8259252435 | Protagonist | The central character of a narrative, the character through whom the lesson of the story is learned. | 0 | |
8259361035 | George Orwell | 1984 | ![]() | 1 |
8259252436 | Simile | A comparison of two items using "like" or "as." | 2 | |
8259375261 | F. Scott Fitzgerald | The Great Gatsby | ![]() | 3 |
8259252437 | Point of View | The vantage point from which a story is told (first and third person). | 4 | |
8259394132 | J. D. Salinger | The Catcher in the Rye | ![]() | 5 |
8259252438 | Connotation | Another significant meaning of a word, often steeped in symbol or feeling. | 6 | |
8259403977 | Jane Austen | Pride and Prejudice | ![]() | 7 |
8259252439 | Characterization | The manner by which an author develops a character within a narrative. | 8 | |
8259415553 | Mark Twain | Adventure of Huckleberry Finn | ![]() | 9 |
8259252440 | Dialogue | The spoken words of two or more character within a narrative. | 10 | |
8259436285 | Leo Tolstoy | Anna Karenina | ![]() | 11 |
8259252441 | Imagery | The picture in your mind that the words from the page create; can be figurative, symbolic, or literal. | 12 | |
8259444539 | Charlotte Bronte | Jane Eyre | ![]() | 13 |
8259252442 | Situational Irony | An EVENT where the opposite of what's expected happens. | 14 | |
8259462355 | Herman Melville | Moby Dick | ![]() | 15 |
8259252443 | Dramatic Irony | When the reader or audience knows something a character does not know, and that knowledge in important to the flow of events. | 16 | |
8259471805 | William Shakespeare | Hamlet | 17 | |
8259252444 | Ego | Represents and enforces principle reality. Oriented towards perceptions in the real world and associated with reason and sanity. | 18 | |
8259477172 | Homer | The Iliad | ![]() | 19 |
8259252445 | Historical Fiction | A narrative which tells the story of a real moment in history but embellishes it at least slightly (factual, dated). | 20 | |
8259484753 | Gabriel Garcia Marquez | One Hundred Years of Solitude | ![]() | 21 |
8259252446 | Theme | The main idea of a work of literature; the message is the author sending to the reader. | 22 | |
8259492045 | Gustave Flaubert | Madame Bovary | ![]() | 23 |
8259252447 | Paradigm | A set of assumptions, concepts, values, and practices that constitutes a way of viewing reality for the community that shares them, especially in an intellectual discipline. | 24 | |
8259499663 | Fyodor Dostoyevsky | Crime and Punishment | ![]() | 25 |
8259252448 | Dialect | A regional variety of language, often with distinct accents and usage, including but not limited to whole phrases. | 26 | |
8259511396 | Emily Brontë | Wuthering Heights | ![]() | 27 |
8259252449 | Oedipus Complex | A psychological aspect where a child, usually male, has strong, even desirous feelings for the parent of the opposite sex. | 28 | |
8259527647 | Virginia Woolf | To the Lighthouse | 29 | |
8259252450 | Denotation | The EXPLICIT meaning of a word or a particular meaning of a symbol. | 30 | |
8259533799 | Charles Dickens | Great Expectations | ![]() | 31 |
8259252451 | Allusion | A reference to another work of literature or to a part of another work of literature or to a moment in history. | 32 | |
8259556701 | Geoffrey Chaucer | The Canterbury Tales | ![]() | 33 |
8259252452 | Conflict | The struggle between two opposing forces in a piece of literature, which the story is built around- The forces are the protagonist and the antagonist. | 34 | |
8259577931 | Charles Dickens | A Tale of Two Cities | ![]() | 35 |
8259252453 | Setting | The time and the place of the action of the story. | 36 | |
8259584676 | Ernest Hemingway | The Old Man and the Sea | ![]() | 37 |
8259252454 | Catharsis | The releasing of certain emotions in the audience: a feeling of pity and hatred for the actions of the tragic hero. | 38 | |
8259593676 | John Steinbeck | East of Eden | ![]() | 39 |
8259252455 | Act | A division within the drama, usually seen as the "chapter" of a novel. | 40 | |
8259604155 | Ernest Hemingway | For Whom the Bell Tolls | 41 | |
8259252456 | Autobiography | A truthful account of the life of a person, as told and written by that person. | 42 | |
8259618976 | Harper Lee | To Kill a Mockingbird | ![]() | 43 |
8259252457 | Tone | The attitude the author has toward the work, displayed through the language being used. | 44 | |
8259627139 | John Steinbeck | The Grapes of Wrath | ![]() | 45 |
8259252458 | Colloquialism | A local variation of language, as in a word or phrase, found within particular dialects. | 46 | |
8259637913 | Joseph Heller | Catch 22 | ![]() | 47 |
8259252459 | Paradox | A seemingly contradictory statement that may nonetheless be true. | 48 | |
8259645749 | James Joyce | Ulysses | ![]() | 49 |
8259252460 | Dynamic Character | A character who undergoes growth and development during the literary work in which he/she resides. | 50 | |
8259654261 | William Faulkner | The Sound and the Fury | ![]() | 51 |
8259252461 | Static Character | A character of one dimension and personality trait who remains unchanged by the events of the literary work in which he/she resides. | 52 | |
8259662236 | Miguel de Cervantes | Don Quixote | ![]() | 53 |
8259252462 | Biography | A truthful account of the life a person, told and written by another person. | 54 | |
8259676141 | Leo Tolstoy | War and Peace | ![]() | 55 |
8259252463 | Scene | A small division of drama within an act, usually of the same setting as the act, but not by definition. | 56 | |
8259683895 | Charles Dickens | David Copperfield | ![]() | 57 |
8259252464 | Stereotype | A conventional and oversimplified opinion or belief about a person or group of people who may share similar characteristics; taking one characteristic of an individual and spreading that characteristic over the group that individual belongs to. | 58 | |
8259700270 | William Golding | Lord of the Flies | ![]() | 59 |
8259252465 | Virtue | The quality of moral excellence, righteousness, and responsibility, probity; goodness. | 60 | |
8259705782 | Toni Morrison | Beloved | ![]() | 61 |
8259252466 | Vice | An evil, degrading or immoral practice of habit; a serious moral failing. | 62 | |
8259717414 | Lewis Carroll | Alice in Wonderland | ![]() | 63 |
8259252467 | Complex Character | A character w/ different traits and aspects of personality but who neither grows nor changes during the literary work in which he resides. | 64 | |
8259726220 | Aldous Huxley | Brave New World | ![]() | 65 |
8259252468 | Superego | The part of the personality which acts as a moral monitor to the behaviors of the individual. It is the faculty that seeks to police what it deems unacceptable desires; it represent all moral restrictions. | 66 | |
8259733345 | Nathaniel Hawthorne | The Scarlet Letter A | ![]() | 67 |
8259252469 | Direct Quotation | Using the words of a source directly. | 68 | |
8259741221 | John Steinbeck | Of Mice and Men | ![]() | 69 |
8259252470 | Plot | The events which make up a story line. | 70 | |
8259768254 | William Shakespeare | Macbeth | ![]() | 71 |
8259747023 | Jonathan Swift | Gulliver's Travel | ![]() | 72 |
8259774633 | William Shakespeare | Romeo and Juliet | ![]() | 73 |
8259252471 | Style | The language used by the writer, as well as the narrative techniques used, working together to form the full aspect of the printed material in front of us. | 74 | |
8259782762 | William Shakespeare | Othello | ![]() | 75 |
8259252472 | Omniscient | The third person narrator who sees all and know all -even the thoughts- about the character of the story. | 76 | |
8259789401 | William Shakespeare | A Midsummer Night's Dream | ![]() | 77 |
8259252473 | Nemesis | That force which restores order within a tragedy, named for the goddess of retributive justice. | 78 | |
8259794870 | William Shakespeare | King Lear | ![]() | 79 |
8259252474 | Metaphor | A comparison of unlike things without using 'like' or 'as.' | 80 | |
8259802487 | William Shakespeare | Julius Caesar | ![]() | 81 |
8259252475 | Irony | A contrast between what is stated and what is meant; there are verbal irony, situational irony, and dramatic irony. | 82 | |
8259835361 | Arthur Miller | The Crucible | ![]() | 83 |
8259826768 | Thornton Wilder | Our Town | ![]() | 84 |
8259814550 | Tennessee William | A Streetcar Named Desire | ![]() | 85 |
8259252476 | Foreshadow | To use details and images to hint at events to come in the narrative. | 86 | |
8259855666 | Lin-Manuel Miranda | Hamilton | ![]() | 87 |
8259252477 | Analysis | The separation of an intellectual whole into its component parts in order to better understand and to reach a truth. | 88 | |
8259873628 | Marcel Proust | In Search of Lost Time | ![]() | 89 |
8259252478 | Indirect Quotation | Using the words of the author, though not in a direct, word-for-word borrowing. | 90 | |
8259896961 | Anton Chekhov | The Stories of Anton Chekhov | ![]() | 91 |
8259252479 | Paraphrase | To put the words of the author into your own words. | 92 | |
8259966856 | John Bunyan | Pilgrim's Progress | ![]() | 93 |
8259252480 | Novella | A prose fictional narrative containing all the elements of a novel but much shorter. | 94 | |
8259975125 | Daniel Defoe | Robinson Crusoe | ![]() | 95 |
8259252481 | Tragic Hero | A person of noble birth whose personal destruction is in some way involved w/ the well being of his/her world and who faces a battle of morals; her/his destruction comes from a flaw with his/her personality. | 96 | |
8259983680 | Samuel Richardson | Clarissa | ![]() | 97 |
8259252482 | Insight | The act of outcome of grasping the inward or hidden nature of things which in turn tells the grasper a significant message about herself/himself; makes the learning personal, owned. | 98 | |
8259998936 | Jane Austen | Emma | ![]() | 99 |
8259252483 | Stream-of-consciousness | The unbroken flow of thought and awareness of the waking mind; a special mode of narration that undertakes to capture the full spectrum and the continuous flow of a character's mental processes. | 100 | |
8260005634 | Mary Shelley | Frankenstein | ![]() | 101 |
8259252484 | Rhetoric | The body of principles and theory having to do with the presentation of the facts and ideas in clear, convincing, and attractive language. | 102 | |
8260015817 | William Makepeace Thackeray | Vanity Fair | ![]() | 103 |
8259252485 | Ad hominem | Appealing to persona considerations rather than to logic or reason. | 104 | |
8260025149 | Wilkie Collins | The Woman in White | 105 | |
8259252486 | A priori | Involving deductive reasoning from a general principle to a necessary effect; not supported by facts. | 106 | |
8260033825 | Louisa M. Alcott | Little Women | ![]() | 107 |
8259252487 | Purple patch | A selection of writing which contains an unusual piling up devices in such a way as to evidence a self-conscious literary effort; a colorful passage standing out from the writing around it. | 108 | |
8260042782 | Robert Louis Stevenson | The Strange Case of Dr Jekyll and Mr Hyde | ![]() | 109 |
8259252488 | Euphemism | The act or an example of substituting a mild, indirect, or vague term for one considered harsh, blunt, or offensive. | 110 | |
8260050864 | Jack London | The Call of the Wild | ![]() | 111 |
8259252489 | Apostrophe | When an absent person, an abstract concept, or an important object is directly addressed. | 112 | |
8260067413 | E. B. White | Charlotte's Web | ![]() | 113 |
8259252490 | Dichotomy | Division into two usually contradictory parts or opinions. | 114 | |
8260092507 | J. R. R. Tolkien | The Lord Of The Rings | ![]() | 115 |
8259252491 | Tragedy | A literary work, usually a drama, which deals with human themes; several elements are involved: hamartia, hubris, catharsis, nemesis; in a tragedy, a hero will fall due to elements within the personality. | 116 | |
8260100053 | Jack Kerouac | On the Road | ![]() | 117 |
8259252492 | Hubris | Excessive pride, especially found within the tragic hero. | 118 | |
8259252493 | Local color | The interests or flavor of a specific locality as expressed in a story through language. | 119 | |
8259252494 | Narrative | The story of a fictional or actual events as told by the teller. | 120 | |
8259252495 | Naturalism | A factual representation, conforming to nature, especially in art and literature. | 121 | |
8259252496 | Realism | A truthful representation, with an inclination toward pragmatism, that is accurate to life's xpression. | 122 | |
8259252497 | Short Story | A fictional prose, dealing essentially with a single conflict, which can be read in a single session. | 123 | |
8259252498 | Pleasure Principle | The concept that pleasure is the only thing that matters and any manner of attaining it is fine; often this is the role of the Id, the earliest part of the developing personality. | 124 | |
8259252499 | Reality Principle | The function which monitors the Id; the concept that some things are more important than immediate pleasure, namely, the continuation of pleasure after the initial gaining of it. | 125 | |
8259252500 | Denouement | The point in the story after the conflict is resolved. | 126 | |
8259252501 | Drama | A full-length work of fiction that is written in dialogue, meant to be performed upon a stage. | 127 | |
8259252502 | Flashback | Stopping the flow of the narrative to return to a setting or even earlier in the tale, even to events that predate the earliest part of the plot. | 128 | |
8259252503 | Hamartia | The tragic flaw of a tragic hero; that which will make the hero fall; this needs to be a trait that is generally considered a good thing. | 129 | |
8259252504 | Description | The words the author uses to fully detail a place or thing; these words will bring pictures to the mind. | 130 | |
8259252505 | Symbol | Something which stands for and represents itself but also stands for something much greater than itself. | 131 | |
8259252506 | Climax | The point in the story when the conflict is resolved- where we know who wins this conflict, the protagonist or the antagonist. | 132 | |
8259252507 | Novel | A full-length prose fiction where the narrative is the chief story-telling element and several conflicts, settings, and characters will dwell. | 133 | |
8259252508 | Parallelism | A structural arrangement of parts of a sentence, sentences, paragraphs, and larger units of composition by which one element of equal importance with another is similarly developed and phrased. | 134 | |
8259252509 | Pathetic Fallacy | False emotionalism in writing resulting in a too impassioned description of nature; it is the carrying over to inanimate objects the moods and passions of a human being. | 135 | |
8259252510 | Histrionics | A deliberate display of emotion for effect. | 136 | |
8259252511 | Hagiography | A biography that idealizes or idolizes the person (especially a person who is a saint). | 137 | |
8259252512 | Idiomatic | Of or pertaining to, or conforming to, the mode of expression peculiar to a language. | 138 | |
8259252513 | Metonymy | Substituting a word for another word closely associated with it. | 139 |
LITERATURE Flashcards
Primary tabs
Need Help?
We hope your visit has been a productive one. If you're having any problems, or would like to give some feedback, we'd love to hear from you.
For general help, questions, and suggestions, try our dedicated support forums.
If you need to contact the Course-Notes.Org web experience team, please use our contact form.
Need Notes?
While we strive to provide the most comprehensive notes for as many high school textbooks as possible, there are certainly going to be some that we miss. Drop us a note and let us know which textbooks you need. Be sure to include which edition of the textbook you are using! If we see enough demand, we'll do whatever we can to get those notes up on the site for you!