| 9881728818 | Abstract | Complex, discusses intangible qualities like good and evil, seldom uses examples to support its points. | | 0 |
| 9881728819 | Academic | Dry and rhetorical writing; sucking all the life out of its subject with analysis. | | 1 |
| 9881728820 | Accent | In poetry, the stressed portion of a word. | | 2 |
| 9881728821 | Aesthetic | Appealing to the senses; a coherent sense of taste. | | 3 |
| 9881728822 | Allegory | a story that can be interpreted to reveal a hidden meaning, typically a moral or political one. | | 4 |
| 9881728823 | Alliteration | The repetition of initial consonant sounds. | | 5 |
| 9881728824 | Allusion | A reference to another work or famous figure. | | 6 |
| 9881728825 | Anachronism | "Misplaced in time." An aspect of a story that doesn't belong in its supposed time setting. | | 7 |
| 9881728826 | Analogy | A comparison, usually involving two or more symbolic parts, employed to clarify an action or a relationship. | | 8 |
| 9881728827 | Anecdote | A Short Narrative | | 9 |
| 9881728828 | Antecedent | The word, phrase, or clause that determines what a pronoun refers to. | | 10 |
| 9881728829 | Anthropomorphism | When inanimate objects are given human characteristics. Often confused with personification. | | 11 |
| 9881728830 | Anticlimax | Occurs when an action produces far smaller results than one had been led to expect. | | 12 |
| 9881728831 | Antihero | A protagonist who is markedly unheroic: morally weak, cowardly, dishonest, or any number of other unsavory qualities. | | 13 |
| 9881728832 | Aphorism | A short and usually witty saying. | | 14 |
| 9881728833 | Apostrophe | A figure of speech wherein the speaker talks directly to something that is nonhuman. | | 15 |
| 9881728834 | Archaism | The use of deliberately old-fashioned language. | | 16 |
| 9881728835 | Aside | A speech (usually just a short comment) made by an actor to the audience, as though momentarily stepping outside of the action on stage. | | 17 |
| 9881728836 | Aspect | A trait or characteristic | | 18 |
| 9881728837 | Assonance | The repeated use of vowel sounds: "Old king Cole was a merry old soul." | | 19 |
| 9881728838 | Atmosphere | The emotional tone or background that surrounds a scene | | 20 |
| 9881728839 | Ballad | A long, narrative poem, usually in meter and rhyme. Typically has a naive folksy quality. | | 21 |
| 9881728840 | Bathos | Writing strains for grandeur it can't support and tries too hard to be a tear jerker. | | 22 |
| 9881728841 | Pathos | Writing evokes feelings of dignified pity and sympathy. | | 23 |
| 9881728842 | Black humor | The use of disturbing themes in comedy. | | 24 |
| 9881728843 | Bombast | Pretentious, exaggeratedly learned language. | | 25 |
| 9881728844 | Burlesque | Broad parody, one that takes a style or form and exaggerates it into ridiculousness. | | 26 |
| 9881728845 | Cacophony | In poetry, using deliberately harsh, awkward sounds. | | 27 |
| 9881728846 | Cadence | The beat or rhythm or poetry in a general sense. | | 28 |
| 9881728847 | Canto | The name for a section division in a long work of poetry. | | 29 |
| 9881728848 | Caricature | A portrait (verbal or otherwise) that exaggerates a facet of personality. | | 30 |
| 9881728849 | Catharsis | Drawn from Aristotle's writings on tragedy. Refers to the "cleansing" of emotion an audience member experiences during a play | | 31 |
| 9881728850 | Chorus | In Greek drama, the group of citizens who stand outside the main action on stage and comment on it. | | 32 |
| 9881728851 | Classic | Typical, or an accepted masterpiece. | | 33 |
| 9881728852 | Coinage (neologism) | A new word, usually one invented on the spot. | | 34 |
| 9881728853 | Colloquialism | A word or phrase used in everyday conversational English that isn't a part of accepted "school-book" English. | | 35 |
| 9881728854 | Complex (Dense) | Suggesting that there is more than one possibility in the meaning of words; subtleties and variations; multiple layers of interpretation; meaning both explicit and implicit | | 36 |
| 9881728855 | Conceit (Controlling Image) | A startling or unusual metaphor, or to a metaphor developed and expanded upon several lines. | | 37 |
| 9881728856 | Denotation | A word's literal meaning. | | 38 |
| 9881728857 | Connotation | Everything other than the literal meaning that a word suggests or implies. | | 39 |
| 9881728858 | Consonance | The repetition of consonant sounds within words (rather than at their beginnings) | | 40 |
| 9881728859 | Couplet | A pair of lines that end in rhyme | | 41 |
| 9881728860 | Decorum | A character's speech must be styled according to her social station, and in accordance to the situation. | | 42 |
| 9881728861 | Diction | The words an author chooses to use. | | 43 |
| 9881728862 | Syntax | The ordering and structuring of words. | | 44 |
| 9881728863 | Dirge | A song for the dead. Its tone is typically slow, heavy, depressed, and melancholy | | 45 |
| 9881728864 | Dissonance | Refers to the grating of incompatible sounds. | | 46 |
| 9881728865 | Doggerel | Crude, simplistic verse, often in sing-song rhyme, like limericks. | | 47 |
| 9881728866 | Dramatic Irony | When the audience knows something that the characters in the drama do not | | 48 |
| 9881728867 | Dramatic Monologue | When a single speaker in literature says something to a silent audience. | | 49 |
| 9881728868 | Elegy | A type of poem that meditates on death or mortality in a serious, thoughtful manner. | | 50 |
| 9881728869 | Elements | Basic techniques of each genre of literature | | 51 |
| 9881728870 | Enjambment | The continuation of a syntactic unit from one line or couplet of a poem to the next with no pause. | | 52 |
| 9881728871 | Epic | A very long narrative poem on a serious theme in a dignified style; typically deal with glorious or profound subject matter. | | 53 |
| 9881728872 | Epitaph | Lines that commemorate the dead at their burial place. | | 54 |
| 9881728873 | Euphemism | A word or phrase that takes the place of a harsh, unpleasant, or impolite reality. | | 55 |
| 9881728874 | Euphony | When sounds blend harmoniously. | | 56 |
| 9881728875 | Explicit | To say or write something directly and clearly. | | 57 |
| 9881728876 | Farce | Extremely broad humor; in earlier times, a funny play or a comedy. | | 58 |
| 9881728877 | Feminine rhyme | Lines rhymed by their final two syllables. Properly, the penultimate syllables are stressed and the final syllables are unstressed. | | 59 |
| 9881728878 | Foil | A secondary character whose purpose is to highlight the characteristics of a main character, usually by contrast. | | 60 |
| 9881728879 | Foot | The basic rhythmic unit of a line of poetry, formed by a combination of two or three syllables, either stressed or unstressed. | | 61 |
| 9881728880 | Foreshadowing | An event of statement in a narrative that in miniature suggests a larger event that comes later. | | 62 |
| 9881728881 | Free verse | poetry written without a regular rhyme scheme or metrical pattern | | 63 |
| 9881728882 | Genre | A sub-category of literature. | | 64 |
| 9881728883 | Gothic | A sensibility that includes such features as dark, gloomy castles and weird screams from the attic each night. | | 65 |
| 9881728884 | Hubris | The excessive pride or ambition that leads to the main character's downfall | | 66 |
| 9881728885 | Hyperbole | Exaggeration or deliberate overstatement. | | 67 |
| 9881728886 | Implicit | To say or write something that suggests and implies but never says it directly or clearly. | | 68 |
| 9881728887 | In media res | Latin for "in the midst of things," i.e. beginning an epic poem in the middle of the action. | | 69 |
| 9881728888 | Interior Monologue | Refers to writing that records the mental talking that goes on inside a character's head; tends to be coherent. | | 70 |
| 9881728889 | Inversion | Switching the customary order of elements in a sentence or phrase. | | 71 |
| 9881728890 | Irony | A statement that means the opposite of what it seems to mean; uses an undertow of meaning, sliding against the literal a la Jane Austen. | | 72 |
| 9881728891 | Lament | A poem of sadness or grief over the death of a loved one or over some other intense loss. | | 73 |
| 9881728892 | Lampoon | A satire. | | 74 |
| 9881728893 | Loose sentence | A sentence that is complete before its end: Jack loved Barbara despite her irritating snorting laugh. | | 75 |
| 9881728894 | Periodic Sentence | A sentence that is not grammatically complete until it has reached it s final phrase: Despite Barbara's irritation at Jack, she loved him. | | 76 |
| 9881728895 | Lyric | A type of poetry that explores the poet's personal interpretation of and feelings about the world. | | 77 |
| 9881728896 | Masculine rhyme | A rhyme ending on the final stressed syllable (regular old rhyme) | | 78 |
| 9881728897 | Meaning | What makes sense, what's important. | | 79 |
| 9881728898 | Melodrama | A form of cheesy theater in which the hero is very, very good, the villain mean and rotten, and the heroine oh-so-pure. | | 80 |
| 9881728899 | Metaphor | A comparison or analogy that states one thing IS another. | | 81 |
| 9881728900 | Simile | A comparison or analogy that typically uses like or as. | | 82 |
| 9881728901 | Metonymy | A word that is used to stand for something else that it has attributes of or is associated with. | | 83 |
| 9881728902 | Nemesis | The protagonist's arch enemy or supreme and persistent difficulty. | | 84 |
| 9881728903 | Objectivity | Treatment of subject matter in an impersonal manner or from an outside view. | | 85 |
| 9881728904 | Subjectivity | A treatment of subject matter that uses the interior or personal view of a single observer and is typically colored with that observer's emotional responses. | | 86 |
| 9881728905 | Onomatopoeia | Words that sound like what they mean | | 87 |
| 9881728906 | Opposition | A pairing of images whereby each becomes more striking and informative because it's placed in contrast to the other one. | | 88 |
| 9881728907 | Oxymoron | A phrase composed of opposites; a contradiction. | | 89 |
| 9881728908 | Parable | A story that instructs. | | 90 |
| 9881728909 | Paradox | A situation or statement that seems to contradict itself, but on closer inspection, does not. | | 91 |
| 9881728910 | Parallelism | Repeated syntactical similarities used for effect. | | 92 |
| 9881728911 | Paraphrase | To restate phrases and sentences in your own words. | | 93 |
| 9881728912 | Parenthetical phrase | A phrase set off by commas that interrupts the flow of a sentence with some commentary or added detail. | | 94 |
| 9881728913 | Parody | The work that results when a specific work is exaggerated to ridiculousness. | | 95 |
| 9881728914 | Pastoral | A poem set in tranquil nature or even more specifically, one about shepherds. | | 96 |
| 9881728915 | Persona | The narrator in a non first-person novel. | | 97 |
| 9881728916 | Personification | When an inanimate object takes on human shape. | | 98 |
| 9881728917 | Plaint | A poem or speech expressing sorrow. | | 99 |
| 9881728918 | Point of View | The perspective from which the action of a novel is presented. | | 100 |
| 9881728919 | Omniscient | A third person narrator who sees into each character's mind and understands all the action going on. | | 101 |
| 9881728920 | Limited Omniscient | A Third person narrator who generally reports only what one character sees, and who only reports the thoughts of that one privileged character. | | 102 |
| 9881728921 | Objective | A thrid person narrator who only reports on what would be visible to a camera. Does not know what the character is thinking unless the character speaks it. | | 103 |
| 9881728922 | First person | A narrator who is a character in the story and tells the tale from his or her point of view. | | 104 |
| 9881728923 | Stream of Consciousness | Author places the reader inside the main character's head and makes the reader privy to all of the character's thoughts as they scroll through her consciousness. | | 105 |
| 9881728924 | Prelude | An introductory poem to a longer work of verse | | 106 |
| 9881728925 | Protagonist | The main character of a novel or play | | 107 |
| 9881728926 | Pun | The usually humorous use of a word in such a way to suggest two or more meanings | | 108 |
| 9881728927 | Refrain | A line or set of lines repeated several times over the course of a poem. | | 109 |
| 9881728928 | Requiem | A song of prayer for the dead. | | 110 |
| 9881728929 | Rhapsody | An intensely passionate verse or section of verse, usually of love or praise. | | 111 |
| 9881728930 | Rhetorical question | A question that suggests an answer. | | 112 |
| 9881728931 | Satire | Attempts to improve things by pointing out people's mistakes in the hope that once exposed, such behavior will become less common. | | 113 |
| 9881728932 | Soliloquy | A speech spoken by a character alone on stage, meant to convey the impression that the audience is listening to the character's thoughts. | | 114 |
| 9881728933 | Stanza | A group of lines roughly analogous in function in verse to the paragraphs function in prose. | | 115 |
| 9881728934 | Stock characters | Standard or cliched character types. | | 116 |
| 9881728935 | Subjunctive Mood | A grammatical situation involving the words "if" and "were," setting up a hypothetical situation. | | 117 |
| 9881728936 | Suggest | To imply, infer, indicate. | | 118 |
| 9881728937 | Summary | A simple retelling of what you've just read. | | 119 |
| 9881728938 | Suspension of disbelief | The demand made of a theater audience to accept the limitations of staging and supply the details with their imagination. | | 120 |
| 9881728939 | Symbolism | A device in literature where an object represents an idea. | | 121 |
| 9881728940 | Technique | The methods and tools of the author. | | 122 |
| 9881728941 | Theme | The main idea of the overall work; the central idea. | | 123 |
| 9881728942 | Thesis | The main position of an argument. The central contention that will be supported. | | 124 |
| 9881728943 | Tragic flaw | In a tragedy, this is the weakness of a character in an otherwise good (or even great) individual that ultimately leads to his demise. | | 125 |
| 9881728944 | Travesty | A grotesque parody | | 126 |
| 9881728945 | Truism | A way-too obvious truth | | 127 |
| 9881728946 | Unreliable narrator | When the first person narrator is crazy, a liar, very young, or for some reason not entirely credible | | 128 |
| 9881728947 | Utopia | An idealized place. Imaginary communities in which people are able to live in happiness, prosperity, and peace. | | 129 |
| 9881728948 | Zeugma | The use of a word to modify two or more words, but used for different meanings. He closed the door and his heart on his lost love. | | 130 |
| 9881728949 | Ode | A poem in praise of something divine or noble | | 131 |
| 9881728950 | Iamb | A poetic foot -- light, heavy | | 132 |
| 9881728951 | Trochee | A poetic foot -- heavy, light | | 133 |
| 9881728952 | Spondee | A poetic foot -- heavy, heavy | | 134 |
| 9881728953 | Pyrrhie | A poetic foot -- light, light | | 135 |
| 9881728954 | Anapest | A poetic foot -- light, light, heavy | | 136 |
| 9881728955 | Ambibranch | A poetic foot -- light, heavy, light | | 137 |
| 9881728956 | Dactyl | A poetic foot -- heavy, light, light | | 138 |
| 9881728957 | Imperfect | A poetic foot -- single light or single heavy | | 139 |
| 9881728958 | Pentameter | A poetic line with five feet. | | 140 |
| 9881728959 | Tetrameter | A poetic line with four feet | | 141 |
| 9881728960 | Trimeter | A poetic line with three feet | | 142 |
| 9881728961 | Blank Verse | unrhymed iambic pentameter. | | 143 |
