[node:title] Flashcards
| 9676156044 | diction | writer's choice of words | 0 | |
| 9676173020 | lexicon | vocabulary of a person, language, or branch of knowledge | 1 | |
| 9676216059 | denotation | literal, or "dictionary", meaning of a word as defined | 2 | |
| 9676230623 | connotation | implied or suggested meaning of a word because of its association in the reader's mind | 3 | |
| 9676240646 | jargon | special language of a profession or a group, usually has pejorative (negative) associations in that it is excludes "outsiders" - common to law, medicine, and academia | 4 | |
| 9676252846 | colloquialism | word or phrase used in everyday conversation and informal writing but that is often inappropriate in formal writing | 5 | |
| 9676267700 | slang | informal nonstandard variety of speech characterized by newly-coined and rapidly changing words and phrases | 6 | |
| 9676286594 | vernacular | everyday or common language of a geographic are or the native language of the commoners in a country | 7 | |
| 9676311827 | verbal irony | words literally state the opposite of the speaker's true meaning | 8 | |
| 9676329572 | situational irony | events turn out the opposite of what was expected | 9 | |
| 9676357131 | sarcasm | sometimes harsh, caustic remarks to or about someone or something; less tactful than verbal irony | 10 | |
| 9676369076 | satire | work that reveals a critical attitude towards some element of human behavior by portraying it in an extreme way, typically targeting groups or concepts rather than individuals | 11 | |
| 9676386872 | stereotype | character who represents a trait usually attributed to a particular social or racial group and who lacks individuality | 12 | |
| 9676407923 | anecdote | short narrative of an incident, often used for humorous effect | 13 | |
| 9676417484 | aphorism | short, often witty statement of a principle or a truth about life | 14 | |
| 9676572700 | euphemism | more acceptable or pleasant way of saying something that might be inappropriate or uncomfortable, often used to obscure or lessen the reality of a situation | 15 | |
| 9676611529 | syllogism | format of a formal argument that consists of a major premise, a minor premise, and a conclusion | 16 | |
| 9676638613 | oversimplification | obscures or denies the complexity of an issue | 17 | |
| 9676663010 | rhetorical question | posed by a writer or speaker to provoke silent reflection by the audience | 18 | |
| 9676678034 | juxtaposition | act or instance of placing two elements close together or side by side to compare/contrast; in literature, this occurs when two images that are not otherwise commonly brought together appear side by side or structurally close together, forcing to reconsider any possible implied meaning | 19 | |
| 9676692441 | antithesis | two contrasting images are presented in balanced words, phrases, clauses, or paragraphs. | 20 | |
| 9677106715 | paradox | statement that seems to contradict itself but that turns out to have a rational meaning | 21 | |
| 9677116008 | parallelism | technique of arranging words, phrases, clauses, or larger structures side by side and making them similar in form | 22 | |
| 9677127484 | synecdoche | figure of speech by which a part is used to represent the whole, the whole for a part, or the name of the material for the thing made | 23 | |
| 9677147732 | anaphora | repetition of a word or phrase at the beginning of every clause | 24 | |
| 9677161228 | metonmy | name of one object is substituted for that of another closely related to it | 25 | |
| 9677169581 | allegory | literary situation in which characters and events are symbols that stand for ideas about human life or for a political or historical situation | 26 | |
| 9677180909 | epistrophe | repetition of a concluding word or word endings at the end of successive clauses | 27 | |
| 9677192885 | personification | giving human characteristics to inanimate objects | 28 | |
| 9677203929 | hyperbole | use of deliberate exaggeration in order to create emphasis or humor | 29 |
AP Language and Composition Exam Set Flashcards
| 6737176580 | English | English | 0 | |
| 6737176581 | adage | a proverb or wise saying commonly used (ex: Things are not always as they seem.) | 1 | |
| 6737176582 | allegory | a story in which people, things and happenings have a hidden or symbolic meaning.(fables, parables, apologue have meanings on two or more levels.) | 2 | |
| 6737176583 | alliteration | words used in quick succession and begin with letters belonging to the same sound group; a repetition of similar sounds/letters in the sentence. (Wicked witch of the west went her own way.) | 3 | |
| 6737176584 | allusion | a passing reference to a commonly-known historical, cultural, religious, literary, or mythical person, place, event, or work of art, whereby the reader must make the connection within the current text. | 4 | |
| 6737176585 | ambiguity | multiple meanings, either intentional or unintentional, of a word, phrase, passage or sentence; can lead reader toward uncertainty of meaning | 5 | |
| 6737176586 | analogy | establishing a relationship based on similarities between two concepts or ideas; helps convey meaning of a new idea | 6 | |
| 6737176587 | anaphora | the deliberate repetition of the first part of the sentence in order to achieve an artistic effect; most commonly found in the Bible (O Lord,.for I am weak.O Lord, heal me. O Lord, have mercy on me.) | 7 | |
| 6737176588 | anecdote | short and interesting story or an amusing event often proposed to support or demonstrate some point and make readers and listeners laugh; Anecdotes can include an extensive range of tales and stories | 8 | |
| 6737176589 | antecedent | word, phrase, or clause that is replaced by a pronoun | 9 | |
| 6737176590 | antimetabole | repetition of words in reverse grammatical order; Ex: "Fair is foul and foul is fair." | 10 | |
| 6737176591 | antithesis | parallel structures of the contrasted phrases or clauses, i.e. the structures of phrases and clauses are similar in order to draw the attention of the listeners or readers; Ex: "One small step for man, one giant leap for mankind." | 11 | |
| 6737176592 | apostrophe | speaker talks to someone or something that is obviously not present | 12 | |
| 6737176593 | appositive | a renaming of a noun or noun phrase immediately after first stating the noun | 13 | |
| 6737176594 | archetype | A detail, image, or character type that occurs frequently in literature and myth and is thought to appeal in a universal way to the unconscious and to evoke a response | 14 | |
| 6737176595 | argument | a statement put forth and supported by evidence | 15 | |
| 6737176596 | asyndeton | author purposely leaves out conjunctions in the sentence, while maintaining the grammatical accuracy of the phrase; shortening the statement for greater impact; "Reduce, reuse, recycle." | 16 | |
| 6737176597 | audience | those to whom a piece of literary work is being presented | 17 | |
| 6737176598 | cacophony | Tremendous noise, disharmonious sound | 18 | |
| 6737176599 | characterization | Actions, dialogue, and narrative description that reveal a sense of a character's personality to the reader. | 19 | |
| 6737176600 | circumlocution | an indirect or wordy way of expressing an idea which leaves the reader perplexed; exaggeratedly long and complex sentences in order to convey a meaning that could have otherwise been conveyed through a shorter, much simpler sentence | 20 | |
| 6737176601 | climax | that point in a plot that creates the greatest intensity, suspense, or interest. Also called "turning point" | 21 | |
| 6737176602 | colloquial | Characteristic of ordinary conversation rather than formal speech or writing | 22 | |
| 6737176603 | concession | An argumentative strategy by which a speaker or writer acknowledges the validity of an opponent's point. | 23 | |
| 6737176604 | conceit | A fanciful expression, usually in the form of an extended metaphor or surprising analogy between seemingly dissimilar objects; unusual and unlikely comparisons between two things | 24 | |
| 6737176605 | connotation | associations people make with words that go beyond the literal or dictionary definition | 25 | |
| 6737176606 | context | The parts before or after a word or statement that influence its meaning | 26 | |
| 6737176607 | counter argument | an argument or set of reasons put forward to oppose an idea or theory developed in another argument. | 27 | |
| 6737176608 | cumulative sentence | a sentence in which the main independent clause is elaborated by the successive addition of modifying clauses or phrases | 28 | |
| 6737176609 | denotation | Dictionary definition of a word; literal meaning | 29 | |
| 6737176610 | denouement | an outcome or solution; the unraveling of a plot | 30 | |
| 6737176611 | detail | The facts revealed by the author or speaker that support the attitude or tone in a piece of poetry or prose. | 31 | |
| 6737176612 | diction | A writer's or speaker's choice of words | 32 | |
| 6737176613 | elegy | a mournful, melancholy, or plaintive poem, especially a funeral song or a lament for the dead. | 33 | |
| 6737176614 | ellipsis | in a sentence, the omission of a word or words replaced by three periods ... | 34 | |
| 6737176615 | epic | A long narrative poem, written in heightened language, which recounts the deeds of a heroic character who embodies the values of a particular society | 35 | |
| 6737176616 | ethos | One of the fundamental strategies of argumentation identified by Aristotle. Ethos is basically an appeal to credibility. The writer is seeking to convince you that he or she has the background, history, skills, and/or expertise to speak on the issue. | 36 | |
| 6737176617 | euphemism | From the Greek for "good speech," euphemisms are a more agreeable or less offensive substitute for a generally unpleasant word or concept - POLITICALLY CORRECT | 37 | |
| 6737176618 | exposition | Background information presented in a literary work. | 38 | |
| 6737176619 | foreshadowing | Foreshadowing is used to suggest an upcoming outcome to the story; builds suspense/anxiety | 39 | |
| 6737176620 | genre | A category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter. | 40 | |
| 6737176621 | horative sentence | Sentence that exhorts, urges, retreats, implores, or calls to action; | 41 | |
| 6737176622 | hyperbole | A figure of speech using deliberate exaggeration or overstatement. (The literal Greek meaning is "overshoot.") Hyperboles often have a comic effect; however, a serious effect is also possible. Often, hyperbole produces irony. | 42 | |
| 6737176623 | imagery | use of words and phrases to create "mental images" for the reader; helps the reader visualize more realistically the author's writings through the usage of metaphors, allusions, descriptive words and similes | 43 | |
| 6737176624 | imperative sentences | gives a command or request; often subject is understood and sentence ends with ! | 44 | |
| 6737176625 | inversion | A sentence in which the verb precedes the subject. | 45 | |
| 6737176626 | verbal irony | Sarcasm; what is said is the opposite of what is meant | 46 | |
| 6737176627 | juxtaposition | placing an idea next to its opposite to emphasize contrast and comparison | 47 | |
| 6737176628 | Litotes | an understatement in which an affirmative is expressed by negating its opposite. Ex: "Not bad" looking | 48 | |
| 6737176629 | logos | An appeal to reason. Logos is one of the fundamental strategies of argumentation identified by Aristotle. It occurs when a writer tries to convince you of the logic of his argument. writers may use inductive argumentation or deductive argumentation, but they clearly have examples and generally rational tome to their language. The problem with logos is that is can appear reasonable until you dissect the argument and then find fallacies that defeat the viability of the argument on the reader's eyes. Of course, that presupposes that the readers is able to identify the fallacies. | 49 | |
| 6737176630 | metaphor | A figurative comparison of two unlike things without using the word like or as | 50 | |
| 6737176631 | metonymy | (mĕtŏn′ ĭmē) A term from the Greek meaning "changed label" or "substitute name," metonymy is a figure of speech in which the name of one object is substituted for that of another closely associated with it. For example, a news release that claims "the White House declared" rather than "the President declared" is using metonymy; Shakespeare uses it to signify the male and female sexes in As You Like It: "doublet and hose ought to show itself courageous to petticoat." The substituted term generally carries a more potent emotional impact. | 51 | |
| 6737176632 | mood | Feeling or atmosphere that a writer creates for the reader; using specific diction, description, setting, and characterization to create the atmosphere | 52 | |
| 6737176633 | motif | A recurring theme, subject or idea | 53 | |
| 6737176634 | myth | a traditional story, especially one concerning the early history of a people or explaining some natural or social phenomenon, and typically involving supernatural beings or events. | 54 | |
| 6737176635 | narrative | a fiction, nonfiction, poetic, or dramatic story, actual or fictional, expressed orally or in text. | 55 | |
| 6737176636 | non sequitur | A statement that does not follow logically from evidence | 56 | |
| 6737176637 | occasion | the time and place a speech is given or a piece is written | 57 | |
| 6737176638 | onomatopoeia | A figure of speech in which natural sounds are imitated in the sounds of words. Ex: buzz, hiss, hum, crack, whinny, and murmur. | 58 | |
| 6737176639 | organization | In a composition, the arrangement of ideas, incidents, evidence, or details in a perceptible order in a paragraph or essay. | 59 | |
| 6737176640 | oxymoron | A figure of speech consisting of two apparently contradictory terms; The richest literary oxymora(paradoxes) seem to reveal a deeper truth through their contradictions. Ex: "without laws, we can have no freedom." Shakespeare's Julius Caesar also makes use of a famous oxymoron: "Cowards die many times before their deaths" | 60 | |
| 6737176641 | pace | Speed with which the author delivers the story controlled by language, mood, emotion played out in speech, dialogue, descriptions. | 61 | |
| 6737176642 | parable | A simple story used to illustrate a moral or spiritual lesson | 62 | |
| 6737176643 | paradox | A statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth. | 63 | |
| 6737176644 | parallel structure | repetition of the same pattern of words or phrases within a sentence or passage to show that two or more ideas have the same level of importance. | 64 | |
| 6737176645 | parody | A humorous or satirical imitation of a serious piece of literature or writing | 65 | |
| 6737176646 | pastoral | A work of literature dealing with rural life | 66 | |
| 6737176647 | pathos | An appeal to emotion. This is one of the fundamental strategies of argumentation identified by Aristotle. Typically, pathos arguments may use loaded words to make you feel guilty, lonely, worried, insecure, or confused. | 67 | |
| 6737176648 | periodic sentence | The opposite of loose sentence, a sentence that presents its central meaning in a main clause at the end. This independent clause is preceded by a phrase or clause that cannot stand alone. The effect of a periodic sentence is to add emphasis and structural variety. It is also a much stronger sentence than the loose sentence. (Example: After a long, bumpy flight and multiple delays, I arrived at the San Diego airport.) | 68 | |
| 6737176649 | persona | An individual's characteristic pattern of thinking, feeling, and acting. | 69 | |
| 6737176650 | personification | author presents or describes concepts, animals, or inanimate objects by endowing them with human attributes or emotions. | 70 | |
| 6737176651 | point of view | Perspective from which a story is told; omniscient point of view= the person telling the story or narrator knows everything that's going on in the story; first- person point of view the narrator is a character in the story; limited third-person point of view the narrator is outside the story- like an omniscient narrator- but tells the story from the vantage point of one character." | 71 | |
| 6737176652 | polemic | a controversial argument, esp. attacking a particular opinion | 72 | |
| 6737176653 | propaganda | A negative term for writing designed to sway opinion rather than present information. | 73 | |
| 6737176654 | prose | written or spoken language in its ordinary form, without metrical structure. | 74 | |
| 6737176655 | purpose | One's intention or objective in a speech or piece of writing. | 75 | |
| 6737176656 | refutation | The part of an argument wherein a speaker or writer anticipates and counters opposing points of view. | 76 | |
| 6737176657 | repetition | Repeated use of sounds, words, or ideas for effect and emphasis | 77 | |
| 6737176658 | rhetoric | From the Greek for "orator," this term describes the principles governing the art of writing effectively, eloquently, and persuasively. | 78 | |
| 6737176659 | rhetorical appeals | Rhetorical techniques used to persuade an audience by emphasizing what they find most important or compelling. The three major appeals are to ethos (character), logos (reason), and pathos (emotion). | 79 | |
| 6737176660 | rhetorical question | A question whose answer is assumed; a rhetorical question is designed to force the reader to respond in a predetermined manner and to propel an argument emotionally. | 80 | |
| 6737176661 | rhetorical triangle | A diagram that represents a rhetorical situation as the relationship among the speaker, the subject, and the audience ex:Aristotelian triangle | ![]() | 81 |
| 6737176662 | satire | A work that reveals a critical attitude toward some element of human behavior by portraying it in an extreme way. It doesn't simply abuse (as in invective) or get personal (as in sarcasm). It targets groups or large concepts rather than individuals. | 82 | |
| 6737176663 | simile | A comparison of two things using like or as | 83 | |
| 6737176664 | soliloquy | A dramatic or literary form of discourse in which a character talks to himself or herself or reveals his or her thoughts without addressing a listener. | 84 | |
| 6737176665 | symbolism | An ordinary object with an extraordinary significance | 85 | |
| 6737176666 | synecdoche | A figure of speech in which a part is used for the whole (as hand for sailor), the whole for a part (as the law for police officer), the specific for the general (as cutthroat for assassin), the general for the specific (as thief for pickpocket), or the material for the thing made from it (as steel for sword). | 86 | |
| 6737176667 | syllogism | A form of deductive reasoning consisting of a major premise, a minor premise, and a conclusion. | 87 | |
| 6737176668 | syntax | Language rules that govern how words can be combined to form meaningful phrases and sentences | 88 | |
| 6737176669 | thesis | Focus statement of an essay; premise statement upon which the point of view or discussion in the essay is based. | 89 | |
| 6737176670 | tone | A writer's attitude toward his or her subject matter revealed through diction, figurative language, and organization on the sentence and global levels. | 90 | |
| 6737176671 | transition | A word or phrase that links one idea to the next and carries the reader from sentence to sentence, paragraph to paragraph | 91 | |
| 6737176672 | voice | In grammar, a term for the relationship between a verb and a noun (active or passive voice). In rhetoric, a distinctive quality in the style and tone of writing. | 92 | |
| 6737176673 | zeugma | Artfully using a single verb to refer to two different objects in an ungrammatical but striking way, or artfully using an adjective to refer to two separate nouns, even though the adjective would logically only be appropriate for one of the two. Ex:"If we don't hang together, we shall hang separately!" | 93 |
AP Language Vocab List #5 Flashcards
| 7342499174 | Absolution | forgiveness; pardon; release | 0 | |
| 7342499175 | Blatant | Obvious | 1 | |
| 7342499176 | Creditable | praiseworthy | 2 | |
| 7342499177 | Esconce | To establish firmly in a position | 3 | |
| 7342499178 | Hasten | hurry; accelerate; rush | 4 | |
| 7342499179 | Laceration | a cut | 5 | |
| 7342499180 | Obdurate | stubborn | 6 | |
| 7342499181 | Plausible | can be believed; reasonable | 7 | |
| 7342499182 | Repreive | a respite; postponement of a sentence | 8 | |
| 7342499183 | Tawdry | of little value; gaudy | 9 |
AP Language and Composition Rhetorical Terms Flashcards
| 8687897379 | Abstract | refers to language that describes concepts rather than concrete images ( ideas and qualities rather than observable or specific things, people, or places). The observable or "physical" is usually described in concrete language. EXAMPLE: sadness or happiness are abstract terms because different images pop into the head and one is unable to define them. | 0 | |
| 8687948423 | Ad Hominem | In an argument, this is an attack on the person rather than on the opponent's ideas. It comes from the Latin meaning "against the man." EXAMPLE: A politician degrading another politician during a political campaign when asked about a specific policy - "Well, I think we need to look at the other candidate's failures regarding this topic." | 1 | |
| 8687965198 | Allegory | an extended narrative in prose or verse in which characters, events, and settings represent abstract qualities and in which the writer intends a second meaning to be read beneath the surface of the story; the underlying meaning may be moral, religious, political, social, or satiric. EXAMPLE: aerie Queene by Edmund Spenser is a religious or moral allegory where characters represent virtues and vices. | 2 | |
| 8687978405 | Alliteration | repetition of consonant sounds at the beginning of words that are close to one another. EXAMPLE: Mickey Mouse; Donald Duck | 3 | |
| 8687986283 | Allusion | a reference to a well-known person, place, or thing from literature, history, etc. EXAMPLE: Eden | 4 | |
| 8688000771 | Analogy | Comparison of two similar but different things, usually to clarify an action or a relationship, such as comparing the work of a heart to that of a pump. An analogy is a comparison to a directly parallel case. EXAMPLE:Life is like a box of chocolates - you never know what you're gonna get! | 5 | |
| 8688024099 | Anaphora | Repetition of a word, phrase, or clause at the beginning of two or more sentences in a row. This is a deliberate form of repetition and helps make the writer's point more coherent. EXAMPLE: "There was the delight I caught in seeing long straight rows. There was the faint, cool kiss of sensuality. There was the vague sense of the infinite" | 6 | |
| 8688038587 | Anecdote | a short, simple narrative of an incident; often used for humorous effect or to make a point. EXAMPLE: At the beginning of a speech about fire safety, the speaker tells a short cautionary tale about a serious injury that occurred as a result of not following protocol. | 7 | |
| 8688049530 | Annotation | Explanatory notes added to a text to explain, cite sources, or give bibliographical data. EXAMPLES: Anxiety Disorder. (2013). NIMH Website. Retrieved from: http://www.nimh.nih.gov/health/publications/anxiety-disorders/index.shtml?wvsessionid=wv650bd43245ce405884dd789794894544 | 8 | |
| 8688063976 | Antithesis | the presentation of two contrasting images. The ideas are balanced by word, phrase, clause, or paragraphs. EXAMPLE: "To be or not to be..." "Ask not what your country can do for you, ask what you can do for your country...." | 9 | |
| 8688072094 | Aphorism | a short, often witty statement of a principle or a truth about life EXAMPLE: "Early bird gets the worm." | 10 | |
| 8688078936 | Apostrophe | usually in poetry but sometimes in prose; the device of calling out to an imaginary, dead, or absent person or to a place, thing, or personified abstraction | 11 | |
| 8688096249 | argumentation | writing that attempts to prove the validity of a point of view or an idea by presenting reasoned arguments; persuasive writing is a form of argumentation | 12 | |
| 8688108607 | assonance | repetition of vowel sounds between different consonants EXAMPLES: Hear the mellow wedding bells | 13 | |
| 8688126661 | assyndeton | Commas used (with no conjunction) to separate a series of words. The parts are emphasized equally when the conjunction is omitted; in addition, the use of commas with no intervening conjunction speeds up the flow of the sentence. Asyndeton takes the form of X, Y, Z as opposed to X, Y, and Z. | 14 | |
| 8688134997 | cacophony | harsh, awkward, or dissonant sounds used deliberately in poetry or prose; the opposite of euphony. EXAMPLE: And being no stranger to the art of war, I have him a description of cannons, culverins, muskets, carabines, pistols, bullets, powder, swords, bayonets, battles, sieges, retreats, attacks, undermines, countermines, bombardments, sea-fights... | 15 | |
| 8688163572 | caricature | descriptive writing that greatly exaggerates a specific feature of a person's appearance or a faced of personality. EXAMPLE: In medieval times, the perfect man was strong, an expert warrior, and skilled at horsemanship. In the movie, King Arthur and his knights often ran away from a fight. | 16 | |
| 8688177542 | colloquialism | a word or phrase (including slang) used in everyday conversation and informal writing but that is often inappropriate in formal writing EXAMPLE: y'all, ain't | 17 | |
| 8688182743 | coherence | quality of a piece of writing in which all the parts contribute to the development of the central idea, theme, or organizing principle | 18 | |
| 8688202014 | concrete language | Language that describes specific, observable things, people, or places, rather than ideas or qualities. EXAMPLES: The apple was blood-red | 19 | |
| 8688210345 | connotation | implied or suggested meaning of a word because of its association in the reader's mind. EXAMPLE: Wall Street has the positive connotation of wealth due to its history as being extremely important | 20 | |
| 8688225690 | consonance | epetition of identical consonant sounds within two or more words in close proximity, as in boost/best; it can also be seen within several compound words EXAMPLE: fulfill and ping-pong | 21 | |
| 8688230528 | conundrum | a riddle whose answer is or involves a pun; it may also be a paradox or difficult problem EXAMPLE: What is it that leaps and runs and has no feet? A ball | 22 | |
| 8688253040 | deduction | he process of moving from a general rule to a specific example EXAMPLE: Since all humans are mortal, and I am a human, then I am mortal. | 23 | |
| 8688265388 | denotation | literal meaning of a word as defined EXAMPLE: an apple has the denotation of a red fruit that grows on trees | 24 | |
| 8688272276 | description | the picturing in words of something or someone through detailed observation of color, motion, sound, taste, smell, and touch; one of the four modes of discourse | 25 | |
| 8688276152 | diction | word choice, an element of style; Diction creates tone, attitude, and style, as well as meaning. Different types and arrangements of words have significant effects on meaning. An essay written in academic diction would be much less colorful, but perhaps more precise than street slang. | 26 | |
| 8688281875 | didactic | writing whose purpose is to instruct or to teach. A didactic work is usually formal and focuses on moral or ethical concerns. Didactic writing may be fiction or nonfiction that teaches a specific lesson or moral or provides a model of correct behavior or thinking. | 27 | |
| 8688293326 | discourse | spoken or written language, including literary works; the four traditionally classified modes of discourse are description, exposition, narration, and persuasion. | 28 | |
| 8688300658 | dissonance | harsh or grating sounds that do not go together EXAMPLE: The clinching interlocking claws, a living, fierce, gyrating wheel | 29 | |
| 8688311472 | dramatic irony | When the reader is aware of an inconsistency between a fictional or nonfictional character's perception of a situation and the truth of that situation. | 30 | |
| 8688314902 | emotional appeal | When a writer appeals to readers' emotions (often through pathos) to excite and involve them in the argument. | 31 | |
| 8688318261 | epigraph | the use of a quotation at the beginning of a work that hints at its theme. EXAMPLE: Hemingway begins The Sun Also Rises with two epigraphs. One of them is "You are all a lost generation" by Gertrude Stein. | 32 | |
| 8688325770 | ethical appeal | When a writer tries to persuade the audience to respect and believe him or her based on a presentation of image of self through the text. Reputation is sometimes a factor in ethical appeal, but in all cases the aim is to gain the audience's confidence. | 33 | |
| 8688329250 | euphemism | a more acceptable and usually more pleasant way of saying something that might be inappropriate or uncomfortable. "He went to his final reward" is a common euphemism for "he died." Euphemisms are also often used to obscure the reality of a situation. The military uses "collateral damage" to indicate civilian deaths in a military operation. | 34 | |
| 8688335582 | euphony | a succession of harmonious sounds used in poetry or prose; the opposite of cacophony EXAMPLE: Season of mists and mellow fruitfulness | 35 | |
| 8688349566 | examples | An individual instance taken to be representative of a general pattern. Arguing by example is considered reliable if examples are demonstrable true or factual as well as relevant. | 36 | |
| 8688352580 | explication | The art of interpreting or discovering the meaning of a text. Explication usually involves close reading and special attention to figurative language. | 37 | |
| 8688355030 | exposition | the immediate revelation to the audience of the setting and other background information necessary for understanding the plot; also, explanation; one of the four modes of discourse | 38 | |
| 8688359691 | extended metaphor | a sustained comparison, often referred to as a conceit. The extended metaphor is developed throughout a piece of writing | 39 | |
| 8688364224 | false analogy | When two cases are not sufficiently parallel to lead readers to accept a claim of connection between them. | 40 | |
| 8688366829 | figurative language | language that contains figures of speech, such as similes and metaphors, in order to create associations that are imaginative rather than literal. | 41 | |
| 8688369994 | figures of speech | expressions, such as similes, metaphors, and personifications, that make imaginative, rather than literal, comparisons or associations. | 42 | |
| 8688375543 | foreshadowing | the use of a hint or clue to suggest a larger event that occurs late in the work | 43 | |
| 8688379410 | freight-train | Sentence consisting of three or more very short independent clauses joined by conjunctions. | 44 | |
| 8688383030 | generalization | When a writer bases a claim upon an isolated example or asserts that a claim is certain rather than probable. Sweeping generalizations occur when a writer asserts that a claim applies to all instances instead of some. | 45 | |
| 8688387450 | genre | a type of literary work, such as a novel or poem; there are also subgenres, such as science fiction or sonnet, within the larger genres | 46 | |
| 8688392301 | hubris | the excessive pride of ambition that leads a tragic hero to disregard warnings of impending doom, eventually causing his or her downfall. | 47 | |
| 8688397543 | humor | anything that causes laughter or amusement; up until the end of the Renaissance, humor meant a person's temperament | 48 | |
| 8688402357 | hyperbole | deliberate exaggeration in order to create humor or emphasis (Example: He was so hungry he could have eaten a horse.) | 49 | |
| 8689833491 | Image | A word or words, either figurative or literal, used to describe a sensory experience or an object perceived by the sense. An image is always a concrete representation. | 50 | |
| 8689833492 | Imagery | words or phrases that use a collection of images to appeal to one or more of the five senses in order to create a mental picture | 51 | |
| 8689833493 | Induction | the process that moves from a given series of specifics to a generalization | 52 | |
| 8689833494 | Infrence | a logical intrepretation based on prior knowladge or expierence | 53 | |
| 8689833495 | interior monologue | writing that records the conversation that occurs inside a character's head | 54 | |
| 8689833496 | invective | Verbally abusive attack | 55 | |
| 8689833497 | Inversion | reversing the customary (subject first, then verb, then complement) order of elements in a sentence or phrase; it is used effectively in many cases, such as posing a question: "Are you going to the store?" Usually, the element that appears first is emphasized more than the subject. | 56 | |
| 8689833498 | Irony | situation or statement in which the actual outcome or meaning is opposite to what was expected. | 57 | |
| 8689945637 | Jargon | The special language of a profession or group. The term jargon usually has pejorative associations, with the implication that jargon is evasive, tedious, and unintelligible to outsiders. The writings of the lawyer and the literary critic are both susceptible to jargon. | 58 | |
| 8689945638 | Logic | the process of reasoning | 59 | |
| 8689945639 | logical fallacy | a mistake in reasoning | 60 | |
| 8689945640 | lyrical | Songlike; characterized by emotions, subjectivity, and imagination. | 61 | |
| 8689945641 | Metaphor | figure of speech in which one thing is referred to as another; for example, "my love is a fragile flower" | 62 | |
| 8689945642 | Metonymy | a figure of speech that uses the name of an object, person, or idea to represent something with which it is associated, such as using "the crown" to refer to a monarch ; Also, "The pen is mightier than the sword." | 63 | |
| 8689945643 | Mode | the method or form of a literary work; the manner in which a work of literature is written | 64 | |
| 8689945644 | Mood | similar to tone, mood is the primary emotional attitude of a work (the feeling of the work; the atmosphere). Syntax is also a determiner of mood because sentence strength, length, and complexity affect pacing. | 65 | |
| 8689945645 | Moral | The lesson drawn from a fictional or nonfictional story. It can also mean a heavily didactic story. | 66 | |
| 8689945646 | Motif | main theme or subject of a work that is elaborated on in the development of the piece; a repeated pattern or idea | 67 | |
| 8689945647 | Narration | the telling of a story in fiction, nonfiction, poetry, or drama; one of the four modes of discourse | 68 | |
| 8689945648 | Negative-Positive | Sentence that begins by stating what is NOT true, then ending by stating what is true | 69 | |
| 8689945649 | non sequitur | Latin for "it does not follow." When one statement isn't logically connected to another | 70 | |
| 8690046632 | Objectivity | an impersonal presentation of events and characters. It is a writer's attempt to remove himself or herself from any subjective, personal involvement in a story. Hard news journalism is frequently prized for its objectivity, although even fictional stories can be told without a writer rendering personal judgment. | 71 | |
| 8690046633 | Onomonopia | The use of words or sounds which resemble the sounds they describe. (ex boom, psst) | 72 | |
| 8690046634 | Oversimplification | When a writer obscures or denies the complexity of the issues in an argument | 73 | |
| 8690046635 | Oxymoron | a figure of speech composed of contradictory words or phrases, such as "wise fool," bitter-sweet," "pretty ugly," "jumbo shrimp," "cold fire" | 74 | |
| 8690046636 | Pacing | the movement of a literary piece from one point or one section to another | 75 | |
| 8690046637 | Parable | a short tale that teaches a moral; similar to but shorter than an allegory | 76 | |
| 8690046638 | Paradox | a statement that seems to contradict itself but that turns out to have a rational meaning, as in this quotation from Henry David Thoreau; "I never found the companion that was so companionable as solitude." | 77 | |
| 8690046639 | Parallelism | the technique of arranging words, phrases, clauses, or larger structures by placing them side by side and making them similar in form. Parallel structure may be as simple as listing two or three modifiers in a row to describe the same noun or verb; it may take the form of two or more of the same type of phrases (prepositional, participial, gerund, appositive) that modify the same noun or verb; it may also take the form of two or more subordinate clauses that modify the same noun or verb. Or, parallel structure may be a complex bend of singe-word, phrase, and clause parallelism all in the same sentence. | 78 | |
| 8690046640 | Parody | a work that ridicules the style of another work by imitating and exaggerating its elements. . It can be utterly mocking or gently humorous. It depends on allusion and exaggerates and distorts the original style and content. | 79 | |
| 8690046641 | pathos (n) | the aspects of a literary work that elicit sorrow or pity from the audience. An appeal to emotion that can be used as a means to persuade. Over-emotionalism can be the result of an excess of pathos. | 80 | |
| 8690046642 | Pedantic | a term used to describe writing that borders on lecturing. It is scholarly and academic and often overly difficult and distant | 81 | |
| 8690046643 | Personification | The attribution of human qualities to a nonhuman or an inanimate object | 82 | |
| 8690046644 | Persuasion | a form of argumentation, one of the four modes of discourse; language intended to convince through appeals to reason or emotion. | 83 | |
| 8690092944 | Polysendeton | Sentence which uses and or another conjunction (with no commas) to separate the items in a series. Polysyndeton appear in the form of X and Y and Z, stressing equally each member of a series. It makes the sentence slower and the items more emphatic than in the asyndeton. | 84 | |
| 8690092945 | Protagonist | Main character in a story | 85 | |
| 8690092946 | red herring fallacy | the use of irrelevant material to divert attention | 86 | |
| 8690092947 | reductio ad absurdum | the Latin for "to reduce to the absurd." This is a technique useful in creating a comic effect and is also an argumentative technique. It is considered a rhetorical fallacy because it reduces an argument to an either/or choice | 87 | |
| 8690160234 | Regionalism | an element in literature that conveys a realistic portrayal of a specific geographical locale, using the locale and its influences as a major part of the plot | 88 | |
| 8690160235 | Repitition | Repeating a word, phrase, or idea for emphasis or rhythmic effect | 89 | |
| 8690160236 | Rhetoric | the art of effective communication, especially persuasive discourse; Rhetoric focuses on the interrelationship of invention, arrangement, and style in order to create felicitous and appropriate discourse. | 90 | |
| 8690160237 | rhetorical modes | exposition, description, narration, argumentation | 91 | |
| 8690160238 | Rhetorical question | one that does not expect an explicit answer. It is used to pose an idea to be considered by the speaker or audience | 92 | |
| 8690160239 | Sarcasm | harsh, caustic personal remarks to or about someone; less subtle than irony | 93 | |
| 8690160240 | Satire | A work that reveals a critical attitude toward some element of human behavior by portraying it in an extreme way. Satire doesn't simply abuse (as in invective) or get personal (as in sarcasm). Satire targets groups or large concepts rather than individuals. | 94 | |
| 8690160241 | setting (n) | where and when the story takes place | 95 | |
| 8690160242 | Simile | a figure of speech that uses like, as, or as if to make a direct comparison between two essentially different objects, actions, or qualities; for example, "The sky looked like an artist's canvas." | 96 | |
| 8690181207 | Speaker | the voice of a work; an author may speak as himself or herself or as a fictitious persona | 97 | |
| 8690181208 | Stereotype | a character who represents a trait that is usually attributed to a particular social or racial group and who lacks individuality; a conventional patter, expression or idea. | 98 | |
| 8690181209 | straw man fallacy | When a writer argues against a claim that nobody actually holds or is universally considered weak. Setting up a straw man diverts attention from the real issues. | 99 | |
| 8704453782 | style | an author's characteristic manner of expression - his or her diction, syntax, imagery, structure, and content all contribute to style | 100 | |
| 8704457435 | subjectivity | a personal presentation of evens and characters, influenced by the author's feelings and opinions | 101 | |
| 8704462110 | syllogism | A form of reasoning in which two statements are made and a conclusion is drawn from them. A syllogism is the format of a formal argument that consists of a major premise, a minor premise, and a conclusion. Example: Major Premise: All tragedies end unhappily. Minor Premise: Hamlet is a tragedy. Conclusion: Therefore, Hamlet ends unhappily. | 102 | |
| 8704467467 | symbolism | the use of symbols or anything that is meant to be taken both literally and as representative of a higher and more complex significance | 103 | |
| 8704470901 | synecdoche | a figure of speech in which a part of something is used to represent a whole, such as using "boards" to mean a stage or "wheels" to mean a car - or "All hands on deck." | 104 | |
| 8704475501 | syntactic fluency | Ability to create a variety of sentence structures, appropriately complex and/or simple and varied in length. | 105 | |
| 8704482675 | syntactic permutuation | Sentence structures that are extraordinarily complex and involved. They are often difficult for a reader to follow. | 106 | |
| 8704489111 | syntax | the grammatical structure of a sentence; the arrangement of words in a sentence. Syntax includes length of sentence, kinds of sentences (questions, exclamations, declarative sentences, rhetorical questions, simple, complex, or compound). | 107 | |
| 8704494054 | theme | the central idea or "message" or a literary work | 108 | |
| 8704498319 | thesis | the main idea of a piece of writing. It presents the author's assertion or claim. The effectiveness of a presentation is often based on how well the writer presents, develops, and supports the thesis. | 109 | |
| 8704500921 | tone | the characteristic emotion or attitude of an author toward the characters, subject, and audience (anger, sarcastic, loving, didactic, emotional, etc.) | 110 | |
| 8704507638 | transition | a word or phrase that links one idea to the next and carries the reader from sentence to sentence, paragraph to paragraph. | 111 | |
| 8704511800 | tricolon | Sentence consisting of three parts of equal importance and length, usually three independent clauses | 112 | |
| 8704517375 | understatement | the opposite of hyperbole/exaggeration. It is a technique for developing irony and/or humor where one writes or says less than intended. | 113 | |
| 8704523296 | unity | quality of a piece of writing (also see coherence) | 114 | |
| 8704528514 | voice | refers to two different areas of writing. One refers to the relationship between a sentence's subject and verb (active and passive voice). The second refers to the total "sound" of a writer's style. | 115 | |
| 8704565099 | point of view | refers to two different areas of writing. One refers to the relationship between a sentence's subject and verb (active and passive voice). The second refers to the total "sound" of a writer's style. | 116 | |
| 8704573245 | first person narrator | a narrator, referred to as "I," who is a character in the story and relates the actions through his or her own perspective, also revealing his or her own thoughts | 117 | |
| 8704581128 | stream of conciousness | like a first person narrator, but instead placing the reader inside the character's head, making the reader privy to the continuous, chaotic flow of disconnected, half-formed thoughts and impressions in the character's mind | 118 | |
| 8704589509 | omniscient | third person narrator, referred to as "he," "she," or "they," who is able to see into each character's mind and understands all the action | 119 | |
| 8704593652 | limited omniscient | a third person narrator who reports the thoughts of only one character and generally only what that one character sees | 120 | |
| 8704596035 | objective | a third person narrator who only reports what would be visible to a camera; thoughts and feelings are only revealed if a character speaks of them | 121 |
AP Language List 2 Flashcards
| 7512053450 | Anecdote | An example or story to further prove a point | 0 | |
| 7512053451 | Zeugma | a figure of speech in which a word applies to two others in different senses | 1 | |
| 7512053452 | Colloquial | A type of writing that is common, anything easily understandable and not formal | 2 | |
| 7512053453 | Pedantic | Precise, academic language that is meticulous in its presentation | 3 | |
| 7512053454 | Ebullience | Intense enthusiasm | 4 | |
| 7512053455 | Dogged | Stubbornly perserving | 5 | |
| 7512053456 | Listless | Lethargic, lacking energy | 6 | |
| 7512053457 | Spurious | Someone/something that is not genuine | 7 | |
| 7512053458 | Torpor | Laziness or dull | 8 | |
| 7512053459 | Lucid | Something that is easily understood | 9 | |
| 7512053460 | Strident | Something that is loud, harsh, grating, or unpleasant | 10 | |
| 7512053461 | Self-effacing | To be modest or humble. To not claim attention | 11 | |
| 7512053462 | Ingratiating | Trying to gain one's approval or acceptance. To flatter often with the intent of gaining an advantage | 12 |
AP Language Tone Words Flashcards
| 6028337993 | eulogistic | adj. involving formal praise in speech or writing, usually for the dead | 0 | |
| 6028344434 | grave | adj. serious or solemn; somber | 1 | |
| 6028348081 | pensive | adj. dreamily or wistfully thoughtful | 2 | |
| 6028354463 | venerative | adj. regarding with reverence, awe, respect | 3 | |
| 6028397323 | fervent | adj. exhibiting or marked by great intensity of feeling; having or showing warmth or great intensity of spirit | 4 | |
| 6028405208 | giddy | adj. lightheartedly silly; frivolous | 5 | |
| 6028408920 | laudatory | adj. containing or expressing praise | 6 | |
| 6028413443 | elegiac | adj. of, or relating to, or involving mourning or expressing sorrow or lamentation | 7 | |
| 6028420757 | banter | trans. v. to speak or address in a witty or teasing manner; to speak or address in a way that is good-humored or playful | 8 | |
| 6028428709 | cynical | adj. contemptuously distrustful of human nature and motives; tending to believe that human behavior is selfish and opportunistic | 9 | |
| 6028441564 | derisive | adj. ridiculing, mocking; expressing or causing contemptuous ridicule or scorn | 10 | |
| 6028449214 | facetious | adj. not meant to be taken seriously or literally; amusing, humorous; joking or jesting often inappropriately | 11 | |
| 6028457274 | farcicial | adj. ludicrous, absurd, comedic with high exaggeration | 12 | |
| 6028463950 | flippant | adj. lacking proper respect or seriousness; disrespectfully casual; shallow | 13 |
AP Language Literary Terms Examples Flashcards
| 9958195362 | Active Voice | Sue changed the flat tire | 0 | |
| 9958195363 | Allegory | The Tortoise and the Hare | 1 | |
| 9958195364 | Alliteration | Dan's dog dove deep in the dam, drinking dirty water as he dove. | 2 | |
| 9958195365 | Allusion | "He was a real Romeo with the ladies." | 3 | |
| 9958195366 | Ambiguity | "Ask for me tomorrow and you shall find me a grave man." | 4 | |
| 9958195367 | Amplification | I think I'm getting sick—I've been experiencing terrible headaches and drainage, and I've just begun to develop a sore throat as well. | 5 | |
| 9958195369 | Analogy | Photosynthesis does for plants what digesting food does for animals | 6 | |
| 9958195370 | Anaphora | Every single day you let me down. Every single day you make me mad. Every single day you do such silly things! | 7 | |
| 9958195372 | Aphorism | If you judge a fish by its ability to climb trees, it will spend its whole life thinking it is stupid | 8 | |
| 9958195373 | Apostrophe | Car, please get me to work today. | 9 | |
| 9958195374 | Assonance | They're some creeps who I wouldn't meet if you paid me a heap of cash | 10 | |
| 9958195375 | Atmosphere | "The woman raised her hands and stared at them; stared through them. Her voice was soft but tense. 'Blood on his hands.' Her own hands were clean and pale." | 11 | |
| 9958195376 | Cacophony | He is a rotten, dirty, terrible, trudging, stupid dude! | 12 | |
| 9958195377 | Caesura | "Oh, say can you see || by the dawn's early light..." | 13 | |
| 9958195379 | Chiasmus | You can take the girl out of the city but you can't take the city out of the girl | 14 | |
| 9958195381 | Colloquial | Y'all | 15 | |
| 9958195382 | Complex Sentence | I burned dinner but not the cake. | 16 | |
| 9958195383 | Compound Sentence | I burned dinner, but I didn't burn the cake | 17 | |
| 9958195384 | Conceit | Don't get bent out of shape | 18 | |
| 9958195385 | Conflict | Man vs. man, man vs. nature, man vs. self, man vs. society, man vs. fate, man vs. machine | 19 | |
| 9958195386 | Connotation | "House" vs. "home" | 20 | |
| 9958195387 | Consonance | All's well that ends well | 21 | |
| 9958195388 | Deduction | All men or mortal. Socrates is a man. Therefore, Socrates is mortal. | 22 | |
| 9958195389 | Denotation | "Pants" vs. "trousers" | 23 | |
| 9958195391 | Didactic | The Bible or other religious texts | 24 | |
| 9958195392 | Emphatic Order | Saving the strongest point for last | 25 | |
| 9958195394 | Epithet | Ivan IV, the Terrible | 26 | |
| 9958195395 | Euphemism | In a better place; pass away; meet your maker | 27 | |
| 9958195396 | Euphony | Sonnets | 28 | |
| 9958195397 | Extender Metaphor | All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. | 29 | |
| 9958195398 | Figurative Language | Simile, metaphor, hyperbole, onomatopoeia | 30 | |
| 9958195399 | Figure of Speech | Alliteration, anaphora, antimetabole, antithesis, apostrophe, assonance, irony,metonymy, , paradox, personification, synecdoche, understatement | 31 | |
| 9958195403 | Homily | Our faith grows in strength when we profess it and live it even though everyone around us is making different choices. God strengthens our faith when we make decisions that go against our own comfort and desires because we believe His commandments are true. | 32 | |
| 9958195404 | Hyperbole | The suitcase weighed a ton | 33 | |
| 9958195405 | Imagery | The tree bark was rough against her skin | 34 | |
| 9958195408 | Induction | I have seen four students at this school leave trash on the floor. The students in this school are disrespectful. | 35 | |
| 9958195409 | Internal Rhyme | I went to town to buy a gown | 36 | |
| 9958195410 | Inversion | An excellent decision she made there | 37 | |
| 9958195411 | Irony | "What a pleasant day" when it is actually raining | 38 | |
| 9958195412 | Juxtaposition | All's fair in love and war | 39 | |
| 9958195413 | Metaphor | Don't put all your eggs in one basket | 40 | |
| 9958195414 | Metonymy | The crown—a royal person | 41 | |
| 9958195416 | Motif | "I Have a Dream" in MLK's speech | 42 | |
| 9958195420 | Onomatopoeia | Honk, beep, vroom, clang, zap, boing | 43 | |
| 9958195421 | Oxymoron | "It's a step forward although there was no progress." | 44 | |
| 9958195422 | Paradox | "I know one thing: that I know nothing." | 45 | |
| 9958195423 | Parallelism | What you see is what you get. | 46 | |
| 9958195425 | Passive Voice | The flat tire was changed by Sue | 47 | |
| 9958195426 | Pedantic | "You boldly look forward, isn't it because you cannot foresee or expect anything terrible, because so far life has been hidden from your young eyes? You are bolder, more honest, deeper than we are, but think only, be just a little magnanimous, and have mercy on me." | 48 | |
| 9958195427 | Periodic Sentence | In spite of heavy snow and cold temperatures, the game continued. | 49 | |
| 9958195428 | Personification | Justice is blind | 50 | |
| 9958195431 | Polysyndeton | I wore a sweater, and a hat, and a scarf, and a pair of boots, and mittens | 51 | |
| 9958195432 | Portmanteau | Smog= smoke+fog | 52 | |
| 9958195437 | Rhetorical Modes | Narration, description, exposition, argumentation | 53 | |
| 9958195441 | Sarcasm | Yeah, because THAT's never happened | 54 | |
| 9958195445 | Simile | Strong as an ox | 55 | |
| 9958195446 | Simple Sentence | I burned dinner | 56 | |
| 9958195453 | Syllogism | All men have brains. All humans have brains. Therefore, all humans are men. | 57 | |
| 9958195455 | Synecdoche | Boots on the ground | 58 | |
| 9958195461 | Understatement | "It's a bit warm" when you are sweating profusely | 59 |
AP Lit. Figurative Language Flashcards
| 6411435605 | alliteration | the repetition of initial consonant sounds (Tried and True; Little Lame Leopard) | 0 | |
| 6411440974 | assonance | the repetition of vowel sounds (mAd as a hAtter) | 1 | |
| 6411449539 | consonance | the repetition of final consonant sounds (firST and laST) | 2 | |
| 6411459273 | feminine rhyme | the rhyme involves two or more syllables (fertile and turtle; er/ur and tile/tle) | 3 | |
| 6411478190 | masculine rhyme | the rhyme involves only one syllable (suppORT and retORT) | 4 | |
| 6411482976 | internal rhyme | one or more rhyming words are within the line | 5 | |
| 6411493563 | end rhyme | rhyming words are at the ends of lines | 6 | |
| 6411499696 | approximate rhyme/slant rhyme | words with sound similarity ("frECKkles like spECKs") | 7 | |
| 6411507907 | onomatopoeia | words that sound like what they mean (hisssssss, BOOOM!) | 8 | |
| 6411514650 | phonetic intensives | their sounds connect lightly to their meaning (flicker, flash, flare, flame; fl- signifies relation to fire) | 9 | |
| 6411523168 | euphony | a grouping of sounds that is smooth and pleasant | 10 | |
| 6411527069 | cacophony | a group of sounds that is rough and harsh | 11 | |
| 6411533368 | synesthesia | the stimulation of two or more senses simultaneously | 12 | |
| 6411539299 | figure of speech | a way of saying one thing and meaning another ("It's raining cats and dogs!") | 13 | |
| 6411545147 | figurative language | language using figures of speech; not taken literally | 14 | |
| 6411552855 | Why is poetry often figurative? | There's often more than one meaning: one literal, one figurative. | 15 | |
| 6411560559 | simile | comparison of two dissimilar things using like, as, than, etc. ("She moved like a tornado.") | 16 | |
| 6411574169 | metaphor | comparison of two dissimilar things (The comparison isn't expressed, but created when a figure term is substituted for a literal term instead.) ("She is a tornado.") | 17 | |
| 6411604302 | personification | giving human attributes to an animal, object, or concept ("The couch screamed in agony under the heavy weight.") | 18 | |
| 6411630207 | apostrophe | addressing someone dead, absent, or nonhuman as if it's present and can readily respond | 19 | |
| 6411638178 | synecdoche | substitutes some significant quality of detail of an experience for the experience itself ("May I have your hand in marriage?" when referring to entire body, not just hand) | 20 | |
| 6411671472 | metonymy | the use of something closely related for something actually meant ("the pen is mightier than the sword;" pen=words, and sword=violence) | 21 | |
| 6411706707 | symbol vs. metaphor | symbol: both things being compared are present ("You eat like a pig-- much like the one standing right next to you.") metaphor: the compared objects, people, concepts, etc. do not need to be present. ("You eat like a pig." There is no pig for comparison of traits.) | 22 | |
| 6411745801 | allegory | a narrative or description that has a second meaning with direct symbols and one meaning | 23 | |
| 6411756208 | paradoxical actions | an action that appears contradictory but is still nonetheless true (blowing on hot soup to cool it; blowing on hands to warm them) | 24 | |
| 6411768179 | paradoxical statement/verbal paradox | A statement is contradictory on the surface, but it stems from multiple meanings, making it true. ("I am atheist, thank God.") | 25 | |
| 6411801597 | overstatement/hyperbole | added emphasis and exaggeration to something already true ("I ate a ton for dinner.") | 26 | |
| 6411808378 | understatement/litotes | stating what is literally true but with much less force ("not bad.") | 27 | |
| 6411829993 | sarcasm | bitter or cutting speech, often intended to offend | 28 | |
| 6411835120 | satire | ridicule to humans with the intent of preventing further mistakes (in literature) | 29 | |
| 6411842765 | verbal irony | saying the opposite of what is true ("It's not you, it's me!") | 30 | |
| 6411850720 | dramatic irony | discrepancy between what the speaker says and what the poet means | 31 | |
| 6411867892 | irony of situation/situational irony/cosmic irony | discrepancy between a situation's anticipated outcome and what actually results | 32 | |
| 6557261698 | foible | minor weakness, character flaws, or quirks | 33 | |
| 6557263309 | folly | lack of good sense, foolishness | 34 | |
| 6557266532 | vices | immoral and evil habits, practices, or conduct | 35 | |
| 6557270131 | abuses | corrupt or improper practices, usually in power | 36 | |
| 6557275688 | pessimist (satirical narrator type) | expects the worst | 37 | |
| 6557277842 | optimist (satirical narrator type) | expects the best | 38 | |
| 6557280897 | Pollyanna (satirical narrator type) | extreme optimist | 39 | |
| 6557283313 | cynic (satirical narrator type) | doesn't trust people and their motives or sincerity | 40 | |
| 6557285495 | philanthropist (satirical narrator type) | works to better the world and loves the human race | 41 | |
| 6557290040 | misanthrope (satirical narrator type) | despises and distrusts the human race | 42 | |
| 6557294221 | Direct/formal satire | a first person narrator expects sympathy | 43 | |
| 6557296330 | Indirect satire | communicated through characters in a situation | 44 | |
| 6557300514 | Horatian satire | light-hearted, gently mocking satire that's directed towards folly | 45 | |
| 6557308313 | Juvenalian satire | bitter and angry satire that's directed towards vices and abuses (typically involves life or death scenarios) | 46 | |
| 6557317703 | Distortion | stressing some aspects and de-emphasizing others | 47 | |
| 6557320185 | incongruity | presenting things out of place or absurd in relation to surroundings | 48 | |
| 6557322905 | isolation | separating a condition or event from its ordinary surroundings | 49 | |
| 6557329753 | juxtaposition | placing two opposite or unalike things side by side | 50 | |
| 6557331494 | reversal | presents the opposite of the normal order (eating breakfast for dinner; a student educates a teacher) | 51 | |
| 6557337960 | ambiguous language | One word or scenario with multiple possible meanings (common in satire because it allows authors to deny accusations if accused) | 52 | |
| 6557349971 | innuendo/double entendre | multiple interpretations, usually risque | 53 | |
| 6557352118 | malapropism | the humorous misuse of a word by confusing it with a similarly sounding word | 54 |
AP English Language and Composition Flash Cards Flashcards
| 8485588364 | Allegory | The device of using character and/or story elements symbolically. | ![]() | 0 |
| 8485588365 | Antecedent | Word, phrase, or clause referred to by a pronoun. | ![]() | 1 |
| 8485588366 | Antithesis | Opposition or contrast of ideas through parallelism. | ![]() | 2 |
| 8485588367 | Aphorism | Early to bed and early to rise help make a man healthy, wealthy, and wise. -Ben Franklin | ![]() | 3 |
| 8485588368 | Apostrophe | "Oh, Captain, my Captain, our fearful trip is done..." | ![]() | 4 |
| 8485588369 | Colloquial/Colloquialism | The use of slang or informalities in speech or writing. | ![]() | 5 |
| 8485588370 | Conceit | A fanciful expression, usually in the form of an extended metaphor. | ![]() | 6 |
| 8485588371 | Euphemism | correctional facility = jail between jobs = unemployed | 7 | |
| 8485588372 | Homily | This term literally means "sermon," but more informally, it can include any serious talk, speech, or lecture involving moral or spiritual advice. | ![]() | 8 |
| 8485588373 | Invective | An emotionally violent, verbal denunciation or attack using strong, abusive language. | ![]() | 9 |
| 8485588374 | Metonymy | a figure of speech in which the name of one object is substituted for that of another closely associated with it. | ![]() | 10 |
| 8485588375 | Anaphora | The exact repetition of words or phrases at the beginning of successive lines or sentences. | ![]() | 11 |
| 8485588376 | Pedantic | An adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish | ![]() | 12 |
| 8485588377 | Prose | one of the major divisions of genre, prose refers to fiction and nonfiction, including all its forms. | ![]() | 13 |
| 8485588378 | Semantics | The branch of linguistics that studies the meaning of words. | ![]() | 14 |
| 8485588379 | Syllogism | A deductive system of formal logic that presents two premises that inevitably lead to a sound conclusion. | ![]() | 15 |
| 8485588380 | Synecdoche | A figure of speech in which a part of something is used to represent the whole. | ![]() | 16 |
| 8485588381 | Synesthesia | When one kind of sensory stimulus evokes the subjective experience of another. | ![]() | 17 |
| 8485588382 | Apologia | A written or spoken defense of one's beliefs and actions. | ![]() | 18 |
| 8485588383 | Epigram | A brief witty statement. | ![]() | 19 |
| 8485588384 | Digression | The use of material unrelated to the subject of a work. | ![]() | 20 |
| 8485588385 | Ellipsis | The omission of a word or several words. | ![]() | 21 |
| 8485588386 | Ad Hominem | Attacking a speaker's character instead of to their argument. | ![]() | 22 |
| 8485588387 | Anachronism | A person, scene, event or other element that fails to correspond with the appropriate time or era. | ![]() | 23 |
| 8485588388 | Didactic | Having an instructive purpose; intending to convey information to teach a lesson usually in a dry, pompous manner. | ![]() | 24 |
| 8485588389 | Fallacy | An incorrect belief or supposition based on faulty data, defective evidence, or false information. | ![]() | 25 |
| 8485588390 | Hubris | Excessive pride that often brings about one's fall. | ![]() | 26 |
| 8485588391 | Alliteration | Repetition of consonant sounds, usually at the beginnings of words | ![]() | 27 |
| 8485588392 | Litotes | A form of understatement in which the negative of the contrary is used to achieve emphasis or intensity. | ![]() | 28 |
| 8485588393 | Paradox | A statement or idea that seems contradictory but is in fact true. | ![]() | 29 |
| 8485588394 | Non Sequitur | A statement or idea that fails to follow logically from the one before. | ![]() | 30 |
| 8485588395 | Anecdote | A short and amusing or interesting story about a real incident or person. | ![]() | 31 |
| 8485588396 | Jargon | Special words or expressions that are used by a particular profession or group. | ![]() | 32 |
| 8485588397 | Taciturn | Not talking much, reserved; silent, holding back in conversation. | 33 | |
| 8485588398 | Dogmatic | Inclined to lay down principles as incontrovertibly true. | ![]() | 34 |
| 8485588399 | Pernicious | Having a harmful effect, especially in a gradual or subtle way. | ![]() | 35 |
| 8485588400 | Bellicose | Demonstrating aggression and willingness to fight. | ![]() | 36 |
| 8485588401 | Voracious | Craving or consuming large quantities of food. | ![]() | 37 |
| 8485588402 | Zealous | Having or showing zeal. | ![]() | 38 |
| 8485588403 | Tacit | Understood or implied without being stated. | ![]() | 39 |
| 8485588404 | Innuendo | An allusive or oblique remark or hint, typically a suggestive or disparaging one. | ![]() | 40 |
| 8485588405 | Lackadaisical | Displaying or having a disinclination for physical exertion or effort; slow and relaxed. | ![]() | 41 |
| 8485588406 | Consecrate | Make or declare (something, typically a church) sacred; dedicate formally to a religious or divine purpose. | ![]() | 42 |
| 8485588407 | Chiasmus | A type of parallelism in which elements are reversed. "Ask not what your country can do for you, but what you can do for your country." | ![]() | 43 |
| 8485588408 | Loose Sentence | A sentence in which the subject and verb come at the front of the sentence. | 44 | |
| 8485588409 | Petulant | Childishly sulky or bad-tempered. | 45 | |
| 8485588410 | Periodic Sentence | A sentence in which the subject and verb come toward the end of the sentence. | 46 | |
| 8485588411 | Exhort | Strongly encourage or urge someone to do something. | ![]() | 47 |
| 8485588412 | Cloistered | Kept away from the outside world; sheltered. | ![]() | 48 |
| 8485588413 | Sarcasm | Caustic, bitter language--iterally means "to tear the flesh." | 49 | |
| 8485588414 | Independent Clause | A complete sentence. | 50 | |
| 8485588415 | Dependent Clause | Includes a subordinate conjunction, such as because, while, etc. | 51 | |
| 8485588416 | Allusion | A reference to something (e.g., a book, a movie, an historical event) that is presumed to be well known to the audience. | 52 | |
| 8485588417 | Satire | A work that pokes fun human vices and follies in order to call attention to a larger problem. | ![]() | 53 |
| 8485588418 | Parody | A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule. | ![]() | 54 |
| 8485588419 | Coup de Grace | The "death blow"--the culminating event in a bad situation. | ![]() | 55 |
| 8485588420 | Coup d'Etat | Literally "blow to the state"--a violent overthrow. | ![]() | 56 |
| 8485588421 | Faux Pas | A social misstep or inappropriate action. | 57 | |
| 8485588422 | Laissez-Faire | Literally "allow to do"--letting things run their natural course; hands off. | 58 | |
| 8485588423 | En Masse | In a body as a whole; as a group. | 59 | |
| 8485588424 | Proprietary | Characteristic of an owner of property; constituting property. | 60 | |
| 8485588425 | Propriety | The quality of behaving in a proper manner; obeying rules and customs. | 61 | |
| 8485588426 | Imminent | About to happen. | 62 | |
| 8485588427 | Eminent | Famous, outstanding, distinguished. | 63 | |
| 8485588428 | Ego | According to Freud, the decision-making component of personality that operates according to the reality principle. | 64 | |
| 8485588429 | Superego | According to Freud, that facet of the psyche that represents the internalized ideals and values of one's parents and society | 65 | |
| 8485588430 | Id | Literally the "It"--our base impulses, driven by selfishness and greed, for example. | 66 | |
| 8485588431 | Hamartia | A character's error in judgment that contributes to one's downfall. | 67 | |
| 8485588432 | Orwellian | The manipulation of language and ideas to control and obstruct the truth. | 68 | |
| 8485588433 | Autonomos | Independent, self-governing, not under the control of something or someone else. | ![]() | 69 |
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