply that has no relevance to what preceded it | | 100 |
| 4348141595 | red herring | any diversion intended to distract attention from the main issue | | 101 |
| 4348141596 | begging the question | taking for granted something that really needs proving | | 102 |
| 4348141597 | analysis | a form of literary criticism in which the structure of a piece of writing is analyzed | | 103 |
| 4348141598 | categorization | the act of distributing things into classes or categories of the same type | | 104 |
| 4348141599 | hasty generalization | drawing conclusions based on insufficient or unrepresentative evidence | | 105 |
| 4348141600 | figurative language | Writing or speech that is used to create vivid impressions by setting up comparisons between dissimilar things, [examples are metaphor, simile, and personification.] | | 106 |
| 4348141601 | generalization | When a writer bases a claim upon an isolated example or asserts that a claim is certain rather than probable. Sweeping _________ occur when a writer asserts that a claim applies to all instances instead of some. | | 107 |
| 4348141602 | metacognition | thinking about how you think | | 108 |
| 4348141603 | egoism | excessive interest in one's self; belief that one should be interested in one's self rather than in others; selfishness | | 109 |
| 4348141604 | utilitarianism | idea that the goal of society should be to bring about the greatest happiness for the greatest number of people | | 110 |
| 4348141605 | formalism | strict observance of the established rules traditions and methods employed in the arts. _____ can also refer to the theory of art that relies heavily on the organization of forms in a work rather than on the content. | | 111 |
| 4348141606 | premise | a statement that is assumed to be true and from which a conclusion can be drawn | | 112 |
| 4348141607 | straw man | a logical fallacy that involves the creation of an easily refutable position; misrepresenting, then attacking an opponent's position | | 113 |
| 4348141608 | genre | a kind of literary or artistic work | | 114 |
| 4348141609 | Puritanism | the beliefs and practices characteristic of Puritans (most of whom were Calvinists who wished to purify the Church of England of its Catholic aspects) | | 115 |
| 4348141610 | Rationalism | belief in reason and logic as the primary source of knowledge | | 116 |
| 4348141611 | Romanticism | a movement in literature and art during the late 18th and early 19th centuries that celebrated nature rather than civilization | | 117 |
| 4348141612 | Transcendentalism | any system of philosophy emphasizing the intuitive and spiritual above the empirical and material | | 118 |
| 4348141613 | Realism | This was the new style of literature that focused on the daily lives and adventures of a common person. This style was a response to Romanticism's supernaturalism and over-emphasis on emotion. | | 119 |
| 4348141614 | Naturalism | The term ___________ describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings. Unlike realism which focuses on literary technique ____________ implies a philosophical position. | | 120 |
| 4348141615 | Modernism | genre of art and literature that makes a self-conscious break with previous genres | | 121 |
| 4348141616 | classicism | the principles and styles admired in the classics of Greek and Roman literature, such as objectivity, sensibility, restraint, and formality | | 122 |
| 4348141617 | tonal shift | An author's change from one emotional style to another during a work. | | 123 |
| 4348141618 | primary source | text that tells a first-hand account of an event; original works used when researching (letters, journals) | | 124 |
| 4348141619 | secondary source | Text and/or artifacts that are not original, but written from something original (biographies, magazine articles, research papers). | | 125 |
| 4348141620 | thesis | The sentence or group of sentences that directly expresses the author's opinion, purpose, meaning, or proposition. | | 126 |
| 4348141621 | claim | an assertion that something is true or factual | | 127 |
| 4348141622 | spatial | where a place is located and its physical relationship to other places, people, or environments (a physical description) | | 128 |
| 4348141623 | Double Entendre | a statement that has two meanings, one of which is dirty or vulgar | | 129 |
| 4348141624 | neoclassicism | revival of a classical style (in art or literature or architecture or music) but from a new perspective or with a new motivation | | 130 |
| 4348141625 | propaganda | ideas spread to influence public opinion for or against a cause | | 131 |
| 4348141626 | eulogy | a formal statement of commendation; high praise (does not always need to be given when a person dies) | | 132 |
| 4348141627 | persona | the speaker, voice, or character assumed by the author of a piece of writing | | 133 |
