| 8065737515 | Alliteration | The repetition of sounds, especially initial consonant sounds in two or more neighboring words. | | 0 |
| 8065737514 | Allegory | The device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning. | | 1 |
| 8065737516 | Allusion | A direct or indirect reference to something which is presumably commonly known, such as an event, book, myth, place, or work of art. | | 2 |
| 8065737517 | Ambiguity | The multiple meanings, either intentional or unintentional, of a word, phrase, sentence, or passage. | | 3 |
| 8065737518 | Analogy | A similarity or comparison between two different things or the relationship between them. | | 4 |
| 8065737519 | Anaphora | One of the devices of repetition, in which the same expression (word or words) is repeated at the beginning of two or more lines, clauses, or sentences. | | 5 |
| 8065737520 | Anecdote | A short narrative detailing particulars of an interesting episode or event. | | 6 |
| 8065737521 | Antecedent | The word, phrase, or clause referred to by a pronoun. | | 7 |
| 8065737522 | Antithesis | Figure of balance in which two contrasting ideas are intentionally juxtaposed, usually through parallel structure. | | 8 |
| 8065737523 | Aphorism | A terse statement of known authorship which expresses a general truth or a moral principle. | | 9 |
| 8065737524 | Apostrophe | A figure of speech that directly addresses an absent or imaginary person or a personified abstraction. | | 10 |
| 8065737525 | Asyndeton | Consists of omitting conjunctions between words, phrases, or clauses. | | 11 |
| 8065737526 | Atmosphere | The emotional mood created by the entirety of a literary work. | | 12 |
| 8065737527 | Chiasmus | A figure of speech in which two successive phrases or clauses are parallel in syntax, but reverse the order of the analogous words. | | 13 |
| 8065737528 | Clause | A grammatical unit that contains both a subject and a verb. | | 14 |
| 8065737529 | Colloquial/Colloquialism | The use of slang or informalities in speech or writing. | | 15 |
| 8065737530 | coherence | A principal demanding that the parts of any composition be arranged so that the meaning of the whole may be immediately clear and intelligible. | | 16 |
| 8065737531 | Conceit | A fanciful expression, usually in the form of an extended metaphor or surprising analogy between seemingly dissimilar objects. | | 17 |
| 8065737532 | Connotation | The nonliteral, associative meaning of a word. | | 18 |
| 8065737533 | Denotation | The strict, literal, dictionary definition of a word. | | 19 |
| 8065737534 | Diacope | Repetition of a word of phrase after an intervening word or phrase | | 20 |
| 8065737535 | Diction | The writer's word choices, especially with regard to their correctness, clearness, or effectiveness. | | 21 |
| 8065737536 | Didactic | Teaching or instructing, especially the teaching of moral or ethical principles. | | 22 |
| 8065737537 | Enumeratio | Figure of amplification in which a subject is divided into constituent parts or details. | | 23 |
| 8065737538 | Expletive | Figure of emphasis in which a single word or short phrase is used to lend emphasis to the words on either side. | | 24 |
| 8065737539 | Euphemism | A more agreeable or less offensive substitute for a generally unpleasant word or concept. | | 25 |
| 8065737540 | Exposition | Writing that explains something. | | 26 |
| 8065737541 | Extended Metaphor | A comparison developed at great length, occurring frequently in or throughout the work. | | 27 |
| 8065737542 | Figurative Language | Writing or speech that is meant to be imaginative and vivid. | | 28 |
| 8065737543 | Figure of Speech | A device used to produce figurative language. | | 29 |
| 8065737544 | Generic Conventions | Traditions for each genre. | | 30 |
| 8065737545 | Genre | The major category into which a literary work fits. | | 31 |
| 8065737546 | Homily | A serious talk, speech, or lecture involving moral or spiritual advice. | | 32 |
| 8065737547 | Hyperbole | A figure of speech using deliberate exaggeration or overstatement. | | 33 |
| 8065737548 | Hypophora | Figure of reasoning in which one or more questions is/are asked and then answered. | | 34 |
| 8065737549 | Imagery | The sensory details or figurative language used to describe, arouse emotion, or represent abstractions. | | 35 |
| 8065737550 | Inference/infer | To draw a reasonable conclusion from the information presented. | | 36 |
| 8065737551 | Invective | An emotionally violent, verbal denunciation or attack using strong, abusive language. | | 37 |
| 8065737552 | Irony/ironic | The contrast between what is stated explicitly and what is really meant. | | 38 |
| 8065737553 | Juxtaposition | When two words, phrases, images, ideas are placed close together or side by side for comparison or contrast. | | 39 |
| 8065737554 | Litotes | A figure of thought in which a point is affirmed by negating its opposite. | | 40 |
| 8065737555 | Loose sentence | The main idea (independent clause) comes first, followed by dependent grammatical units such as phrases and clauses. | | 41 |
| 8065737556 | Metaphor | A figure of speech using implied comparison of seemingly unlike things or the substitution of one for the other, suggesting some similarity. | | 42 |
| 8065737557 | Metonymy | A figure of speech in which the name of one object is substituted for that of another closely associated with it. | | 43 |
| 8065737558 | Mood | The prevailing atmosphere or emotional aura of a work. | | 44 |
| 8065737559 | Narrative | The telling of a story or an account of an event or series of events. | | 45 |
| 8065737560 | Onomatopoeia | A figure of speech in which natural sounds are imitated in the sounds of words. | | 46 |
| 8065737561 | Oxymoron | A figure of speech wherein the author groups apparently contradictory terms to suggest a paradox. | | 47 |
| 8065737562 | Paradox | A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity. | | 48 |
| 8065737563 | Parallelism | The grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity. | | 49 |
| 8065737564 | Parody | A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule. | | 50 |
| 8065737565 | Pedantic | An adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish. | | 51 |
| 8065737566 | Periodic Sentence | Presents its central meaning in a main clause at the end. | | 52 |
| 8065737567 | Personification | A figure of speech in which the author presents or describes concept, animal , or inanimate object by endowing them with human attributes or emotion. | | 53 |
| 8065737568 | Polysyndeton | Figure of addition and emphasis which intentionally employs a series of conjunctions not normally found in successive words, phrases or clauses. | | 54 |
| 8065737569 | Point of View | The perspective from which a story is told. | | 55 |
| 8065737570 | Predicate Adjective | It is in the predicate of the sentence, and modifies, or describes, the subject. | | 56 |
| 8065737571 | Predicate Nominative | It follows a linking verb and renames the subject. | | 57 |
| 8065737572 | Prose | Fiction and non-fiction, including all its forms. | | 58 |
| 8065737573 | Repitition | The duplication of any element of language. | | 59 |
| 8065737574 | Rhetoric | The principles governing the art of writing effectively, eloquently, and persuasively. | | 60 |
| 8065737575 | Rhetorical Modes | The variety, the conventions, and purposes of the major kinds of writing. | | 61 |
| 8065737576 | Rhetorical Question [erotesis] | It is not answered by the writer because its answer
is obvious or obviously desired. | | 62 |
| 8065737577 | Sarcasm | Bitter, caustic language that is meant to hurt or ridicule someone or something. | | 63 |
| 8065737578 | Satire | A work that targets human vices and follies or social institutions and conventions for reform or ridicule. | | 64 |
| 8065737579 | Semantics | The branch of linguistics that studies the meaning of words, their historical and psychological
development, their connotations, and their relation to one another. | | 65 |
| 8065737580 | Style | An evaluation of the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices. | | 66 |
| 8065737581 | Subject Complement | The word or clause that follows a linking verb and
complements, or completes, the subject of the sentence. | | 67 |
| 8065737582 | Subordinate Clause | This word group contains both a subject and a verb but cannot stand alone. | | 68 |
| 8065737583 | Syllogism | A deductive system of formal logic that presents two premises that inevitably lead to a sound conclusion. | | 69 |
| 8065737584 | Symbol/Symbolism | Anything that represents itself and stands for something else. | | 70 |
| 8065737585 | Synecdoche | A type of metaphor in which the part stands for the whole or the whole for the part. | | 71 |
| 8065737586 | Syntax | The way an author chooses to join words into phrases, clauses, and sentences. | | 72 |
| 8065737587 | Theme | The central idea or message of a work. | | 73 |
| 8065737588 | Thesis | The sentence or a group of sentences that directly expresses the author's position. | | 74 |
| 8065737589 | Tone | The author's attitude toward his material, the audience, or both. | | 75 |
| 8065737590 | Transition | A word or phrase that links different ideas. | | 76 |
| 8065737591 | Understatement | The ironic minimizing of fact. | | 77 |
| 8065737592 | Undertone | An attitude that may lie under the ostensible tone of the piece. | | 78 |
| 8065737593 | Wit | Intellectually amazing language that surprises and delights. | | 79 |