various images
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Art History
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AP Calculus AB
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A comparative analysis of Renessiance versus Gothic art
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Prasla ?PAGE?1? Ali Prasla GT English II Bybee 13 April 2012 The Tragedy of Great Power Politics He doesn't speak much Most of the time, he just sits there Looking, and staring at the Wall. The names etched of long forgotten men Anne said he would never stop talking when he was little. And now all I hear is silence Then I had it- why he always looked so grim Whenever he would smile Whenever I told a funny joke, A grin would light up his face And yet his eyes remained hollow, I was entranced by them And revolted by them The horrors they?ve seen The death they have done Lifeless pools of misery Bottomless pits of sorrow Then he caught me looking and flashed with anger ?Get out of my eyes you son of a bitch!? And I did. I did.
Raft of the Medusa
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Raft of Medusa by Theodore Gericault is the quintessential Romantic painting. It embodies the opposition Romantic painter had against the stiff and measured composition of the neoclassical painters. It has a pyramidal composition, the focus of it being the Slave on top of the raft. Although the slave is on the peak of the pyramid , it does not follow the classical pyramidal composition of the Renaissance; he is the peak of the raft because strong diagonal lines create an X across the canvas. Within the lines and ranges of the diagonals bodies are piled in a twisting dramatic fashion, creating a sense of suffering and despair.
Andrew Warhola
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Art History
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Maheen Ahmed Riggs-4th 3.20.12 Maheen Ahmed Riggs-4th 3.20.12 Unit 17 Activity: Discussion Questions 1.) The discovery of Pompeii and Herculaneum led to a revival in classical art and the enlightenment.The Enlightenment encouraged rationality and science. The discovery Pompeii also led to a desire in new architecture and vases as well as painting. This influence can be seen in Fig. 28-30, by Kauffmann. She creates a symmetrical, and triangular picture of a woman in Classical clothing. The painting also contains a Classical column.
AP Art History Study Guides
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AP Art History Study Guides
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Greek Art
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Art of Ancient Greece Greek sculptors strove to create ideal images of beauty for both men and women. Four stylistic periods: Geometric: triangles, concentric circles, checkboard shapes Archaic Classical Hellenistic G-A-C-H Geometric Style Featured triangles, concentric circles, and checkerboard shapes. Used for both ornamental and human figures. Geometric Style can clearly be seen in a huge krater (mixing bowl) Archaic Statuary Emerged in part from cultural achievements with Ancient Egypt that were erected through new trade routes. Two types of Archaic statues appeared Kouros (male) Touchstone example ? New York Kouros Free of the back slab that supported Egyptian stone statues. Archaic statues are the first sculpted human figures that stand freely on their own.
Rembrandt vs. Vermeer
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Rembrandt vs. Vermeer Rembrandt psychological depth to subject matter soft, undefinable light due to glazing side techniques and loose brush strokes polished inner world of events drama of events and subjects, often emotion-charged dramatic contrast between light and dark areas Vermeer world of appearances with little hint of artist?s point of view clearly defined space and light source, often from one source little evidence of brush stroke- highly polished detachments, cool interiors, no emotion stillness and calm with little movement and little or no discernible emotion or expression contrast of light but executed with finesse and precision; very subtle gradations of value and color
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