AP English Language and Composition Flashcards
| 8503755916 | Allegory | The device of using character and/or story elements symbolically. | ![]() | 0 |
| 8503755917 | Antecedent | Word, phrase, or clause referred to by a pronoun. | ![]() | 1 |
| 8503755918 | Antithesis | Opposition or contrast of ideas through parallelism. | ![]() | 2 |
| 8503755919 | Aphorism | Early to bed and early to rise help make a man healthy, wealthy, and wise. -Ben Franklin | ![]() | 3 |
| 8503755920 | Apostrophe | "Oh, Captain, my Captain, our fearful trip is done..." | ![]() | 4 |
| 8503755921 | Colloquial/Colloquialism | The use of slang or informalities in speech or writing. | ![]() | 5 |
| 8503755922 | Conceit | A fanciful expression, usually in the form of an extended metaphor. | ![]() | 6 |
| 8503755923 | Euphemism | correctional facility = jail between jobs = unemployed | 7 | |
| 8503755924 | Homily | This term literally means "sermon," but more informally, it can include any serious talk, speech, or lecture involving moral or spiritual advice. | ![]() | 8 |
| 8503755925 | Invective | An emotionally violent, verbal denunciation or attack using strong, abusive language. | ![]() | 9 |
| 8503755926 | Metonymy | a figure of speech in which the name of one object is substituted for that of another closely associated with it. | ![]() | 10 |
| 8503755927 | Anaphora | The exact repetition of words or phrases at the beginning of successive lines or sentences. | ![]() | 11 |
| 8503755928 | Pedantic | An adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish | ![]() | 12 |
| 8503755929 | Prose | one of the major divisions of genre, prose refers to fiction and nonfiction, including all its forms. | ![]() | 13 |
| 8503755930 | Semantics | The branch of linguistics that studies the meaning of words. | ![]() | 14 |
| 8503755931 | Syllogism | A deductive system of formal logic that presents two premises that inevitably lead to a sound conclusion. | ![]() | 15 |
| 8503755932 | Synecdoche | A figure of speech in which a part of something is used to represent the whole. | ![]() | 16 |
| 8503755933 | Synesthesia | When one kind of sensory stimulus evokes the subjective experience of another. | ![]() | 17 |
| 8503755934 | Apologia | A written or spoken defense of one's beliefs and actions. | ![]() | 18 |
| 8503755935 | Epigram | A brief witty statement. | ![]() | 19 |
| 8503755936 | Digression | The use of material unrelated to the subject of a work. | ![]() | 20 |
| 8503755937 | Ellipsis | The omission of a word or several words. | ![]() | 21 |
| 8503755938 | Ad Hominem | Attacking a speaker's character instead of to their argument. | ![]() | 22 |
| 8503755939 | Anachronism | A person, scene, event or other element that fails to correspond with the appropriate time or era. | ![]() | 23 |
| 8503755940 | Didactic | Having an instructive purpose; intending to convey information to teach a lesson usually in a dry, pompous manner. | ![]() | 24 |
| 8503755941 | Fallacy | An incorrect belief or supposition based on faulty data, defective evidence, or false information. | ![]() | 25 |
| 8503755942 | Hubris | Excessive pride that often brings about one's fall. | ![]() | 26 |
| 8503755943 | Alliteration | Repetition of consonant sounds, usually at the beginnings of words | ![]() | 27 |
| 8503755944 | Litotes | A form of understatement in which the negative of the contrary is used to achieve emphasis or intensity. | ![]() | 28 |
| 8503755945 | Paradox | A statement or idea that seems contradictory but is in fact true. | ![]() | 29 |
| 8503755946 | Non Sequitur | A statement or idea that fails to follow logically from the one before. | ![]() | 30 |
| 8503755947 | Anecdote | A short and amusing or interesting story about a real incident or person. | ![]() | 31 |
| 8503755948 | Jargon | Special words or expressions that are used by a particular profession or group. | ![]() | 32 |
| 8503755949 | Taciturn | Not talking much, reserved; silent, holding back in conversation. | 33 | |
| 8503755950 | Dogmatic | Inclined to lay down principles as incontrovertibly true. | ![]() | 34 |
| 8503755951 | Pernicious | Having a harmful effect, especially in a gradual or subtle way. | ![]() | 35 |
| 8503755952 | Bellicose | Demonstrating aggression and willingness to fight. | ![]() | 36 |
| 8503755953 | Voracious | Craving or consuming large quantities of food. | ![]() | 37 |
| 8503755954 | Zealous | Having or showing zeal. | ![]() | 38 |
| 8503755955 | Tacit | Understood or implied without being stated. | ![]() | 39 |
| 8503755956 | Innuendo | An allusive or oblique remark or hint, typically a suggestive or disparaging one. | ![]() | 40 |
| 8503755957 | Lackadaisical | Displaying or having a disinclination for physical exertion or effort; slow and relaxed. | ![]() | 41 |
| 8503755958 | Consecrate | Make or declare (something, typically a church) sacred; dedicate formally to a religious or divine purpose. | ![]() | 42 |
| 8503755959 | Chiasmus | A type of parallelism in which elements are reversed. "Ask not what your country can do for you, but what you can do for your country." | ![]() | 43 |
| 8503755960 | Loose Sentence | A sentence in which the subject and verb come at the front of the sentence. | 44 | |
| 8503755961 | Petulant | Childishly sulky or bad-tempered. | 45 | |
| 8503755962 | Periodic Sentence | A sentence in which the subject and verb come toward the end of the sentence. | 46 | |
| 8503755963 | Exhort | Strongly encourage or urge someone to do something. | ![]() | 47 |
| 8503755964 | Cloistered | Kept away from the outside world; sheltered. | ![]() | 48 |
| 8503755965 | Sarcasm | Caustic, bitter language--iterally means "to tear the flesh." | 49 | |
| 8503755966 | Independent Clause | A complete sentence. | 50 | |
| 8503755967 | Dependent Clause | Includes a subordinate conjunction, such as because, while, etc. | 51 | |
| 8503755968 | Allusion | A reference to something (e.g., a book, a movie, an historical event) that is presumed to be well known to the audience. | 52 | |
| 8503755969 | Satire | A work that pokes fun human vices and follies in order to call attention to a larger problem. | ![]() | 53 |
| 8503755970 | Parody | A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule. | ![]() | 54 |
| 8503755971 | Coup de Grace | The "death blow"--the culminating event in a bad situation. | ![]() | 55 |
| 8503755972 | Coup d'Etat | Literally "blow to the state"--a violent overthrow. | ![]() | 56 |
| 8503755973 | Faux Pas | A social misstep or inappropriate action. | 57 | |
| 8503755974 | Laissez-Faire | Literally "allow to do"--letting things run their natural course; hands off. | 58 | |
| 8503755975 | En Masse | In a body as a whole; as a group. | 59 | |
| 8503755976 | Proprietary | Characteristic of an owner of property; constituting property. | 60 | |
| 8503755977 | Propriety | The quality of behaving in a proper manner; obeying rules and customs. | 61 | |
| 8503755978 | Imminent | About to happen. | 62 | |
| 8503755979 | Eminent | Famous, outstanding, distinguished. | 63 | |
| 8503755980 | Ego | According to Freud, the decision-making component of personality that operates according to the reality principle. | 64 | |
| 8503755981 | Superego | According to Freud, that facet of the psyche that represents the internalized ideals and values of one's parents and society | 65 | |
| 8503755982 | Id | Literally the "It"--our base impulses, driven by selfishness and greed, for example. | 66 | |
| 8503755983 | Hamartia | A character's error in judgment that contributes to one's downfall. | 67 | |
| 8503755984 | Orwellian | The manipulation of language and ideas to control and obstruct the truth. | 68 | |
| 8503755985 | Autonomos | Independent, self-governing, not under the control of something or someone else. | ![]() | 69 |
AP English Literature - Lesson 9 Flashcards
| 8371412514 | advent | (n.) a coming or arrival | 0 | |
| 8371424554 | blase' | (adj.) indifferent, bored as a result of having enjoyed many pleasures; apathetic | 1 | |
| 8371429591 | bravado | (n.) a show of false bravery or confidence | 2 | |
| 8371445998 | disparate | (adj.) fundamentally different or distinct in quality or kind | 3 | |
| 8371457111 | domicile | n. The place where one lives. | 4 | |
| 8371464460 | fabricate | (v.) to make, manufacture; to make up, invent | 5 | |
| 8371468689 | itinerant | (adj.) traveling from place to place to work; (n.) one who goes from place to place | 6 | |
| 8371486524 | lilliputian | (adj.) extremely small or appearing to be so | 7 | |
| 8371494819 | phobia | (n.) strong, irrational fear | 8 | |
| 8371502495 | proclivity | (n.) a strong inclination toward something | 9 | |
| 8371506353 | projectile | (n.) an object that is fired, thrown, or self-propelled | 10 | |
| 8371517115 | queasy | (adj.) nauseated or uneasy; causing nausea or uneasiness; troubled | 11 | |
| 8371528623 | reciprocate | (v.) to give something in return | 12 | |
| 8371540759 | relegate | (v.) to place in a lower position; to assign, refer, turn over; to banish | 13 | |
| 8371556655 | vertigo | (n.) the sensation of dizziness | 14 |
AP Language Vocabulary Flashcards
| 7595556737 | Ad Hominem Argument | Latin for "to or against the person," this fallacy involves switching the argument from the issue at hand to the character of the other speaker | ![]() | 0 |
| 7595556738 | Ad Populum (bandwagon appeal) | This fallacy occurs when evidence boils down to "everybody's doing it, so it must be a good thing to do." | ![]() | 1 |
| 7595556739 | Allegory | The device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning | ![]() | 2 |
| 7595556740 | Allusion | A direct or indirect reference to something that is commonly known. Allusions can be historical, literary, religious, or mythical. | ![]() | 3 |
| 7595556744 | Antithesis | A figure of speech that involves an opposition, or contrast, of ideas or words in a parallel construction. | ![]() | 4 |
| 7595556745 | Appeal to False Authority | This fallacy occurs when someone who has no expertise on a subject is cited as an authority. | ![]() | 5 |
| 7595556749 | Attitude | A writer's position or emotion regarding the subject of the writing. | ![]() | 6 |
| 7595556751 | Concession | An acknowledgement that an opposing argument may be true or reasonable. | ![]() | 7 |
| 7595556753 | Context | The circumstances, atmosphere, attitudes, and events surrounding a text. | ![]() | 8 |
| 7595556754 | Counterargument | An opposing argument to the one a writer is putting forward | ![]() | 9 |
| 7595556758 | Claim | Also called an assertion or a proposition, a claim states the argument's main idea or position. A claim differs from a topic or subject in that a claim has to be arguable. | ![]() | 10 |
| 7595556759 | Claim of Fact | A claim of fact asserts that something is true or not true. Ex. Test scores accurately measure a student's success! | ![]() | 11 |
| 7595556760 | Claim of Value | A claim of value argues that something is good or bad, right or wrong. Ex. Video games are corrupting today's youth. | ![]() | 12 |
| 7595556761 | Claim of Policy | A claim of policy proposes a change. Ex. Legalize marijuana! | ![]() | 13 |
| 7595556762 | Closed Thesis | A thesis that is a statement of the main idea of the argument that also previews major points the writer intends to make. | ![]() | 14 |
| 7595556765 | Denotation | The strict, literal, dictionary definition of a word. | ![]() | 15 |
| 7595556766 | Diction | related to style, refers to the writer's word choices. Examples include, formal or informal, ornate or plain. | ![]() | 16 |
| 7595556768 | Ethos | A speaker's expertise, knowledge, experience, sincerity, and common purpose with the audience are examples of how a speaker demonstrates they are credible and trustworthy. | ![]() | 17 |
| 7595556770 | Extended Metaphor | a metaphor developed at great length | ![]() | 18 |
| 7595556773 | Imagery | the sensory details or figurative language used to describe, arouse emotion, or represent abstractions | ![]() | 19 |
| 7595556774 | Infer | to draw a reasonable conclusion from the information presented. Inferences are not directly stated. | ![]() | 20 |
| 7595556776 | Juxtaposition | placing dissimilar items, descriptions, or ideas closely together or side by side, especially for comparison or contrast. | ![]() | 21 |
| 7595556777 | Logical Fallacy | A mistake in verbal reasoning. The reasoning must be potentially deceptive. | ![]() | 22 |
| 7595556779 | Mode of discourse: exposition | writing that intends to inform and demonstrate a point | 23 | |
| 7595556780 | Mode of discourse: narration | writing that tells a story or relates a series of events | 24 | |
| 7595556781 | Mode of discourse: description | writing that creates sensory images, often evoking a mood or atmosphere | 25 | |
| 7595556782 | Mode of discourse: argumentation | writing that takes a stand on an issue and supports it with evidence and logical reasoning | 26 | |
| 7595556784 | Parallelism/parallel construction/parallel structure | The grammatical or rhetorical framing of words, phrases, sentences or paragraphs to give structural similarity | ![]() | 27 |
| 7595556786 | Pathos | a speaker's intent to inspire an emotional reaction in an audience | ![]() | 28 |
| 7595556792 | Rhetoric | Greek for "orator" describes the principles governing the art of writing effectively, eloquently, and persuasively | ![]() | 29 |
| 7595556793 | Logos | Employs logical reasoning, combining a clear idea with well-thought-out and appropriate examples and details | ![]() | 30 |
| 7595556794 | Rhetorical appeals | The persuasive device by which a writer tries to sway the audience's attention and response to a given work. | ![]() | 31 |
| 7595556795 | Oxymoron | a paradox made up of two seemingly contradictory words | ![]() | 32 |
| 7595556796 | Persona | The face or character that a speaker shows to his or her audience | ![]() | 33 |
| 7595556797 | Polemic | An aggressive argument that tries to establish the superiority of one opinion over all others. | ![]() | 34 |
| 7595556799 | Propaganda | The spread of ideas and information to further a cause | ![]() | 35 |
| 7595556800 | Qualifier | Words used to temper a claim, making it less absolute Ex. usually, probably, maybe, in most cases, most likely | ![]() | 36 |
| 7595556802 | Second-hand evidence | evidence that is accessed through research, reading, and investigation | ![]() | 37 |
| 7595556807 | Rhetorical Question | a question that is asked merely for effect and does not expect a reply | ![]() | 38 |
| 7595556808 | Satire | A work that targets human vices and follies, or societal institutions and conventions for reform or ridicule | ![]() | 39 |
| 7595556810 | Style | An evaluation of a sum of choices an author makes in blending diction, syntax, figurative language, and other literary devices. | ![]() | 40 |
| 7595556811 | Syllogism | A deductive system of formal logic that presents to premises--the first one called major and the second minor--that inevitably lead to a sound conclusion. | ![]() | 41 |
| 7595556812 | Symbol | An object, action, character, scene, or idea that represents something more abstract. | ![]() | 42 |
| 7595556813 | Syntax | the way an author chooses to join words into phrases, clauses, and sentences | ![]() | 43 |
| 7595556815 | Thesis | A statement that is the sentence or group of sentences that directly express the author's opinion, purpose, meaning or proposition. | ![]() | 44 |
| 7595556816 | Tone | tone describes the author's attitude toward his or her material, the audience, or both. | ![]() | 45 |
| 7595556817 | Mood | The dominant impression or emotional atmosphere evoked by a text. Ex. Mood is how "you" feel after reading a text. | ![]() | 46 |
| 7595556819 | Rhetorical Strategies | A global term that refers to all the strategies an author can use. Ex. structure, purpose, style | ![]() | 47 |
| 7595556820 | Begging the question | A fallacy in which a claim is based on evidence or support that is in doubt. | ![]() | 48 |
| 7595556821 | Either/Or (false dilemma) | In this fallacy, the speaker presents two extreme options as the only possible choices. | ![]() | 49 |
| 7595556822 | First-hand evidence | Evidence based on something the writer knows, whether it's from personal experience or observations. | 50 | |
| 7595556823 | Hasty generalization | A fallacy in which a faulty conclusion is reached because of inadequate information. | ![]() | 51 |
| 7595556824 | Hortative Sentence | Sentence that exhorts, urges, entreats, implores, or calls to action. | ![]() | 52 |
| 7595556825 | Occasion | the time and place a speech is given or a piece is written | ![]() | 53 |
| 7595556826 | Open thesis | A thesis that does not list all of the points the writer intends to cover in an essay. | ![]() | 54 |
AP Literature Terms Flashcards
The Glossary of Literary Terms for the AP English Literature and Composition Test
| 8651158054 | Abstract | Complex, discusses intangible qualities like good and evil, seldom uses examples to support its points. | 0 | |
| 8651158055 | Academic | Dry and rhetorical writing; sucking all the life out of its subject with analysis. | 1 | |
| 8651158056 | Accent | In poetry, the stressed portion of a word. | 2 | |
| 8651158057 | Aesthetic | Appealing to the senses; a coherent sense of taste. | 3 | |
| 8651158058 | Allegory | A story in which each aspect of the story has a symbolic meaning outside the tale itself. | 4 | |
| 8651158059 | Alliteration | The repetition of initial consonant sounds. | 5 | |
| 8651158060 | Allusion | A reference to another work or famous figure. | 6 | |
| 8651158061 | Anachronism | "Misplaced in time." An aspect of a story that doesn't belong in its supposed time setting. | 7 | |
| 8651158062 | Analogy | A comparison, usually involving two or more symbolic parts, employed to clarify an action or a relationship. | 8 | |
| 8651158063 | Anecdote | A Short Narrative | 9 | |
| 8651158064 | Antecedent | The word, phrase, or clause that determines what a pronoun refers to. | 10 | |
| 8651158065 | Anthropomorphism | When inanimate objects are given human characteristics. Often confused with personification. | 11 | |
| 8651158066 | Anticlimax | Occurs when an action produces far smaller results than one had been led to expect. | 12 | |
| 8651158067 | Antihero | A protagonist who is markedly unheroic: morally weak, cowardly, dishonest, or any number of other unsavory qualities. | 13 | |
| 8651158068 | Aphorism | A short and usually witty saying. | 14 | |
| 8651158069 | Apostrophe | A figure of speech wherein the speaker talks directly to something that is nonhuman. | 15 | |
| 8651158070 | Archaism | The use of deliberately old-fashioned language. | 16 | |
| 8651158071 | Aside | A speech (usually just a short comment) made by an actor to the audience, as though momentarily stepping outside of the action on stage. | 17 | |
| 8651158072 | Aspect | A trait or characteristic | 18 | |
| 8651158073 | Assonance | The repeated use of vowel sounds: "Old king Cole was a merry old soul." | 19 | |
| 8651158074 | Atmosphere | The emotional tone or background that surrounds a scene | 20 | |
| 8651158075 | Ballad | A long, narrative poem, usually in meter and rhyme. Typically has a naive folksy quality. | 21 | |
| 8651158076 | Bathos | Writing strains for grandeur it can't support and tries too hard to be a tear jerker. | 22 | |
| 8651158077 | Pathos | Writing evokes feelings of dignified pity and sympathy. | 23 | |
| 8651158078 | Black humor | The use of disturbing themes in comedy. | 24 | |
| 8651158079 | Bombast | Pretentious, exaggeratedly learned language. | 25 | |
| 8651158080 | Burlesque | Broad parody, one that takes a style or form and exaggerates it into ridiculousness. | 26 | |
| 8651158081 | Cacophony | In poetry, using deliberately harsh, awkward sounds. | 27 | |
| 8651158082 | Cadence | The beat or rhythm or poetry in a general sense. | 28 | |
| 8651158083 | Canto | The name for a section division in a long work of poetry. | 29 | |
| 8651158084 | Caricature | A portrait (verbal or otherwise) that exaggerates a facet of personality. | 30 | |
| 8651158085 | Catharsis | Drawn from Aristotle's writings on tragedy. Refers to the "cleansing" of emotion an audience member experiences during a play | 31 | |
| 8651158086 | Chorus | In Greek drama, the group of citizens who stand outside the main action on stage and comment on it. | 32 | |
| 8651158087 | Classic | Typical, or an accepted masterpiece. | 33 | |
| 8651158088 | Coinage (neologism) | A new word, usually one invented on the spot. | 34 | |
| 8651158089 | Colloquialism | A word or phrase used in everyday conversational English that isn't a part of accepted "school-book" English. | 35 | |
| 8651158090 | Complex (Dense) | Suggesting that there is more than one possibility in the meaning of words; subtleties and variations; multiple layers of interpretation; meaning both explicit and implicit | 36 | |
| 8651158091 | Conceit (Controlling Image) | A startling or unusual metaphor, or to a metaphor developed and expanded upon several lines. | 37 | |
| 8651158092 | Denotation | A word's literal meaning. | 38 | |
| 8651158093 | Connotation | Everything other than the literal meaning that a word suggests or implies. | 39 | |
| 8651158094 | Consonance | The repetition of consonant sounds within words (rather than at their beginnings) | 40 | |
| 8651158095 | Couplet | A pair of lines that end in rhyme | 41 | |
| 8651158096 | Decorum | A character's speech must be styled according to her social station, and in accordance to the situation. | 42 | |
| 8651158097 | Diction | The words an author chooses to use. | 43 | |
| 8651158098 | Syntax | The ordering and structuring of words. | 44 | |
| 8651158099 | Dirge | A song for the dead. Its tone is typically slow, heavy, depressed, and melancholy | 45 | |
| 8651158100 | Dissonance | Refers to the grating of incompatible sounds. | 46 | |
| 8651158101 | Doggerel | Crude, simplistic verse, often in sing-song rhyme, like limericks. | 47 | |
| 8651158102 | Dramatic Irony | When the audience knows something that the characters in the drama do not | 48 | |
| 8651158103 | Dramatic Monologue | When a single speaker in literature says something to a silent audience. | 49 | |
| 8651158104 | Elegy | A type of poem that meditates on death or mortality in a serious, thoughtful manner. | 50 | |
| 8651158105 | Elements | Basic techniques of each genre of literature | 51 | |
| 8651158106 | Enjambment | The continuation of a syntactic unit from one line or couplet of a poem to the next with no pause. | 52 | |
| 8651158107 | Epic | A very long narrative poem on a serious theme in a dignified style; typically deal with glorious or profound subject matter. | 53 | |
| 8651158108 | Epitaph | Lines that commemorate the dead at their burial place. | 54 | |
| 8651158109 | Euphemism | A word or phrase that takes the place of a harsh, unpleasant, or impolite reality. | 55 | |
| 8651158110 | Euphony | When sounds blend harmoniously. | 56 | |
| 8651158111 | Explicit | To say or write something directly and clearly. | 57 | |
| 8651158112 | Farce | Extremely broad humor; in earlier times, a funny play or a comedy. | 58 | |
| 8651158113 | Feminine rhyme | Lines rhymed by their final two syllables. Properly, the penultimate syllables are stressed and the final syllables are unstressed. | 59 | |
| 8651158114 | Foil | A secondary character whose purpose is to highlight the characteristics of a main character, usually by contrast. | 60 | |
| 8651158115 | Foot | The basic rhythmic unit of a line of poetry, formed by a combination of two or three syllables, either stressed or unstressed. | 61 | |
| 8651158116 | Foreshadowing | An event of statement in a narrative that in miniature suggests a larger event that comes later. | 62 | |
| 8651158117 | Free verse | poetry written without a regular rhyme scheme or metrical pattern | 63 | |
| 8651158118 | Genre | A sub-category of literature. | 64 | |
| 8651158119 | Gothic | A sensibility that includes such features as dark, gloomy castles and weird screams from the attic each night. | 65 | |
| 8651158120 | Hubris | The excessive pride or ambition that leads to the main character's downfall | 66 | |
| 8651158121 | Hyperbole | Exaggeration or deliberate overstatement. | 67 | |
| 8651158122 | Implicit | To say or write something that suggests and implies but never says it directly or clearly. | 68 | |
| 8651158123 | In media res | Latin for "in the midst of things," i.e. beginning an epic poem in the middle of the action. | 69 | |
| 8651158124 | Interior Monologue | Refers to writing that records the mental talking that goes on inside a character's head; tends to be coherent. | 70 | |
| 8651158125 | Inversion | Switching the customary order of elements in a sentence or phrase. | 71 | |
| 8651158126 | Irony | A statement that means the opposite of what it seems to mean; uses an undertow of meaning, sliding against the literal a la Jane Austen. | 72 | |
| 8651158127 | Lament | A poem of sadness or grief over the death of a loved one or over some other intense loss. | 73 | |
| 8651158128 | Lampoon | A satire. | 74 | |
| 8651158129 | Loose sentence | A sentence that is complete before its end: Jack loved Barbara despite her irritating snorting laugh. | 75 | |
| 8651158130 | Periodic Sentence | A sentence that is not grammatically complete until it has reached it s final phrase: Despite Barbara's irritation at Jack, she loved him. | 76 | |
| 8651158131 | Lyric | A type of poetry that explores the poet's personal interpretation of and feelings about the world. | 77 | |
| 8651158132 | Masculine rhyme | A rhyme ending on the final stressed syllable (regular old rhyme) | 78 | |
| 8651158133 | Meaning | What makes sense, what's important. | 79 | |
| 8651158134 | Melodrama | A form of cheesy theater in which the hero is very, very good, the villain mean and rotten, and the heroine oh-so-pure. | 80 | |
| 8651158135 | Metaphor | A comparison or analogy that states one thing IS another. | 81 | |
| 8651158136 | Simile | A comparison or analogy that typically uses like or as. | 82 | |
| 8651158137 | Metonymy | A word that is used to stand for something else that it has attributes of or is associated with. | 83 | |
| 8651158138 | Nemesis | The protagonist's arch enemy or supreme and persistent difficulty. | 84 | |
| 8651158139 | Objectivity | Treatment of subject matter in an impersonal manner or from an outside view. | 85 | |
| 8651158140 | Subjectivity | A treatment of subject matter that uses the interior or personal view of a single observer and is typically colored with that observer's emotional responses. | 86 | |
| 8651158141 | Onomatopoeia | Words that sound like what they mean | 87 | |
| 8651158142 | Opposition | A pairing of images whereby each becomes more striking and informative because it's placed in contrast to the other one. | 88 | |
| 8651158143 | Oxymoron | A phrase composed of opposites; a contradiction. | 89 | |
| 8651158144 | Parable | A story that instructs. | 90 | |
| 8651158145 | Paradox | A situation or statement that seems to contradict itself, but on closer inspection, does not. | 91 | |
| 8651158146 | Parallelism | Repeated syntactical similarities used for effect. | 92 | |
| 8651158147 | Paraphrase | To restate phrases and sentences in your own words. | 93 | |
| 8651158148 | Parenthetical phrase | A phrase set off by commas that interrupts the flow of a sentence with some commentary or added detail. | 94 | |
| 8651158149 | Parody | The work that results when a specific work is exaggerated to ridiculousness. | 95 | |
| 8651158150 | Pastoral | A poem set in tranquil nature or even more specifically, one about shepherds. | 96 | |
| 8651158151 | Persona | The narrator in a non first-person novel. | 97 | |
| 8651158152 | Personification | When an inanimate object takes on human shape. | 98 | |
| 8651158153 | Plaint | A poem or speech expressing sorrow. | 99 | |
| 8651158154 | Point of View | The perspective from which the action of a novel is presented. | 100 | |
| 8651158155 | Omniscient | A third person narrator who sees into each character's mind and understands all the action going on. | 101 | |
| 8651158156 | Limited Omniscient | A Third person narrator who generally reports only what one character sees, and who only reports the thoughts of that one privileged character. | 102 | |
| 8651158157 | Objective | A thrid person narrator who only reports on what would be visible to a camera. Does not know what the character is thinking unless the character speaks it. | 103 | |
| 8651158158 | First person | A narrator who is a character in the story and tells the tale from his or her point of view. | 104 | |
| 8651158159 | Stream of Consciousness | Author places the reader inside the main character's head and makes the reader privy to all of the character's thoughts as they scroll through her consciousness. | 105 | |
| 8651158160 | Prelude | An introductory poem to a longer work of verse | 106 | |
| 8651158161 | Protagonist | The main character of a novel or play | 107 | |
| 8651158162 | Pun | The usually humorous use of a word in such a way to suggest two or more meanings | 108 | |
| 8651158163 | Refrain | A line or set of lines repeated several times over the course of a poem. | 109 | |
| 8651158164 | Requiem | A song of prayer for the dead. | 110 | |
| 8651158165 | Rhapsody | An intensely passionate verse or section of verse, usually of love or praise. | 111 | |
| 8651158166 | Rhetorical question | A question that suggests an answer. | 112 | |
| 8651158167 | Satire | Attempts to improve things by pointing out people's mistakes in the hope that once exposed, such behavior will become less common. | 113 | |
| 8651158168 | Soliloquy | A speech spoken by a character alone on stage, meant to convey the impression that the audience is listening to the character's thoughts. | 114 | |
| 8651158169 | Stanza | A group of lines roughly analogous in function in verse to the paragraphs function in prose. | 115 | |
| 8651158170 | Stock characters | Standard or cliched character types. | 116 | |
| 8651158171 | Subjunctive Mood | A grammatical situation involving the words "if" and "were," setting up a hypothetical situation. | 117 | |
| 8651158172 | Suggest | To imply, infer, indicate. | 118 | |
| 8651158173 | Summary | A simple retelling of what you've just read. | 119 | |
| 8651158174 | Suspension of disbelief | The demand made of a theater audience to accept the limitations of staging and supply the details with their imagination. | 120 | |
| 8651158175 | Symbolism | A device in literature where an object represents an idea. | 121 | |
| 8651158176 | Technique | The methods and tools of the author. | 122 | |
| 8651158177 | Theme | The main idea of the overall work; the central idea. | 123 | |
| 8651158178 | Thesis | The main position of an argument. The central contention that will be supported. | 124 | |
| 8651158179 | Tragic flaw | In a tragedy, this is the weakness of a character in an otherwise good (or even great) individual that ultimately leads to his demise. | 125 | |
| 8651158180 | Travesty | A grotesque parody | 126 | |
| 8651158181 | Truism | A way-too obvious truth | 127 | |
| 8651158182 | Unreliable narrator | When the first person narrator is crazy, a liar, very young, or for some reason not entirely credible | 128 | |
| 8651158183 | Utopia | An idealized place. Imaginary communities in which people are able to live in happiness, prosperity, and peace. | 129 | |
| 8651158184 | Zeugma | The use of a word to modify two or more words, but used for different meanings. He closed the door and his heart on his lost love. | 130 | |
| 8651158185 | Ode | A poem in praise of something divine or noble | 131 | |
| 8651158186 | Iamb | A poetic foot -- light, heavy | 132 | |
| 8651158187 | Trochee | A poetic foot -- heavy, light | 133 | |
| 8651158188 | Spondee | A poetic foot -- heavy, heavy | 134 | |
| 8651158189 | Pyrrhie | A poetic foot -- light, light | 135 | |
| 8651158190 | Anapest | A poetic foot -- light, light, heavy | 136 | |
| 8651158191 | Ambibranch | A poetic foot -- light, heavy, light | 137 | |
| 8651158192 | Dactyl | A poetic foot -- heavy, light, light | 138 | |
| 8651158193 | Imperfect | A poetic foot -- single light or single heavy | 139 | |
| 8651158194 | Pentameter | A poetic line with five feet. | 140 | |
| 8651158195 | Tetrameter | A poetic line with four feet | 141 | |
| 8651158196 | Trimeter | A poetic line with three feet | 142 | |
| 8651158197 | Blank Verse | unrhymed iambic pentameter. | 143 |
AP Biology: Gene Expression Flashcards
| 6584245777 | Operon | a group of related genes found in a prokaryote that are controlled by one regulator | 0 | |
| 6584245778 | Operator | location in DNA where the repressor protein attaches | ![]() | 1 |
| 6584245779 | Repressor | the regulatory protein that turns the operon off by bing to the operator | ![]() | 2 |
| 6584245780 | On | A lac operon that is producing lactase | ![]() | 3 |
| 6584245781 | Tryptophan operon | sequence of genes that controls the production of tryptophan | 4 | |
| 6584245783 | Regulatory Gene | codes for a repressor protein | 5 | |
| 6584245784 | Repressor Protein | Binds to the operator to inhibit transcription | 6 | |
| 6584245789 | Inducible | operon that can be turned ON default is turned OFF ex: lac operon | ![]() | 7 |
| 6584245790 | Repressible | operon that can be turned OFF default is turned ON ex: trp operon | ![]() | 8 |
| 6584245791 | Inducer | molecule that attaches to the repressor protein, changes its shape and removes it from the operator | 9 | |
| 6599644591 | Gene Expression | turning on and off of genes | 10 | |
| 6599646397 | Promoter | location in DNA where RNA polymerase attaches | 11 | |
| 6599648607 | lactose | sugar metabolized by cells | 12 | |
| 6599649733 | lactase | enzyme that metabolizes a particular sugar | 13 | |
| 6599653026 | RNA Polymerase | enzyme that adds nucleotides during the transcription of mRNA | 14 | |
| 6599661822 | lac operon | sequence of genes that control the production of lactase | 15 | |
| 6599664280 | RNAi | silencer of gene expression | 16 | |
| 6599666640 | Homeotic Gene | master control gene that regulates the expression of other genes | 17 | |
| 6599668903 | Structural Genes | genes found sequentially in an operon that share a common function | 18 | |
| 6599672092 | Eukaryotes | Do NOT contain operons | 19 | |
| 6599676276 | Transcription | DNA --> mRNA | 20 | |
| 6599677940 | Stem Cell | undifferentiated / unspecialized cell | 21 | |
| 6599680605 | Plasmid | small, circular DNA containing few genes that self-replicates | 22 | |
| 6634079984 | Gene Cloning | production of many copies of a gene | 23 | |
| 6634082356 | pGLO | a gene that produces the green fluorescent protein normally found in certain jellyfish | 24 | |
| 6634087182 | Restriction Enzyme | protein that recognizes and cuts a particular sequence of DNA | 25 | |
| 6634091404 | Recombinant DNA | DNA that has been manipulated in a lab to contain a donor gene from another species | 26 | |
| 6634102837 | Reverse Transcriptase | an enzyme found in retroviruses that makes DNA from RNA | 27 | |
| 6634106969 | GMO | an organism that acquired new genes by artificial means | 28 | |
| 6634110258 | Gene Therapy | a treatment for a disease in which a patient's defective gene is altered or supplemented | 29 |
Flashcards
Flashcards
Exam Format - AP Spanish Language Flashcards
| 7172753541 | How long is the 1st section? | 95 minutes | 0 | |
| 7172753542 | What percent is the 1st section of the final score? | 50 percent | 1 | |
| 7172753543 | What is Part A of the 1st section? | Interpretive Communication: Print texts | 2 | |
| 7172753544 | How many questions are in Part A of the 1st section? | 30 questions | 3 | |
| 7172753545 | How long is Part A of the 1st section? | 40 minutes | 4 | |
| 7172753546 | What is Part B of the 1st section? | Interpretive Communication: Print and Audio texts | 5 | |
| 7172753547 | How many questions are in Part B of the 1st section? | 35 questions | 6 | |
| 7172753548 | How long is Part B of the 1st section (Persuasive Essay)? | 55 minutes | 7 | |
| 7172753549 | How long is the 2nd section? | 85 minutes | 8 | |
| 7172753550 | What is the 1st section? | Multiple Choice | 9 | |
| 7172753551 | What is the 2nd section? | Free Response | 10 | |
| 7172753552 | What are the 3 mini-sections of the Free Response section? | Interpersonal writing Presentational writing Interpersonal speaking | 11 | |
| 7172753553 | How many prompts are in the Interpersonal Speaking? | 5 | 12 | |
| 7172753554 | How many seconds do you have to respond for each of the Interpersonal speaking prompts? | 20 seconds | 13 | |
| 7172753555 | What will you be writing in in the Interpersonal Mode? | An e-mail | 14 | |
| 7172753556 | What will you be presenting in the Presentational Mode? | A persuasive essay | 15 | |
| 7172753557 | How many sources will you need to use for your persuasive essay? | 3 | 16 | |
| 7172753558 | What type of sources will you be given for the persuasive essay? | One article, one graphic and one audio | 17 | |
| 7172753559 | How many times will you be able to hear the audio? | 2 | 18 | |
| 7172753560 | What will you do in the Presentational Speaking? | A cultural comparison | 19 | |
| 7172753561 | How long do you have to prepare for the Presentational speaking? | Four minutes | 20 | |
| 7172753562 | How long do you have to speak for the Presentational speaking? | Two minutes | 21 |
AP Literature Flashcards
| 9839571728 | contempt | scorn, extreme dislike or disdain | 0 | |
| 9839572703 | speculative | not based on fact | 1 | |
| 9839578152 | meandering | winding back and forth; rambling | 2 | |
| 9839578979 | interpretive | explanatory | 3 | |
| 9839583099 | cynical | believing that people only act of selfishness | 4 | |
| 9839588412 | visionary | a person with original ideas about what the future could be like | 5 | |
| 9839590553 | pedantic | showing off learning | 6 | |
| 9839593914 | lyric | a song-like poem written mainly to express the feelings of emotions or thought from a particular person | 7 | |
| 9839597225 | polemic | an aggressive argument against a specific opinion | 8 | |
| 9839598858 | allegory | A story in which each aspect of the story has a symbolic meaning outside the tale itself. | 9 | |
| 9839600934 | ballad | a narrative folk song | 10 | |
| 9839603238 | ode | usually a lyric poem of moderate length, with a serious subject, an elevated style, and an elaborate stanza pattern | 11 | |
| 9839607991 | antecedent | a thing or event that existed before or logically precedes another | 12 | |
| 9839617611 | congeniality | compatibility; friendliness; agreeableness; pleasantness | 13 | |
| 9839619644 | pretentious | pompous, self-important | 14 | |
| 9839620413 | braggart | one who boasts a great deal | 15 | |
| 9839621208 | foreboding | a feeling of evil to come | 16 | |
| 9839623009 | doling | dispense as charity | 17 | |
| 9839627225 | synecdoche | using a part of something to represent the whole thing | 18 | |
| 9839629071 | metonymy | substituting the name of one object for another object closely associated with it | 19 | |
| 9839629943 | ineptitude | unskillfulness resulting from a lack of training | 20 | |
| 9839631572 | infirmities | physical or mental weakness | 21 | |
| 9839632506 | solemn | serious | 22 | |
| 9839634838 | derisive | expressing contempt or ridicule | 23 | |
| 9839634839 | flippant | lacking in seriousness; disrespectful, saucy | 24 | |
| 9839635775 | affable | friendly | 25 | |
| 9839636460 | laudatory | expressing praise | 26 | |
| 9839638163 | envious | jealous | 27 |
Pages
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