9463535630 | Passing tone | Approached by step and then continues by step in the same direction |  | 0 |
9463535631 | Neighboring tone | Approached by step and then returns by step to the original note |  | 1 |
9463535632 | Accented neighboring tone | A neighbor tone that occurs within the second chord | | 2 |
9463535633 | Anticipation | Approached by step and then remains the same | | 3 |
9463535634 | Escape tone | Approached by step in them skips in the opposite direction |  | 4 |
9463535635 | Appoggiatura | Approached by skip and then steps in the opposite direction |  | 5 |
9463535636 | Suspension | Keeps a note the same and then steps downward | | 6 |
9463535637 | Retardation | Keeps a note the same and then steps upward | | 7 |
9463535638 | Changing tones | To non-harmonic times in succession like a double neighbor tone or neighbor group |  | 8 |
9463535639 | Perfect authentic cadence | Goes from V to I, root position, highest note of the I chord must be the root |  | 9 |
9463535640 | Imperfect authentic cadence | Goes from diminished vii to I, the V chord is inverted, OR the highest note of the I chord is not the root |  | 10 |
9463535641 | Deceptive cadence | Goes from V chord to any chord besides a I chord |  | 11 |
9463535642 | Half cadence | Goes from any chord to a V |  | 12 |
9463535643 | Major scale circle progressions | I> IV> vii dim> iii> vi> ii> V> I | | 13 |
9463535644 | Minor scale circle progressions | i> iv> VII> III> VI> ii dim> v> i | | 14 |
9463535645 | Motive | A short melody | | 15 |
9463535646 | Theme | A long motif | | 16 |
9463535647 | Antecedent | Question | | 17 |
9463535648 | Consequent | Answer | | 18 |
9463535649 | Period | Antecedent and consequent together | | 19 |
9463535650 | Parallel period | Similar periods | | 20 |
9463535651 | Contrasting period | More different periods | | 21 |
9463535652 | Double period | The question is doubled and answer is doubled | | 22 |
9463535653 | Retrograde | Backwards | | 23 |
9463535654 | Elision (phase elision) | 2 phrases are connected (overlap) | | 24 |
9463535655 | Fragmentation | Segmenting the phrase | | 25 |
9463535656 | Internal expansion | Make the inside of phrase larger but beginning and end are same | | 26 |
9463535657 | Motivic transformation | Rhythmic alteration | | 27 |
9463535658 | Thematic transformation | Any change | | 28 |
9463535659 | Truncation | Cutting off | | 29 |
9463535660 | Diatonic | In the key (major or minor scale) | | 30 |
9463535661 | Chromatic | Using accidentals, notes not in key | | 31 |
9463535662 | Picardy third | Minor piece with the last chord in major | | 32 |
9463535663 | Resolution | Moving to a pleasant sound | | 33 |
9463535664 | Common practice style | From Bach to Brahams | | 34 |
9463535665 | Rondo | Aaaba Bcdcc A; ABA; ABACA; ABACABA | | 35 |
9463535666 | Cadential extension | Delaying the cadence by adding material | | 36 |
9463535667 | Coda | An ending (any length) | | 37 |
9463535668 | Codetta | A small coda (end of sonata, perfect cadence at end) | | 38 |
9463535669 | Stanza | Same music, different lyrics | | 39 |
9463535670 | Strophic | AAA (same music each verse) | | 40 |
9463535671 | Refrain or chorus | Repeated section (same lyrics) | | 41 |
9463535672 | Verse | New lyrics each time | | 42 |
9463535673 | Bridge | A contrasting section to the verse or chorus | | 43 |
9463535674 | Turnaround | A chord progression that brings you back to the beginning (M6, m2, 5, 1) | | 44 |
9463535675 | Song form | AABA | | 45 |
9463535676 | Twelve-bar blues | I, I, I, I, IV, IV, I, I, V, IV, I, I | | 46 |
9463535677 | Lead sheet | A piece of music with chords, lyrics, and melody | | 47 |
9463535678 | Rhythm section | Piano, bass, drums,sometimes guitar | | 48 |
9463535679 | Binary | AABB | | 49 |
9463535680 | Rounded binary | ABA with B being similar to A | | 50 |
9463535681 | Ternary | ABA with B contrasting A | | 51 |
9463535682 | Through-composed | No repeats | | 52 |
9463535683 | Theme & vaiation | Each new statement of the theme is a little varied | | 53 |
9463535684 | Phrygian half | In a minor key, goes from iv^6 to V | | 54 |
9463535685 | Conclusive cadence | Anything going to I (major or minor) | | 55 |
9463535686 | Inconclusive cadence | Anything not going to I | | 56 |
9463535687 | Predominant function | Whatever chord comes before V (resolves) | | 57 |
9463535688 | Circle of fifths | A chord progression moving down a fifth each time | | 58 |
9463535689 | Retrogression | A chord progression moving further than I on a circle of fifths | | 59 |
9463535690 | Deceptive progression | | | 60 |