| 14514800834 | Hyperbole | Exaggerated statements or claims not meant to be taken literally. | | 0 |
| 14514801515 | Understatement | the presentation of something as being smaller, worse, or less important than it actually is. | | 1 |
| 14514802234 | Litotes | A form of understatement that involves making an affirmative point by denying its opposite | | 2 |
| 14514802235 | Antithesis | the presentation of two contrasting images
Ex. | | 3 |
| 14514803809 | Hypophora | Consists of raising one or more questions and then proceeding to answer them, usually at some length. | | 4 |
| 14514804554 | Rhetorical Question | A question asked merely for rhetorical effect and not requiring an answer | | 5 |
| 14514805644 | Procatelpsis | | | 6 |
| 14514806553 | Distincto | | | 7 |
| 14514806554 | Simile | A comparison of two unlike things using like or as | | 8 |
| 14514807185 | Metaphor | A comparison without using like or as | | 9 |
| 14514807186 | Analogy | A comparison of two different things that are similar in some way | | 10 |
| 14514807817 | Allusion | A reference to another work of literature, person, or event | | 11 |
| 14514808357 | Eponym | | | 12 |
| 14514808847 | Sententia | | | 13 |
| 14514808848 | Exemplum | | | 14 |
| 14514809681 | Climax | the most intense, exciting, or important point of something; a culmination or apex. | | 15 |
| 14514810966 | Parallelism/Chiasmus | | | 16 |
| 14514812560 | Anadiplosis/Conduplicatio | When words are repeated at the end of a statement and then again at the beginning of the following statement | | 17 |
| 14514813712 | Metabasis | A brief statement of what has been said and what will follow | | 18 |
| 14514814201 | Parenthesis | An insertion of material that interrupts the typical flow of a sentence. | | 19 |
| 14514814202 | Apostrophe | A figure of speech that directly addresses an absent or imaginary person or a personified abstraction, such as liberty or love. | | 20 |
| 14514815247 | Enumeratio | | | 21 |
| 14514815662 | Antanagoge | places a criticism and compliment together to lessen the impact | | 22 |
| 14514816944 | Epithet | A descriptive name or phrase used to characterize someone or something | | 23 |
| 14514818967 | Asyndeton/Polysyndeton | A rhetorical term for a writing style that omits conjunctions between words, phrases, or clauses (the opposite of polysyndeton). | | 24 |
| 14514819589 | Zeugma | use of two different words in a grammatically similar way that produces different, often incongruous, meanings | | 25 |
| 14514820519 | Synecdoche | | | 26 |
| 14514821156 | Hyperbaton | separation of words which belong together, often to emphasize the first of the separated words or to create a certain image. | | 27 |
| 14514821157 | Aporia | Expression of doubt (often feigned) by which a speaker appears uncertain as to what he should think, say, or do. | | 28 |
| 14514823707 | Anaphora/Epistrophe/Symploce | | | 29 |
| 14514825074 | Amplification | involves repeating a word or expression while adding more detail to it, in order to emphasize what might otherwise be passed over | | 30 |
| 14514825075 | Personification | A figure of speech in which an object or animal is given human feelings, thoughts, or attitudes | | 31 |
| 14514825633 | Parataxis | The placing of clauses or phrases one after another, without words to indicate coordination or subordination, as in Tell me, how are you | | 32 |