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19th-century theatre

Reality and the heroic pattern : last plays of Ibsen, Shakespeare, and Sophocles

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HENRIK IBSEN, A CRITICAL STUDY With a 42 page essay on Bjornstjerne Bjornson by GEORGE BRANDES BENJAMIN BLOM9 RNCo NE'-. First J.>uplished by Macmillan, London, 1899 Reprinted ~4) by Benjamin Blom, Inc., New York 52. L.C. Catalog Card No.: 64-14698 Printed in U.S.A. by NOBLE OFFSET PRINTERS, INC. NEW YORK 3, N. Y. ~- CONTENTS HENRIK IBSEN- INTRODUCTION AUTHOR'S PREFACE . FIRST IMPRESSION (r867) SECOND IMPRESSION (1882) THIRD IMPRESSION (1898) . INDEX BJORNSTJERNE BJORNSON- INTRODUCTORY NOTE IMPRESSION (1882) INDEX 64305:1 PAG? ix XV 39 83 !69 125 127 17! 108 HENRIK IBSEN corn~ 5s'Pised George:-? -I understand, of course, that it is necessary he should have

Ibsen and the Greeks : the classical Greek dimension in selected works of Henrik Ibsen as mediated by German and Scandinavian culture

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interveiw with lord byron

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Ziggy Hall (interviewer): So here we are with George Gordon, Lord Byron. We?re going to be talking about everything from birth to how you want to die. First things first, what would you prefer I call you: George Gordon or Lord Byron? Byron (me): Definitely, Lord Byron. I feel I have earned the title. Ziggy: Alright, that?s totally cool dude. So, let?s talk about your parents, Jack Byron and Catherine Gordon. Me: Well, my mother was a descendent of an old Scottish noble family. I will always appreciate that she spoke her mind and would not tolerate my father?s irresponsibility. His motives weren?t exactly pure when he married my mother. He was only interested in her finances. As soon as
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