A Glossary of Literary Terms: AP Literature Flashcards
7271509302 | Active Voice | Active voice pertains to any sentence with an active verb. Active voice expresses more energy than does passive voice. For example: "Robert crushed the tomato with his fist" is in the active voice. "The tomato was crushed by Robert" is in the passive voice. | 0 | |
7271530755 | Allegory | An extended narrative (in poetry or prose) in which the characters and actions--and sometimes the setting as well--are contrived to make sense on the literal level and at the same time to signify a second, correlated order of characters, concepts, and events. In other words, an allegory carries a second, deeper meaning, as well as its surface story. | 1 | |
7271556574 | Alliteration | The repetition of a consonant sound at the beginning of several words in a sentence or a line of poetry. For example: "Black reapers with the sound of steel on stones / Are sharpening scythes" -- Jean Toomer | 2 | |
7271566967 | Allusion | A reference to another person, another historical event, another work, and the like. To make allusions, you should be familiar at the very least with Greek and Roman mythology, Judeo-Christian literature, and Shakespeare. Identify the impact of an allusion the same way you would a metaphor. For example, the title "By the Waters of Babylon" by Stephen Vincent Benet is a reference to Psalm 137 | 3 | |
7271591586 | Analogy | A term that signifies a comparison of our similarity between two objects or ideas. For example. "Nature's first green is gold" -- Robert Frost | 4 | |
7271598227 | Anaphora | The deliberate repetition of a word of phrase at the beginning of several successive poetical lines, prose sentences, clauses or paragraphs. It is used to emphasize an idea. For example, "This royal throne of kings, this sceptered isle, / This earth of majesty, this seat of Mars, / This other Eden, demi-paradise, / This fortress built by Nature for herself" -- William Shakespeare | 5 | |
7271626478 | Aphorism | A brief statement of an opinion or elemental truth. "Vision is the art of seeing what is invisible to others" -- Jonathan Swift | 6 | |
7271636397 | Apostrophe | This is a direct address to someone who is not present, to a deity or muse, or to some other power. "O eloquent, just, and mighty Death!" -- Sir Walter Raleigh | 7 | |
7271641970 | Assonance | Repetition of a vowel sound within a group of words or lines. Notice the recurrent long "I" in the following lines: "Thou still unravish'd bride of quietness, / Thou foster-child of silence and slow time" -- John Keats | 8 | |
7271653362 | Blank Verse | Blank verse consists of lines of iambic pentameter, which of all verse forms is closest to the natural rhythms of English speech. Most of Shakespeare's plays are in blank verse. | 9 | |
7271671881 | Caesura | A pause within a line of poetry in order to make this meaning clear or to follow the natural rhythm of speech. "To err is human, / to forgive, divine" -- Alexander Pope | 10 | |
7271674173 | Carpe Diem | Latin for "Seize the day." | 11 | |
7271677598 | Connotation | The associations or moods attached to a word. Words generally are negative, positive, or neutral. An author's choice of words, especially words with a particularly strong connotation, is usually the key to determining the author's tone and intention. | 12 | |
7271689281 | Consonance | The repetition of a sequence of two or more consonants but with a change in the intervening vowel. For example: "live-love," "learn alone," "pitter-patter." | 13 | |
7271697469 | Couplet | A pair of rhymed lines. For example, "Into my empty head there come / a cotton beach, a dock wherefrom" -- Maxine Kumin | 14 | |
7271705136 | Denotation | The dictionary definition of a word. | 15 | |
7271711231 | Dialect | A regional speech pattern. When using a dialect, a writer is relying on language to make a passage feel personal and authentic. For example: "You mean, you mad 'cause she didn't stop and tell us all her business....The worst thing Ah ever knowed her to do was taking a few years offa her age and dat ain't never harmed nobody" -- Zora Neale Hurston | 16 | |
7271725914 | Diction | Word choice; the specific words an author uses in his or her writing | 17 | |
7271729745 | Elegy | A formal meditative poem or lament for the dead. An example is "To an Athlete Dying Young" by A. E. Housman. | 18 | |
7271735441 | Ellipses | Three dots that indicate words have been left out of a quotation. Ellipses are also often used to create suspense. For example: "The dark car appeared at the end of the alley and Herman, the handsome hero, was trapped against the wall at the opposite end. The engine revved..." | 19 | |
7326646207 | Epistrophe | The ending of a series of lines, phrases, clauses, or sentences with the same word or words, used to emphasize the word or group of words for emotional impact. | 20 | |
7326646208 | Euphemism | To use an inoffensive or more socially acceptable word for something that could be inappropriate or offensive to some. | 21 | |
7326646209 | Foil | A minor character whose situation or actions parallel those of a major character and thus by contrast set off or illuminate the major character. | 22 | |
7326646210 | Foot | The combination of stressed and unstressed syllables that make up the metric unit of a line. | 23 | |
7326646211 | Free verse | Poetry that doesn't follow a prescribed form but is characterized by irregularity in the length of the lines and a lack of a regular metrical pattern and rhyme. | 24 | |
7326646212 | Hyperbole | Exaggeration of an event or feeling | 25 | |
7326646213 | Imagery | Language that appeals to one or another of the five senses. Imagery can be created by using particularly vivid adjectives, similes and metaphors. | 26 | |
7326646214 | Irony | The use of words to express something other than-and often the opposite of- the literal meaning. | 27 | |
7326646215 | Jargon | A pattern of speech and vocabulary associated with a particular group of people. | 28 | |
7326522822 | Epistrophe | The ending of a series of lines, phrases, clauses, or sentences | 29 | |
7379474525 | Panegyric | A literary expression of praise - for example, "O Captain!" by Walt Whitman | 30 | |
7379474526 | Passive Voice | The opposite of active voice. The passive voice is used when something happens to someone. For example, "Samantha was choked by the assailant" rather than "The assailant choked Samantha" | 31 | |
7379474527 | Pastoral | A reference to or a description of simple country life. Older pastoral poems usually include shepherds who live in an idyllic setting. | 32 | |
7379474528 | Personification | Giving of human characteristics to nonhuman things. | 33 | |
7379474529 | Ploce | One of the most commonly used figures of stress, it means repeating a word within the same line or clause. | 34 | |
7379474530 | Point of View | The perspective from which the writer chooses to tell his or her story. Point of view can be in the first or third person, and limited, omniscient, or objective. | 35 | |
7379474531 | Pun | A play on words used to create humor or comic relief | 36 | |
7379474532 | Refrain | A line, part of a line, or group of lines repeated in the course of a poem, sometimes with slight changes. | 37 | |
7379474533 | Repetition | The repeating of a word or phrase for emphasis. | 38 | |
7379474534 | Rhyme | The echo or imitation of a sound. A rhyme scheme is a regular pattern of rhyming words in a poem. There may be internal rhyme, slant or half rhyme, and a perfect rhyme. | 39 | |
7379474535 | Rhythm | The sense of movement attributable to the pattern of stressed and unstressed syllables. | 40 | |
7379474536 | Satire | A form of writing in which a subject (usually a human voice) is made fun of or scorned, eliciting amusement, contempt, or indignation. The purpose of satire is to provoke change or reform. | 41 | |
7379474537 | Shift | A change in setting (place or time), tone, or speakers. Identifying shifts in poetry is especially important for determining the overall purpose and tone of a poem. | 42 | |
7379474538 | Simile | A figure of speech in which an explicit comparison is made using "like," "as," or "than" between two very different things in order to express an idea that is more familiar or understandable. | 43 | |
7379474539 | Soliloquy | A speech in which a character in a play, alone on stage, expresses his or her thoughts. A soliloquy may reveal the private emotions, motives, and state and mind of the speaker. | 44 | |
7379474540 | Sonnet | A fixed form of fourteen lines, normally in iambic pentameter, which a rhyme scheme conforming to or approximating one of two main types. | 45 | |
7379474541 | Stanza | A group of lines that forms one division of a poem | 46 | |
7379474542 | Symbol | An object that signifies something greater than itself. | 47 | |
7379474543 | Synecdoche | a figure of speech in which a part is used to represent the whole - for example, "All hands on deck." | 48 | |
7379474544 | Theme | An insight into life conveyed by a poem or story. The theme is the main point the author wants to make with the reader, and is often a basic truth, an acknowledgement of our humanity, or a reminder of human beings' shortcomings. | 49 | |
7379474545 | Verse | Lines of poetry or metrical language in general, in contrast to prose. | 50 |
AP Language Vocab Words Flashcards
5753680597 | ethos | the author's credibility | 0 | |
5753681867 | logos | using evidence to support an argument | 1 | |
5753683156 | pathos | the author's use of language to elicit an emotional response in readers | 2 | |
5753685047 | metaphor | a comparison that doesn't use like or as and compares two unlike things | 3 | |
5753687340 | simile | a comparison that uses like or as | 4 | |
5753688565 | analogy | when a thing or idea is compared to something quite different from it | 5 | |
5753692327 | syntax | the arrangement of words and phrases to create well-constructed sentences | 6 | |
5753702971 | loose sentence | when the subject of sentence is elaborated on by modifying clauses or phrases | 7 | |
5753707886 | compound sentence | 2 independent clauses | 8 | |
5753710119 | complex sentence | one or more independent/dependent clauses in a sentence | 9 | |
5753714511 | periodic sentence | main clause or predicate is at the end of the sentence | 10 | |
5753718278 | simple sentence | one independent clause | 11 | |
5753722911 | parenthetical statement | explains or qualifies something | 12 | |
5753728147 | metonymy | substitution of a name for an attribute of the thing itself (suit for business executive) | 13 | |
5753733361 | synecdoche | a figure of speech in which a term or a part of somwthing refers to the whole thing (all hands on deck) | 14 | |
5753740288 | synesthesia | a technique used to present ideas, characters or places in a way that appeals to more than one of the 5 senses | 15 | |
5753745853 | personification | the technique of taking something inanimate and giving it human qualities | 16 | |
5753750525 | hyperbole | over exaggeration | 17 | |
5753750526 | litote | under exaggeration | 18 | |
5753756033 | compound-complex sentence | 2 or more independent clauses and one dependent clause | 19 | |
5753762473 | diction | style of speaking or writing | 20 | |
5753765125 | asyndeton | a lack of conjuctions | 21 | |
5753765616 | polysyndeton | overuse of conjunctions | 22 | |
5753767568 | tone | the author's attitude | 23 | |
5753768498 | apostrophe | the speaker addresses an imaginary character/figure (death, mother nature, etc) | 24 | |
5753774672 | alliteration | when the first letter of every word is the same | 25 | |
5753775545 | assonance | repitition of a vowel sound or dip-thong in non-rhyming word | 26 | |
5753782151 | syllogism | a rhetorical device that starts an argument with something general and draws a conclusion about something more specific | 27 | |
5753788113 | zeugma | when a word, usually a verb or adjective, applies to more than one noun blending together gramatically and logically different ideas | 28 | |
5753795614 | caesura | a pause in a line of poetry caused by the rhythms of natural speech instead of meter | 29 | |
5753798312 | tricolon | the sacred three | 30 | |
5753800311 | rhetorical question | a question that doesn't expect an answer | 31 | |
5753801109 | connotation | the "vibe" a word gives off, positive or negative | 32 | |
5753802495 | denotation | the actual definition of a word | 33 |
AP Spanish Literature Terms, 3 Flashcards
7297279695 | Ambiente | Atmosphere | 0 | |
7297282522 | Argumento | Plot | 1 | |
7297289986 | Drama | Drama | 2 | |
7297290787 | Ensayo | Essay | 3 | |
7297292093 | Ficción | Fiction | 4 | |
7297292946 | Figura retórica | Rhetorical figure | 5 | |
7297295254 | Género | Genre | 6 | |
7297296052 | Héroe | Hero | 7 | |
7297296053 | Imagen | Image | 8 | |
7297298134 | Lector | Reader | 9 | |
7297300252 | Narrativa | Narrative | 10 | |
7297300253 | Personaje | Character | 11 | |
7297301078 | Poesía | Poetry | 12 | |
7297301079 | Protagonista | Protagonist | 13 | |
7297303219 | Público | Public | 14 | |
7297303220 | Suspenso | Suspense | 15 | |
7297304277 | Tema | Theme | 16 | |
7297305315 | Autor | Author | 17 | |
7297306207 | Cuento | Story | 18 | |
7297312071 | Narrador | Narrator | 19 | |
7297313615 | Novela | Novel | 20 | |
7297313616 | Prosa | Prose | 21 | |
7297314832 | Estrofa | Stanza | 22 | |
7297328756 | Métrica | Metric (arranging the verses by number of metric syllables, etc.) | 23 | |
7297333218 | Poema | Poem | 24 | |
7297333219 | Poeta | Poet | 25 | |
7297334264 | Rima | Rhyme | 26 | |
7297335135 | Rima asonante | (Pairs words with their stressed vowels) | 27 | |
7297342520 | Rima consonante | (Pairs all sounds from accented vowel, e.g. encargo/largo) | 28 | |
7297346350 | Verso | Verse | 29 | |
7297356360 | Voz poética | Poetic voice | 30 | |
7297359096 | Ritmo | Rhythm (pauses, accents, etc.) | 31 | |
7297365967 | Acto | Act | 32 | |
7297365968 | Comedia | Comedy | 33 | |
7297366865 | Diálogo | Dialogue | 34 | |
7297367626 | Escena | Scene | 35 | |
7297368340 | Escenario | Setting (stage) | 36 | |
7297369267 | Monólogo | Monologue | 37 | |
7297369269 | Teatro | Theater | 38 | |
7297370083 | Tragedia | Tragedy | 39 | |
7297370084 | Aliteración | Alliteration | 40 | |
7297373078 | Hipérbole | Hyperbole | 41 | |
7297373805 | Metáfora | Metaphor | 42 | |
7297373806 | Onomatopeya | Onomatopoeia | 43 | |
7297376404 | Personificación | Personification | 44 | |
7297376844 | Símil | Simile | 45 |
AP Literature Flashcards
7847061913 | Equanimity | Mental calmness, composure, and evenness of temper, especially in a difficult situation. | 0 | |
7847061914 | Apoplexy | Unconsciousness or incapacity resulting from a cerebral hemorrhage or stroke | 1 | |
7847061915 | Conduce | Help to bring about (a particular situation or outcome) | 2 | |
7847061916 | Domesticity | Home or family life | 3 | |
7847061917 | Expurgation | To cleanse or something morally harmful, offensive, or erroneous | 4 | |
7847061918 | Glibly | Easy or unconstrained, as actions or manners | 5 | |
7847061919 | Indecorous | Violating generally accepted standards of good taste or propriety | 6 | |
7847061920 | Tedious | Wordy so as to cause weariness or boredom, as a speaker, a writer | 7 | |
7847061921 | Arduous | Involving or requiring strenuous effort; difficult and tiring | 8 | |
7847061922 | Chafe | A state of annoyance | 9 | |
7847061923 | Debonair | Confident, stylish, charming | 10 | |
7847061924 | Effeminate | Having or showing characteristics regarded as typical of a woman; unmanly. | 11 | |
7847061925 | Lorgnette | A pair of glasses or opera glasses held in front of a person's eyes by a long handle at one side | 12 | |
7847061926 | Irrevocable | Not able to be changed, reversed, or recovered; final | 13 | |
7847061927 | Satire | The use of humor, irony, exaggeration, or ridicule to expose and criticize people's stupidity | 14 |
AP Literature Literary Terms Flashcards
6420750575 | Alliteration | The repetition of initial sounds, usually consonants, in successive or neighboring words | 0 | |
6420750576 | Allusion | A reference to something literary, mythological, or historical that the author assumes the reader will recognize | 1 | |
6420750577 | Ambiguity | A word or idea that can be understood in multiple ways; frequently refers to the condition of being obscure or difficult to understand | 2 | |
6420750573 | Anagnorisis | Recognition of truth about one's self and his actions; moment of clarity | 3 | |
6420750578 | Anachronism | The misplacement of a person, occurrence, custom, or idea in time; also may refer to an individual or thing that is incorrectly placed in time | 4 | |
6420750579 | Analysis | Separating something into the components or elements of which it is made for close study | 5 | |
6430268805 | Antihero | a leading character who is not, like a hero, perfect or even outstanding, but is rather ordinary and representative of the more or less average person | 6 | |
6420750580 | Antithesis | means opposite and is used as a literary device to put two contrasting ideas together | 7 | |
6420750581 | Apostrophe | A figure of speech in which one directly addresses an absent or dead person, or to an object, quality, or idea | 8 | |
6420750582 | Archetype | A theme, motif, symbol or stock character holding a familiar place in a culture's consciousness OR an original model on which copies are made | 9 | |
6420750583 | Assonance | The repetition of similar vowel sounds in a sequence of nearby words | 10 | |
6420750584 | Asyndeton | A construction in which elements are presented in a series without conjunctions | 11 | |
6420750586 | Cacophony/dissonance | The clash of discordant or harsh sounds within a sentence or phrase | 12 | |
6420750587 | Catharsis | A cleansing or purification of one's emotions through art | 13 | |
6420750588 | Characterization | The method of acquainting readers with characters by creating well-developed characters--the techniques a writer uses to develop various types of characters | 14 | |
6420750589 | Cliche | An expression that has been used so frequently it has lost its expressive power | 15 | |
6420750590 | Climax | The point of highest interest or greatest intensity in a literary work, or the major turning point in the plot | 16 | |
6420750591 | Colloquialism | Informal expression, or slang term--acceptable in conversation by not usually in formal writing | 17 | |
6420750592 | Conceit | A fanciful, particularly clever extended metaphor | 18 | |
6420750593 | Conflict | The problem or struggle in a narrative | 19 | |
6420750594 | Connotation | The association or implied meaning that a word carries along with its literal meaning | 20 | |
6420750595 | Consonance | The repetition of consonants in a sequence of nearby words, especially at the end of stressed syllables when there is no similar repetition of vowel sounds | 21 | |
6420750596 | Couplet | A pair of rhyming lines in a poem | 22 | |
6420750597 | Denotation | The explicit, literal meaning of a word | 23 | |
6420750598 | Diction | Specific word choice made by an author, often for effect but also for correctness and clarity | 24 | |
6420750599 | Dramatic irony/tragic irony | Technique in which the author lets the audience in on a character's situation while the character remains uninformed | 25 | |
6420750600 | Dramatic monologue | a poem in which a character speaks to one or more listeners who remain silent or whose replies are not revealed | 26 | |
6420750601 | Emphasis | Force or intensity of expression brought to bear on a particular part of a text or speech | 27 | |
6420750602 | Enjambment | The continuation of syntactic unit from one line or couplet of a poem into the next with no pause | 28 | |
6420750574 | Epiphany | A moment of sudden revelation or insight | 29 | |
6420750603 | Euphemism | An indirect, less offensive way of saying something that is considered unpleasant or vulgar | 30 | |
6420750604 | Euphony | A pleasing arrangement of sounds | 31 | |
6420750605 | Foil | A character who illuminates the qualities of another character by means of contrast | 32 | |
6420750606 | Foreshadow | To present ideas, images, events, or comments that hint at events to come in a story | 33 | |
6420750607 | Hubris | Excessive pride or arrogance that results in the downfall of the protagonist | 34 | |
6420750608 | Hyperbole | Excessive overstatement or conscious exaggeration of fact for effect | 35 | |
6420750610 | Imagery | Language that brings to mind sense-impressions, especially via figures of speech | 36 | |
6420750611 | Inversion | The syntactic reversal of the normal order of the words and phrases in a sentence | 37 | |
6420750612 | Juxtaposition | Technique of placing two elements side by side to present a compare/contrast of the two | 38 | |
6420750613 | Metonymy | A figure of speech substituting the name of one object for another object closely associated with it | 39 | |
6420750614 | Mood | The emotional atmosphere created by a work (most notably by its setting) | 40 | |
6420750615 | Motif | A recurring idea, structure, contrast, or device that develops or informs the major themes of a work | 41 | |
6420750616 | Motivation | A psychological factor that provides a directional force or reason for behavior. | 42 | |
6420750617 | Narrator | The one who tells the story; may be first- or third-person, limited or omniscient | 43 | |
6420750618 | Nostalgia | A yearning for the past or for some condition or state of existence that cannot be recovered | 44 | |
6420750619 | Octave | An eight-line unit of verse constituting a stanza or section of a poem; the first eight lines of an Italian sonnet | 45 | |
6420750620 | Onomatopoeia | Words that sound like the thing or action they refer to | 46 | |
6420750621 | Overstatement | An exaggeration of fact | 47 | |
6420750622 | Paradox | A statement that seems absurd or even contradictory but that often expresses a deeper truth | 48 | |
6420750623 | Parallelism | Phrases or sentences of a similar construction/meaning placed side by side, balancing each other | 49 | |
6420750624 | Petrarchan/Italian sonnet | a sonnet which consists of an octave and a sestet with the rhyme scheme being abbaabba cdecde. There is usually a pronounced tonal shift between the octave and sestet as well. | 50 | |
6420750625 | Polysyndeton | The use, for rhetorical effect, of more conjunctions than is necessary or natural | 51 | |
6420750626 | Pun | A play on words that exploits the similarity in sound between two words with distinctly different meanings | 52 | |
6420750627 | Quatrain | A four-line stanza with a rhyming pattern | 53 | |
6420750628 | Repetition | Bringing up words or ideas on multiple occasions to emphasize the importance of these words or ideas | 54 | |
6420750629 | Retrospection | A narrative technique in which some of the events of a story are described after events that occur later in time have already been narrated; also called analepsis and flashback | 55 | |
6420750630 | Satire | A work (usually humorous) that exposes to ridicule the shortcomings of individuals, institutions, or society, often to make a political point | 56 | |
6420750631 | Sestet | A six-line unit of verse constituting a stanza or section of a poem; the last six lines of an Italian sonnet | 57 | |
6420750632 | Setting | The location of a narrative in time and space creating mood and/or atmosphere | 58 | |
6420750633 | Shakespearean/English sonnet | a sonnet which consists of three quatrains and a couplet. The most common rhyme scheme is abab cdcd efef gg. | 59 | |
6420750634 | Shifts/turns | Changes in the speaker's attitude. Look for key words such as but, yet, however, and although, punctuation, and stanza division. | 60 | |
6420750635 | Situational irony | Technique in which one understanding of a situation stands in sharp contrast to another, usually more prevalent, understanding of the same situation | 61 | |
6420750636 | Soliloquy | A speech in which a character does not address others | 62 | |
6420750638 | Speaker | The personage or persona responsible for the voice in a piece of literature; should not be confused with the author | 63 | |
6420750639 | Stanza | A fixed number of lines of verse forming a unit of a poem | 64 | |
6420750640 | Stream-of-consciousness | A writing style in which the author tries to reproduce the random flow of thoughts in the human mind | 65 | |
6420750641 | Structure | The arrangement or framework of a sentence, paragraph, or entire work | 66 | |
6420750642 | Style | The choices an author makes; the combination of distinctive features of a literary work | 67 | |
6420750643 | Symbolism | The use of objects, characters, figures, or colors to represent abstract ideas or concepts | 68 | |
6420750644 | Synecdoche | A figure of speech, using one part of an object to represent the entire object | 69 | |
6420750645 | Syntax | The way the words in a piece of writing are arranged into sentences | 70 | |
6420750646 | Theme | A fundamental and universal idea explored in a literary work; a central idea of a work | 71 | |
6420750647 | Thesis | The primary position taken by a writer or speaker--a statement of purpose, intent, or main idea of an essay | 72 | |
6420750648 | Tone | The attitude of an author, usually implied, toward the subject or audience | 73 | |
6420750572 | Tragic flaw | A character trait that leads to the downfall of a hero, while also (often) making him admirable | 74 | |
6420750650 | Turning point | A point in a work in which a very significant change occurs | 75 | |
6420750651 | Understatement | The deliberate representation of something as lesser in magnitude than it actually is; a deliberate under-emphasis | 76 | |
6420750652 | Unreliable narration | A process of narrating in which the narrator is revealed over time to be an untrustworthy source of information | 77 | |
6420750653 | Verbal irony | The use of a statement that, because of its context, means its opposite | 78 | |
6420750654 | Voice | An author's individual way of using language to reflect his/her own personality and attitudes; communicated through tone, word choice (or diction), and sentence structure | 79 |
AP Language Vocab 2 Flashcards
7424344586 | admonish | warn someone firmly antonym: compliment, praise, applaud | 0 | |
7424350791 | avarice | extreme greed for wealth or material gain antonym: generosity, philantrophy | 1 | |
7424359286 | diffidence | modesty or shyness resulting from lack of self-confidence. antonym: boldness, confidence | 2 | |
7424370699 | esoteric | intended for or likely to be understood by only a small number of people with a specialized knowledge or interest. | 3 | |
7424386556 | incipient | beginning to happen or develop antonym: developed, mature | 4 | |
7424397170 | jettison | throw or drop from an aircraft or ship antonym: keep, retain | 5 | |
7424403736 | pedantic | overly concerned with minute details antonym: imprecise | 6 | |
7424418650 | superficial | existing or occurring at or on the surface antonym: deep, thorough | 7 | |
7424428242 | turgid | swollen or distended or congested (or pompous style) antonym: healthy, simple | 8 | |
7424438929 | viable | capable of working successfully: feasible antonym: unachievable, impossible | 9 | |
7424450019 | antithesis | a person or thing that is the direct opposite of someone or something else | 10 | |
7424458265 | antonym | a word opposite in meaning to another | 11 | |
7424463649 | analogy | a comparison between two things, typically for the purpose of explanation or clarification | 12 | |
7424478641 | metonymy | substitution of the name of an attribute or adjunct for that of the thing meant | 13 | |
7424493535 | oxymoron | a figure of speech where apparently contradictory terms appear in conjugation. | 14 |
AP Language Flashcards
7221794239 | Pathos | Appeal to beliefs and feelings | 0 | |
7221799199 | Logos | Appeal to logical reasoning and facts | 1 | |
7221799925 | Ethos | Appeal as having credibility and trustworthiness | 2 | |
7221804592 | Rhetorical Question | A question that you don't expect to be answered in order to provoke thought | 3 | |
7221805096 | Parallelism | The repetition of the same word or phrase within a sentence or passage for structure, all ideas equally important | 4 | |
7221806401 | Anecdote | Short personal story | 5 | |
7221814719 | Metaphor | Comparison without using comparison words | 6 | |
7221814720 | Simile | Comparison while using comparison words | 7 | |
7221815234 | Alliteration | Repetition of consonents at the beginning of words | 8 | |
7221815235 | Hyperbole | Exaggeration | 9 | |
7221815601 | Personification | Giving an object human or life like qualities | 10 | |
7221816221 | Allusion | Make reference to a well known person, place, or event | 11 | |
7221862503 | Syntax | The arrangement of sentence structure - speakers may vary the lengths of their sentences | 12 | |
7221866654 | Tone | Author's feelings | 13 | |
7221867563 | Mood | Reader's feelings | 14 | |
7255285037 | Anaphora | repetition of the same word or phrase at the beginning of successive phrases or sentences | 15 | |
7255285038 | Diction | An author's choice of words, used to convey tone | 16 | |
7255285039 | Imagery | the use of figures of speech to create vivid images that appeal to one of the senses | 17 |
AP Human Geography Chapter 5 Language Flashcards
8396880644 | Creole (or creolized) language | A language that results from the mixing of a colonizer's language with the indigenous language of the people being dominated. | ![]() | 0 |
8396880645 | Dialect | A regional variety of a language distinguished by vocabulary, spelling, and pronunciation. | ![]() | 1 |
8396880646 | Extinct language | A language that was once use by people in daily activities but is no longer used. | ![]() | 2 |
8396880647 | Isogloss | A boundary that separates regions in which different language usages predominate. | ![]() | 3 |
8396880648 | Isolated language | A language that is unrelated to any other languages and therefore not attached to any language family. | ![]() | 4 |
8396880649 | Language | A system of communication through the use of speech, a collection of sounds understood by a group of people to have the same meaning. | ![]() | 5 |
8396880650 | Language branch | A collection of languages related through a common ancestor that existed several thousand years ago. Differences are not as extensive or old as with language families, and archaeological evidence can confirm that these derived from the same family. | ![]() | 6 |
8396880651 | Language family | A collection of languages related to each other through a common ancestor long before recorded history. | ![]() | 7 |
8396880652 | Language group | A collection of languages within a branch that share a common origin in the relatively recent past and display relatively few differences in grammar and vocabulary. | ![]() | 8 |
8396880653 | Lingua franca | A language mutually understood and commonly used in trade by people who have different native languages. | 9 | |
8396880654 | Literary tradition | A language that is written as well as spoken. | ![]() | 10 |
8396880655 | Official language | The language adopted for use by the government for the conduct of business and publication of documents. | ![]() | 11 |
8396880656 | Pidgin language | A form of speech that adopts a simplified grammar and limited vocabulary of a lingua franca, used for communications among speakers of two different languages. | 12 | |
8396880657 | Standard language | The form of a language used for official government business, education, and mass communications. | ![]() | 13 |
8396880658 | Denglish | A combination of Deutsch (the German word for German) and English). | ![]() | 14 |
8396880660 | Ebonics | A dialect spoken by some African Americans. | 15 | |
8396880661 | Franglais | A combination of francais and anglais (the French words for French and English respectively). | ![]() | 16 |
8396880663 | Logogram | A symbol that represents a word rather than a sound. | ![]() | 17 |
8396880664 | Received Pronunciation (RP) | The dialect of English associated with upper-class Britons living in London and now considered standard in the United Kingdom. | ![]() | 18 |
8396880665 | Spanglish | A combination of Spanish and English spoken by Hispanic Americans. | ![]() | 19 |
8396880668 | Vulgar Latin | A form of Latin used in daily conversation by ancient Romans, as opposed to the standard dialect, which was used for official documents. | ![]() | 20 |
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