| 9886204352 | lyric | subjective, reflective poetry with regular rhyme scheme and meter, which reveals the poet's thoughts and feelings to create a single, unique impression. There are three movements of spirit: aspiration, celebration, and lamentations | | 0 |
| 9886214818 | narrative | non-dramatic, objective verse with regular rhyme scheme and meter, which relates a story or narrative. There are three movements of spirit in narrative poetry: epic, tragic, and comic | | 1 |
| 9886226980 | Sonnet | a rigid 14-line verse form, with variable structure and rhyme-scheme according to type: Shakespearean or Italian | | 2 |
| 9886235901 | Ode | elaborate lyric verse which deals seriously with dignified theme | | 3 |
| 9886241829 | blank verse | unrhymed lines of iambic pentameter without end rhyme | | 4 |
| 9886246964 | free verse | unrhymed lines that do not have a regular meter | | 5 |
| 9886253449 | epic | a long dignified narrative poem, which gives the account of a hero important to his nation or race | | 6 |
| 9886260499 | dramatic monologue | a lyric poem in which the speaker addresses himself to persons around him; his speech deals with a dramatic moment in his life and manifests his character | | 7 |
| 9886270856 | elegy | a poem of lament, meditating on the death of an individual | | 8 |
| 9886274009 | ballad | simple, narrative verse which tells a story to be sung or recited; the folk ballad is anonymously handed down, while the literary ballad has a single author | | 9 |
| 9886282745 | idyll | lyric poetry describing the life of the shepherd in pastoral, bucolic, idealistic terms | | 10 |
| 9886289721 | villanelle | french verse from strictly calculated to appear simple and spontaneous; five tercets and a final quatrain, rhyming aba aba aba aba aba abaa | | 11 |
| 9886299339 | light verse | general category of poetry written to entertain, such as lyric poetry, epigrams, and limericks | | 12 |
| 9886312271 | haiku | Japanese verse in three lines of five, seven, and five syllables, often depicting a delicate image | | 13 |
| 9886318270 | limerick | humorous nonsense verse in five anapestic lines rhyming aabba, a-tetrameter b-trimeter | | 14 |
| 9886326647 | iambic | u/ | | 15 |
| 9886329102 | trochaic | /u | | 16 |
| 9886332070 | anapestic | uu/ | | 17 |
| 9886332071 | dactylic | /uu | | 18 |
| 9886334260 | spondaic | // | | 19 |
| 7517997244 | amphibrach | foot with unstressed, stressed and unstressed
Chi-ca-go | | 20 |
| 7517990486 | metric foot | 1 ft = 2 beat
Iambic u/
Trochaic /u
Anapestic uu/
Dactylic /uu
Spondaic // | | 21 |
| 7518001602 | amphimacer | a foot with stressed, unstressed, stressed
at-ti-tude | | 22 |
| 7518006546 | catalectic | an extra unaccented syllable at the end of a line after the regular meter ends | | 23 |
| 7518011149 | caesura | a pause in the meter of rhythm of a line | | 24 |
| 7518014242 | enjambent | the running on of one line of poetry into another without grammatical break | | 25 |
| 7518017776 | rhyme | repetition of like sounds at regular intervals, employed in versification, writing of verse | | 26 |
| 7518028834 | end rhyme | rhyme occurring at the end of 2 or more lines of verse | | 27 |
| 7518032600 | internal rhyme | rhyme contained within a line of verse b/w 2 or more words | | 28 |
| 7518036881 | rhyme scheme | pattern of rhymes within a unit of verse, in analysis, each end rhyme sound is represented by a letter (abab) | | 29 |
| 7518042082 | masculine rhyme | occurs when the last syllable of a word rhymes with another word | | 30 |
| 7518046211 | feminine rhyme | occurs when the last two syllables of a word rhymes with another | | 31 |
| 7518051716 | triple rhyme | last 3 syllables of a word or line rhyme | | 32 |
| 7518054599 | half rhyme | (slant, approximate, near, or off-rhyme)
imperfect, approximate, close rhyme
sea, beaks | | 33 |
| 7518061757 | exact rhyme | (true/perfect rhyme)
sounds following the vowel are exactly the same
red/bread | | 34 |
| 7518066061 | sight (eye) rhyme | spelling looks alike but they are pronounced differently | | 35 |
| 7518069327 | alliteration | repetition at close intervals, of beginning sounds in 2 or more words in a line of verse | | 36 |
| 7518073478 | assonance | repetition at close intervals of vowel sounds in 2 or more words | | 37 |
| 7518079561 | cacophony | the use of inharmonious (harsh, rough, unmusical) sounds in close conjunction | | 38 |
| 7518083349 | consonance | repetition of 2 or more consonant sounds within a line to produce a harmonious effect | | 39 |
| 7518089750 | euphony | use of compatible, harmonious sounds to produce a pleasing, melodious effect | | 40 |
| 7518096082 | onomatopoeia | use of a word to represent or imitate natural sounds | | 41 |
| 7518099677 | refrain | repetition of 1 or more phrases or lines at intervals | | 42 |
| 7518102616 | allusion | a reference to a mythological, literary or historical person, place, or thing that adds to or emphasizes a theme of work | | 43 |
| 7518110216 | antithesis | balancing or contrasting of one term against another | | 44 |
| 7518112204 | apostrophe | a form of personification in which the absent or dead are spoken to as if present and the inanimate as if animate | | 45 |
| 7518116892 | conceit | very elaborate comparison between unlikely objects. multiple metaphors | | 46 |
| 7518120694 | hyperbole | (overstatement)
a boldly exaggerated statement that adds emphasis without intending to be literally true | | 47 |
| 7518132281 | imagery | language that appeals to the senses (visual, auditory, gustatory, olfactory, tactile, kinesthetic)
emotionally evocative | | 48 |
| 7518140432 | irony | discrepancy between appearance and reality
VERBAL- what he says is different that what he means
DRAMATIC- reader knows something the character does not
SITUATIONAL- reality differs from anticipated or intended effect | | 49 |
| 7518153757 | litote | special form of understatement achieved by saying the opposite of what one means by making an affirmation by stating the fact in the negative
double negative | | 50 |
| 7518160837 | metaphor | a comparison of generally dissimilar things without the use of "like" or "as" in order to show something new
usually concrete & abstract comparisons | | 51 |
| 7518168771 | metonymy | substitution of a word naming an object for another word closely associated with it | | 52 |
| 7518173958 | oxymoron | a form of paradox that combines a pair of contradictory or incongruous terms into a single expression | | 53 |
| 7518180941 | paradox | the juxtaposition of a incongruous or conflicting ideas that reveal a truth or insight | | 54 |
| 7518186858 | personification | a kind of metaphor that gives inanimate objects or abstract ideas human characteristics | | 55 |
| 7518228854 | similie | a direct comparison of 2 unlike objects, using like or as | | 56 |
| 7518231301 | symbol | a word or image that signifies something other than what is literally represented | | 57 |
| 7518234720 | synecdoche | a kind of metaphor in which part of something represents the whole object or idea
not a HAIR perished (hair=person) | | 58 |
| 7518242432 | inversion | (anastrophe)
reversal of the natural/usual word order | | 59 |
| 9886347420 | tone | attitude of the speaker toward another character, a place, an idea, or a thing | | 60 |
| 9886351789 | theme | author's major idea or meaning; the purpose of the poem. Themes express the unity of human experience, and through poems we see that we are more alike as a human race than different | | 61 |
| 9886358920 | mood | related to tone. association with setting. the emotional quality of the setting | | 62 |
| 9886363267 | dramatic situation | circumstances of the speaker | | 63 |
| 9886365374 | parallelism | the repetition of words, phrases, or sentences that have the same grammatical structure, or that restate a similar idea | | 64 |
| 9886378784 | appositives | noun/noun phrase that renames a noun beside it
Mr. Meyer, Zeus to some, | | 65 |
| 9886373746 | apposition | use of appositives to explain or modify | | 66 |
| 9886386303 | ellipsis | omission of a word or words that are implied by context | | 67 |
| 9886389078 | chiasmus | cross-wise (or mirror-image) arrangements of elements | | 68 |
| 9886394211 | asyndeton | omission of conjunctions between a series of related clauses | | 69 |
| 9886397307 | antimetabole | repetition in reverse grammatical order
eat to live, not live to eat | | 70 |
| 9886400253 | polysyndeton | deliberate use of many conjunctions
I study physics and math and literature and spanish and history | | 71 |
| 9886412480 | repetition | repeated use of the same word or group of words at the beginning and/or ends of successive clauses within poetry | | 72 |