| 7364062271 | Aesthetic | Appealing to the senses and qualities of beauty. | | 0 |
| 7364062272 | Allegory | A story in which each aspect of the story has a symbolic meaning outside the tale itself. | | 1 |
| 7364062273 | Alliteration | The repetition of sounds at the beginning of words. | | 2 |
| 7364062274 | Allusion | A reference to another work or famous figure. | | 3 |
| 7364062275 | Anachronism | "Misplaced in time." An aspect of a story that doesn't belong in its supposed time setting. | | 4 |
| 7364062276 | Analogy | A comparison, usually involving two or more symbolic parts, employed to clarify an action or a relationship. | | 5 |
| 7364062277 | Anecdote | A short story; usually interesting or amusing to make some point. | | 6 |
| 7364062278 | Antecedent | The word, phrase, or clause that determines what a pronoun refers to. | | 7 |
| 7364062279 | Anthropomorphism | When inanimate objects are given human characteristics. Often confused with personification. | | 8 |
| 7364062280 | Anticlimax | Occurs when an action produces far smaller results than one had been led to expect. | | 9 |
| 7364062281 | Antihero | A protagonist who is markedly unheroic: morally weak, cowardly, dishonest, or any number of other unsavory qualities. Consider Winston in 1984. | | 10 |
| 7364062282 | Aphorism | A short and usually witty saying. | | 11 |
| 7364062283 | Apostrophe | A figure of speech wherein the speaker addresses someone or something that is not present; often abstract. Usually begins with "O...". | | 12 |
| 7364062284 | Archaism | The use of deliberately old-fashioned language. | | 13 |
| 7364062285 | Aside | A speech (usually just a short comment) made by an actor to the audience, as though momentarily stepping outside of the action on stage. | | 14 |
| 7364062286 | Assonance | The repeated use of vowel sounds: "Old king Cole was a merry old soul." | | 15 |
| 7364062287 | Ballad | A long, narrative poem, usually in meter and rhyme. Typically has a naive folksy quality. | | 16 |
| 7364062288 | Bombast | Pretentious, exaggeratedly learned language. | | 17 |
| 7364062289 | Cacophony | In poetry, using deliberately harsh, awkward sounds. | | 18 |
| 7364062290 | Caricature | A portrait (verbal or otherwise) that exaggerates a facet of personality. | | 19 |
| 7364062291 | Catharsis | A release of strong emotions. Refers to the "cleansing" of emotion an audience member experiences during a play. | | 20 |
| 7364062292 | Chorus | In Greek drama, the group of citizens who act as the common man and provide "voice of reason" and commentary on the play. | | 21 |
| 7364062293 | Neologism | A new word, usually one invented on the spot. | | 22 |
| 7364062294 | Colloquialism | A word or phrase used in everyday conversational English that isn't a part of accepted "school-book" English. Informal diction. | | 23 |
| 7364062295 | Conceit (Controlling Image) | A startling or unusual metaphor, or to a metaphor developed and expanded upon several lines. | | 24 |
| 7364062296 | Denotation | A word's literal meaning. | | 25 |
| 7364062297 | Connotation | Everything other than the literal meaning that a word suggests or implies. | | 26 |
| 7364062298 | Consonance | The repetition of consonant sounds within or at the end of words words (rather than at their beginnings) | | 27 |
| 7364062299 | Couplet | A pair of lines that end in rhyme | | 28 |
| 7364062300 | Diction | The words an author chooses to use. | | 29 |
| 7364062301 | Syntax | The ordering and structuring of words within a sentence; also consider punctuation. | | 30 |
| 7364062302 | Dirge | A song for the dead. Its tone is typically slow, heavy, depressed, and melancholy | | 31 |
| 7364062303 | Doggerel | Crude, simplistic verse, often in sing-song rhyme, like limericks. Subject matter is tired and trite, sounds heavy-handed. | | 32 |
| 7364062304 | Dramatic Irony | When the audience knows something that the characters in the drama do not. | | 33 |
| 7364062305 | Elegy | A type of poem that meditates on death or mortality in a serious, thoughtful, usually mournful manner. | | 34 |
| 7364062306 | Enjambment | The continuation of a syntactic unit from one line or couplet of a poem to the next with no pause. | | 35 |
| 7364062307 | Epic | A very long narrative poem on a serious theme in a dignified style; typically deal with glorious or profound subject matter. | | 36 |
| 7364062308 | Epitaph | Lines that commemorate the dead at their burial place. | | 37 |
| 7364062309 | Euphemism | A word or phrase that takes the place of a harsh, unpleasant, or impolite reality. | | 38 |
| 7364062310 | Euphony | When sounds blend harmoniously. | | 39 |
| 7364062311 | Explicit | To say or write something directly and clearly. | | 40 |
| 7364062312 | Feminine rhyme | Lines rhymed by their final two syllables. Properly, the penultimate syllables are stressed and the final syllables are unstressed. | | 41 |
| 7364062313 | Foil | A secondary character whose purpose is to highlight the characteristics of a main character, usually by contrast. | | 42 |
| 7364062314 | Foot | The basic rhythmic unit of a line of poetry, formed by a combination of two or three syllables, either stressed or unstressed. | | 43 |
| 7364062315 | Foreshadowing | An event of statement in a narrative that in miniature suggests a larger event that comes later. | | 44 |
| 7364062316 | Free verse | poetry written without a regular rhyme scheme or metrical pattern | | 45 |
| 7364062317 | Hubris | Excessive pride or arrogance. | | 46 |
| 7364062318 | Hyperbole | Exaggeration or deliberate overstatement. | | 47 |
| 7364062319 | Implicit | To say or write something that suggests and implies but never says it directly or clearly. | | 48 |
| 7364062320 | In media res | Latin for "in the midst of things," i.e. beginningin the middle of the action. | | 49 |
| 7364062321 | Inversion | Switching the customary order of elements in a sentence or phrase. Inverted syntax is common in Shakespeare. | | 50 |
| 7364062322 | Verbal irony | A statement made in which the speaker intentionally says the opposite of what they mean. | | 51 |
| 7364062323 | Masculine rhyme | A rhyme ending on the final stressed syllable (regular old rhyme) | | 52 |
| 7364062324 | Melodrama | A form of cheesy theater in which the hero is very, very good, the villain mean and rotten, and the heroine oh-so-pure. | | 53 |
| 7364062325 | Metaphor | A comparison or analogy that states one thing IS another. | | 54 |
| 7364062326 | Simile | A comparison or analogy that typically uses like or as. | | 55 |
| 7364062327 | Metonymy | A word (a part) that is used to stand for something else that it has attributes of or is associated with (the whole). Ex: All hands on deck! Ex: Go check out John's new wheels! | | 56 |
| 7364062328 | Nemesis | The protagonist's arch enemy or supreme and persistent difficulty. | | 57 |
| 7364062329 | Objectivity | Treatment of subject matter in an impersonal manner or from an outside view. | | 58 |
| 7364062330 | Subjectivity | A treatment of subject matter that uses the interior or personal view of a single observer and is typically colored with that observer's emotional responses. | | 59 |
| 7364062331 | Onomatopoeia | Words that sound like what they mean | | 60 |
| 7364062332 | Juxtapose | To place things next to each other to invite contrast or dissimilarity. | | 61 |
| 7364062333 | Oxymoron | Words that seem to be opposites of each other that work together in the broader context. Ex: jumbo shrimp; pretty ugly. | | 62 |
| 7364062334 | Parable | A simple story used to illustrate a moral or spiritual lesson. | | 63 |
| 7364062335 | Paradox | A situation or statement that seems to contradict itself, but on closer inspection reveals some sort of greater truth. | | 64 |
| 7364062336 | Paraphrase | To restate phrases and sentences in your own words. | | 65 |
| 7364062337 | Parenthetical phrase | A phrase set off by commas that interrupts the flow of a sentence with some commentary or added detail. | | 66 |
| 7364062338 | Parody | The work that results when a specific work is exaggerated to ridiculousness. | | 67 |
| 7364062339 | Pastoral | A poem set in tranquil nature or even more specifically, one about shepherds. | | 68 |
| 7364062340 | Persona | The speaker created by the author that is not the author himself/herself. Consider "Death of The Ball Turret Gunner". | | 69 |
| 7364062341 | Personification | When an inanimate object takes on human shape. | | 70 |
| 7364062342 | Point of View | The perspective from which the action of a novel is presented. | | 71 |
| 7364062343 | Omniscient point of view | A third person narrator who sees into each character's mind and understands all the action going on. | | 72 |
| 7364062344 | Limited Omniscient point of view | A third person narrator who generally reports only what one character sees (=limited), and who only reports the thoughts of that one privileged character. | | 73 |
| 7364062345 | Third person objective point of view | A thrid person narrator who only reports on what would be visible to a camera. Does not know what the character is thinking unless the character speaks it. | | 74 |
| 7364062346 | First person | A narrator who is a character in the story and tells the tale from his or her point of view. Uses "I". | | 75 |
| 7364062347 | Stream of Consciousness | Author places the reader inside the main character's head and makes the reader privy to all of the character's thoughts as they scroll through her consciousness. | | 76 |
| 7364062348 | Protagonist | The main character of a novel or play | | 77 |
| 7364062349 | Pun | The usually humorous use of a word in such a way to suggest two or more meanings | | 78 |
| 7364062350 | Refrain | A line or set of lines repeated several times over the course of a poem. | | 79 |
| 7364062351 | Rhetorical question | A question that suggests an answer. | | 80 |
| 7364062352 | Soliloquy | A speech spoken by a character alone on stage, meant to convey the impression that the audience is listening to the character's thoughts. | | 81 |
| 7364062353 | Stanza | A group of lines roughly analogous in function in verse to the paragraphs function in prose. | | 82 |
| 7364062354 | Stock characters | Standard or cliched character types. | | 83 |
| 7364062355 | Summary | A simple retelling of what you've just read. | | 84 |
| 7364062356 | Symbolism | A device in literature where an object represents an idea. | | 85 |
| 7364062357 | Technique | The methods and tools of the author. | | 86 |
| 7364062358 | Theme | A main idea of the overall work; a central idea. | | 87 |
| 7364062359 | Thesis | The main position of an argument. The central claim that will be supported. | | 88 |
| 7364062360 | Tragic flaw | In a tragedy, this is the weakness of a character in an otherwise good (or even great) individual that ultimately leads to his demise. | | 89 |
| 7364062361 | Unreliable narrator | When the first person narrator is crazy, a liar, very young, or for some reason not entirely credible. | | 90 |
| 7364062362 | Utopia | An idealized place. Imaginary communities in which people are able to live in happiness, prosperity, and peace. | | 91 |
| 7364062363 | Ode | A poem in praise of something divine or noble | | 92 |
| 7364062364 | Iamb | A poetic foot -- light, heavy | | 93 |
| 7364062365 | Trochee | A poetic foot -- heavy, light | | 94 |
| 7364062366 | Spondee | A poetic foot -- heavy, heavy | | 95 |
| 7364062367 | Anapest | A poetic foot -- light, light, heavy | | 96 |
| 7364062368 | Dactyl | A poetic foot -- heavy, light, light | | 97 |
| 7364062369 | Pentameter | A poetic line with five feet. | | 98 |
| 7364062370 | Tetrameter | A poetic line with four feet | | 99 |
| 7364062371 | Trimeter | A poetic line with three feet | | 100 |
| 7364062372 | Blank Verse | unrhymed iambic pentameter. | | 101 |
| 7364062373 | Asyndeton | The absence or omission of conjunctions (and, but, yet, etc.) between parts of a sentence. | | 102 |
| 7364062374 | Polysyndeton | When several coordinating conjunctions are used in close succession (ex: He went to the store, and bought some milk, and took it home, and fed the dog, and kissed his mom). | | 103 |
| 7364062375 | Prosody | The overall picture of rhythm/meter in a poem that includes the baseline rhythm/meter and mentions of variations. | | 104 |
| 7364062376 | Scansion | The act of reading and measuring the stresses and un-stresses to find the rhythm & meter of a poem. | | 105 |
| 7364062377 | Motif | A repeating idea, image, word, etc., that supports the development of a theme. | | 106 |
| 7364062378 | Caesura | A pause in a line of poetry as evidenced by punctuation (commas, colons, semicolons, etc.). | | 107 |
| 7364062379 | imagery | Language that strongly appeals to the 5 senses. Usually creates strong mental pictures or the sense that you can so clearly hear/touch/taste/smell whatever is being described. | | 108 |
| 7364062380 | blank verse | unrhymed iambic pentameter | | 109 |
| 7364062381 | heroic couplet | a couplet (two lines) of rhymed iambic pentameter | | 110 |
| 7364062382 | situational irony | When the outcome is the opposite of what is expected; a direct reversal. | | 111 |
| 7364062383 | English sonnet | 3 quatrains and a couplet: abab, cdcd, efef, gg. | | 112 |
| 7364062384 | Italian sonnet | An octave followed by a sestet: abba, abba, cd,cd,cd/cde,cde/cdc,cdc. | | 113 |
| 7364062385 | Ballad stanza | A quatrain with alternating lines of 6 and 8 syllables: abcb. | | 114 |
