4401740650 | Anecdote | a short tale narrating an interesting or amusing biographical incident | 0 | |
4401746446 | Diction | word choice (Be sure to precede this with an adjective, like "colloquial diction" or "violent diction.") | 1 | |
4401748804 | Denotation | the straightforward (dictionary) definition of a word | 2 | |
4401756393 | Euphemism | a more agreeable word substituted for an unpleasant one ("touched" instead of "crazy"; "passed away" instead of "died") | 3 | |
4401769089 | Colloquialism | slang and use of familiar expressions | 4 | |
4401774927 | Connotation | emotional overtones of a word (poison, victim, seized or gently, brutally, softly, harshly) | 5 | |
4401785436 | Figurative Language | language not to be taken literally | 6 | |
4401855137 | Allusion | reference to history, mythology, or literature | 7 | |
4401858725 | Analogy | illustration of an idea by means of a more familiar idea that is similar or parallel | 8 | |
4401865872 | Apostrophe | addressing an absent figure or abstraction | 9 | |
4401871338 | Extended metaphor | a metaphor defined with several examples ("Hope is the thing with feathers/That perches in the soul/And sings the tune--without words/And never stops at all." Emily Dickinson) | 10 | |
4401887665 | Hyperbole | extreme exaggeration (adj. form: hyperbolic) | 11 | |
4401893535 | Imagery | any description that appeals to one of the five senses | 12 | |
4401896367 | Juxtaposition | the placing of two unlike things close together for effect | 13 | |
4401907053 | Oxymoron | conjoining contradictory terms (jumbo shrimp, "hideous luxuriance"--Nathaniel Hawthorne) | 14 | |
4401919518 | Paradox | statement that seems impossible or not true but proves true ("And I like large parties. They're so intimate."--Fitzgerald) | 15 | |
4401935658 | Understatement | minimalizes a fact (A person who just got a 5 on the AP Language exam says, "I did alright.") | 16 | |
4401980329 | Modes of Discourse | the categories of delivery: narration, description, exposition, and persuasion | 17 | |
4401985928 | Narration | account of an event | 18 | |
4401987761 | Description | pictures a place or object or setting | 19 | |
4401987762 | Exposition | explains events; can include classification, comparison/contrast, definition, or analysis | 20 | |
4401989695 | Persuasion | one of the major types of composition whose purpose is to convince others of the wisdom of a certain line of action | 21 | |
4402009861 | Rhetoric | the deliberate exploitation of eloquence for the most persuasive effect in public speaking or writing | 22 | |
4402801828 | Shift | change in position; movement (as in tone shift, shift in point of view) | 23 | |
4402805713 | Satire | writing that exposes the failings (vice or folly) of individuals, institutions, or societies to ridicule and scorn in order to change it | 24 | |
4402815129 | Inference | information derived by reasoning | 25 | |
4402816662 | Invective | the harsh denunciation of some person or thing in abusive speech or writing | 26 | |
4402819215 | Parody | imitation of serious work or style in a ridiculous manner (Saturday Night Live) | 27 | |
4402825580 | Lampoon | imitation in writing (humorous) harsh satire directed toward an individual or thing | 28 | |
4402833359 | Sarcasm | technique that ridicules through caustic language | 29 | |
4402835523 | Style | blend of choices about diction, syntax, and figurative language unique to individuals | 30 | |
4402842596 | Syntax | the way in which words or phrases are ordered and connected to form sentences; or the set of grammatical rules governing such an order | 31 | |
4402849174 | Antecedent | word referred to by a pronoun | 32 | |
4402850809 | Clause | group of words with a subject and verb; can be independent or subordinate (dependent) | 33 | |
4402856575 | Antithesis | a balance of opposites; opposition, or contrast, of ideas or words in a balanced or parallel order | 34 | |
4402880653 | Loose sentence | sentence in which the main idea comes first (aka cumulative sentence) | 35 | |
4402886305 | Periodic sentence | sentence in which the main idea comes last | 36 | |
4402889375 | Pacing | rate at which the text develops (slow, fast, hurried) based on length and arrangement of sentences | 37 | |
4402893783 | Parallelism | the arrangement of similarly constructed clauses or sentences suggesting some correspondence between them | 38 | |
4402900473 | Repetition | repeating a word for emphasis | 39 | |
4402902530 | Tone | writer's attitude toward the subject and audience--created by diction, details, images, language, and syntax | 40 | |
4402910897 | Levels of diction | formal, standard, and informal | 41 | |
4402918113 | Formal diction | --used when addressing a highly educated audience (scholarly journals, etc.) --EX: edify, optate, beguile | 42 | |
4402922486 | Standard diction | --used when addressing a well-educated audience (college papers, mass publications) --EX: learn, choose, mislead | 43 | |
4402935154 | Informal diction | --used when addressing a familiar or specific audience (personal letters, emails, texts) --Includes slang | 44 |
2016 AP Language Terms Review Flashcards
Primary tabs
Need Help?
We hope your visit has been a productive one. If you're having any problems, or would like to give some feedback, we'd love to hear from you.
For general help, questions, and suggestions, try our dedicated support forums.
If you need to contact the Course-Notes.Org web experience team, please use our contact form.
Need Notes?
While we strive to provide the most comprehensive notes for as many high school textbooks as possible, there are certainly going to be some that we miss. Drop us a note and let us know which textbooks you need. Be sure to include which edition of the textbook you are using! If we see enough demand, we'll do whatever we can to get those notes up on the site for you!